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  1. Academy and the Real World: Developing realistic notions of career in the performing arts.Dawn Bennett - 2009 - Arts and Humanities in Higher Education 8 (3):309-327.
    Performing arts courses within the university sector retain a necessarily strong practical focus as they prepare graduates for work within a highly competitive environment. However, the reality for graduates is a world in which performance is only one component of the myriad activities required to build a sustainable career. This article reports findings from two studies which investigated work patterns, education and professional development of practising and intending musicians and dance artists. Data gathered using a questionnaire, focus groups and interviews (...)
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  • Disciplinary disjunctures in the transition from secondary school to higher education study of modern foreign languages: A case study from the UK.Angela Gallagher-Brett & John Canning - 2011 - Arts and Humanities in Higher Education 10 (2):171-188.
    Discussions of student transition from the study of languages in UK high schools to the study of languages at university usually focus on the vertical transition, comparing the differences in curricula and approach to languages taken in each sector. Whilst acknowledging that this aspect of the student transition is important, this article explores the transition in a broader disciplinary context by raising questions about how other subjects students have studied before entering higher education may help or hinder the transition. As (...)
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  • Understanding the Transition from School to University in Music and Music Technology.Julia Winterson & Michael Russ - 2009 - Arts and Humanities in Higher Education 8 (3):339-354.
    This article considers the transition from school to university in Music and Music Technology, continuing the discussion of transitional issues which began in Volume 2 of Arts and Humanities in Higher Education. The focus of the article is a survey of undergraduates, examining areas that were key to their first experience of studying for a degree, such as entry qualifications, course choice, career prospects, difficult aspects of the course and aspects they felt well-prepared for. These data were supplemented with teacher (...)
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  • Musical Styles as Communities of Practice Challenges for learning, teaching and assessment of music in higher education.Allan Hewitt - 2009 - Arts and Humanities in Higher Education 8 (3):329-337.
    The last three decades have been marked by significant expansion of music education within higher education, the outcomes of which can be seen in the increased numbers of students studying music and in the diversity of activity and purpose within music courses. This article interrogates the relationship between stylistic diversity and music provision, specifically in relation to teaching and assessment, and considers music styles as examples of ‘communities of practice’ into which students may be inducted through formal and informal means.
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