We seek to elucidate the philosophical context in which one of the most important conceptual transformations of modern mathematics took place, namely the so-called revolution in rigor in infinitesimal calculus and mathematical analysis. Some of the protagonists of the said revolution were Cauchy, Cantor, Dedekind,and Weierstrass. The dominant current of philosophy in Germany at the time was neo-Kantianism. Among its various currents, the Marburg school (Cohen, Natorp, Cassirer, and others) was the one most interested in matters scientific and mathematical. Our (...) main thesis is that Marburg neo-Kantian philosophy formulated a sophisticated position towards the problems raised by the concepts of limits and infinitesimals. The Marburg school neither clung to the traditional approach of logically and metaphysically dubious infinitesimals, nor whiggishly subscribed to the new orthodoxy of the “great triumvirate” of Cantor, Dedekind, and Weierstrass that declared infinitesimals conceptus nongrati in mathematical discourse. Rather, following Cohen’s lead, the Marburg philosophers sought to clarify Leibniz’s principle of continuity, and to exploit it in making sense of infinitesimals and related concepts. (shrink)

The emerging epistemic community of ecosemioticians and the multidisciplinary field of inquiry known as ecosemiotics offer a radical and relevant approach to so-called global environmental crisis. There are no environmental fixes within the dominant code, since that code overdetermines the future, thereby perpetuating ecologically untenable cultural forms. The possibility of a sustainability transition (the attempt to overcome destitution and avoid ecocatastrophe) becomes real when mediated by and through ecosemiotics. In short, reflexive awareness of humankind's linguisticality is a necessary condition for (...) transforming ecologically maladaptive cultural forms. As a multidisciplinary, interdisciplinary research program integrating the human and natural sciences, ecosemiotic inquiry closes the gap between biophysical ecology and human ecology. A provisional outline of a pragmatic theory of ecoserniotics attempts to describe the processes by which adaptive cultural changes might be facilitated and points toward substantive content areas that constitute sites for further research. Ecosemiotic inquiry frames cultural codes as these shape and reproduce the ongoing stream of individual and societal choices that shape distinctively human existence in a larger context of biophysical realities that drive natural selection. However, while ecosemiotics is a necessary condition for the sustainability transition, it is not a sufficient condition. (shrink)

The goal of this paper is to explore, from a phenomenologically informed perspective, the phenomenon of the operative spatialization of human thinking, viewed in its relationship with the embodied human organism’s spatial experience. Operative spatialization in this context refers to the cognitive role and functioning of spatial schematizations and differentiations in human thinking. My particular focus is the domain of conceptualization. By drawing on Husserl’s discussion of the (linguistic) process of a sedimentation of meaning, I aim to show that spatialization (...) functions in a structurally ambivalent manner. On the one hand, spatialization predisposes and thus narrows the scope of human conceptual thought. On the other hand, spatialization establishes an implicit cognitive scaffold indispensable for the development and practice of human higher-order thinking. The structure and functioning of this scaffold, I argue, is intrinsically related to the spatial structure and dynamics of human embodiment. Synthesizing insights from phenomenological studies concerning the experiential constitution of space, and classic and recent research findings from fields such as cognitive linguistics and psychology concerning the cognitive dimension of image-schemas and gestural behavior, I argue that the living human body functions centrally as the sense-constitutive ‘site of conversion’ (Husserl) between concrete structures of spatial experience and abstract structures of conceptual thought. (shrink)

Goodman's most important contribution to philosophy seems to be his analysis of the relation between facts of science and fictions of art. His view can be seen as a kind of complementary pluralism. That is to say, science and art are two complementary forms of achieving cognition. This position overcame the positivistic view (of his teacher Carnap) according to which the value of art is restricted to the non-cognitive function of expressing emotions. In this paper I compare some of Goodman's (...) fundamental ideas – especially his central conception of exemplification – with their counterparts in Baumgarten, Kant, and Cassirer. Based on this comparison I argue against the tendency to regard analytic and continental philosophy as two completely separated traditions. (shrink)

The chapter argues from an ethology-inspired internalist perspective that ‘colour’ is not a homogeneous and autonomous attribute, but rather plays different roles in different conceptual forms underlying perception. It discusses empirical and theoretical evidence that indicates that core assumptions underlying orthodox conceptions are grossly inadequate. The assumptions pertain to the idea that colour is a kind of autonomous and unitary attribute. It is regarded as unitary or homogeneous by assuming that its core properties do not depend on the type of (...) ‘perceptual object’ to which it pertains and that‘colour per se’ constitutes a natural attribute in the functional architecture of the perceptual system. It is regarded as autonomous by assuming that it can be studied in isolation of other perceptual attributes. More generally, the chapter argues on the bases of corresponding empirical and theoretical evidence that perception cannot be understood as the ‘recovery’ of physical world structure from sensory structure by input-based computational processes. Rather, the sensory input serves as a kind of sign for biologically relevant aspects of the external world that activates biologically given conceptual forms with their internal parameters. Although the sensory input is a causally necessary requirement for the activation of conceptual forms, the perceptual computations triggered are under the control of an internal programme based on a set of conceptual forms. (shrink)

This paper provides a précis of Ernst Cassirer's concept of art as a symbolic form. It does so, though, in a specific respect. It points to the fact that Cassirer's concept of "symbolic form" is two-sided. On the one hand, the concept captures general cultural phenomena that are not only meaningful but also manifest the way man makes sense of the world; thus myth, religion, and art are considered general symbolic forms. On the other hand, it captures the formal structures (...) and semiotic tools thanks to which meaning is constructed within each general symbolic form (Cassirer called these structures "modes of objectivation"); thus, in art, perspective or the golden section are well-known examples of symbolic forms, now in a narrow sense, i.e. they are means to configure parts into an organized, meaningful whole. The paper will comment on art along both these two dimensions, but its main goal is to provide with concrete examples of aesthetic symbolic forms in the narrow sense in order to show how conceptual meaning can be inscribed in the space of aesthetic intuition. (shrink)

This paper provides a précis of Ernst Cassirer’s concept of art as a symbolic form. It does so, though, in a specific respect. It points to the fact that Cassirer’s concept of “symbolic form” is two-sided. On the one hand, the concept captures general cultural phenomena that are not only meaningful but also manifest the way man makes sense of the world; thus myth, religion, and art are considered general symbolic forms. On the other hand, it captures the formal structures (...) and semiotic tools thanks to which meaning is constructed within each general symbolic form ; thus, in art, perspective or the golden section are well-known examples of symbolic forms, now in a narrow sense, i.e. they are means to configure parts into an organized, meaningful whole. The paper will comment on art along both these two dimensions, but its main goal is to provide with concrete examples of aesthetic symbolic forms in the narrow sense in order to show how conceptual meaning can be inscribed in the space of aesthetic intuition. (shrink)

The phenomenon of self-healing forces has again and again challenged doctors in the different historical periods of medical science. They relied on effects of self-healing forces in diagnosis and therapy. They also tried to explain these effects based on the current model of organism. The understanding of this phenomenon has always influenced the understanding of therapy and played a role in defining the concept of health and disease. In the 17th and 18th century the idea of self-healing force was interpreted (...) as a phenomenon related to the organic forces, whereas in the 19th century the explanation was reduced to a materialistic mechanism. Nowadays the knowledge of heath-shock-proteins open the way of a new understanding of the organic defense mechanisms. (shrink)

Since the beginning of the 20th Century to the present day, it has rarely been doubted that whenever formal aesthetic methods meet their iconological counterparts, the two approaches appear to be mutually exclusive. In reality, though, an ahistorical concept is challenging a historical analysis of art. It is especially Susanne K. Langer´s long-overlooked system of analogies between perceptions of the world and of artistic creations that are dependent on feelings which today allows a rapprochement of these positions. Krois’s insistence on (...) a similar point supports this analysis. - I - Unbestritten bis heute gilt, formwissenschaftliche und ikonologische Methoden scheinen sich grundsätzlich auszuschließen, da die ersteren auf ahistorischen und die letzteren auf historischen Grundlagen aufbauen. Dem entgegen soll mit diesem Beitrag gezeigt werden, wie insbesondere die Forschungen Susanne K. Langers und ergänzend diejenigen von John M. Krois eine Annäherung beider Positionen ermöglichen. (shrink)

Is it true that there is an analogy between modes of creation and such of perception? Respective to the cultural anthropological research of Ernst Cassirer, Susanne K. Langer and John M. Krois and by the analysis of a tape of the Swiss video-artist Pipilotti Rist this initial thesis of Formal Aesthetics shall be supported. - I - -/- Lässt sich die Behauptung stützen, dass zwischen Gestaltungsweisen und Wahrnehmungsweisen eine Analogie besteht? Aufbauend auf den kulturanthropologischen Forschungen von Ernst Cassirer, Susanne K. (...) Langer und John M. Krois sowie der Analyse eines Tapes der Schweizer Videokünstlerin Pipilotti Rist gilt es diese ursprünglich von der formalen Ästhetik aufgeworfene These zu untermauern. (shrink)

Ernst Cassirer’s book Substanzbegriff und Funktionsbegriff is a difficult book for contemporary readers to understand. Its topic, the theory of concept formation, engages with debates and authors that are largely unknown today. And its “historical” style violates the philosophical standards of clarity first propounded by early analytic philosophers. Cassirer, for instance, never says explicitly what he means by “substance-concept” and “function-concept.” In this article, I answer three questions: Why did Cassirer choose to focus on the topic of concept formation? What (...) did Cassirer mean in contrasting “substance-concepts” and “function-concepts”? How does Cassirer’s polemic against traditional theories of concept formation lead to the distinctive philosophy of mathematics that he defends in the book? I argue that Cassirer’s contrast between substance-concepts and function-concepts includes a series of interrelated contrasts—contrasts that touch on issues in logic, metaphysics, epistemology, and the theory of objectivity. Cassirer’s defense of mathematical structuralism flows out of a progressively unfolding and intricate argument that begins with epistemological problems in the theory of concept formation. (shrink)

Das Hauptargument dieses Buches ist die unleugbare Offenheit jedes Systems zum Unbekannten hin. Und die Grundfrage lautet: Was ergibt sich aus dieser Offenheit? Wir sind ein Teil des unendlichen Universums und eine Verkörperung seiner Ganzheit. Beides bedeutet für uns eine individualisierte Wirklichkeit, durch die sich das Universum ausdrückt und durch die es andererseits mit gebildet wird. Es bedeutet ebenfalls unsere Notwendigkeit, Wichtigkeit und Unzerstörbarkeit für die Gesamtheit seiner Verkörperungen. Die meisten Verbindungen untereinander sind uns kaum bewusst. Indessen gewährleistet die Infinitesimalstruktur (...) allen Bewusstseins nicht nur die logische Widerspruchsfreiheit dieser Verbindungen, sondern auch die unaufhebbare Wahlfreiheit jedes einzelnen Individuums. Unser Ziel kann jedoch keineswegs darin liegen, vollkommen bewusst zu entscheiden. Verantwortung schließt Spontanität beziehungsweise das Vertrauen auf ein sinnvolles Zusammenwirken der Kräfte ein. Wir werden unserer Rolle im Gesamtzusammenhang zunehmend gewahr und lernen, einen optimalen Beitrag zur Werterfüllung aller Individuen, einschließlich uns selbst, zu leisten. Jenseits der vermeintlichen Unterschiede zwischen objektiver und subjektiver Wirklichkeit begreifen wir, dass wir unsere Realität aus unserem tiefsten Innern heraus erschaffen. (shrink)

This chapter discusses the first part of Aristotle's Posterior Analytics A-33, 88b30-89a10. I claim that Aristotle is not concerned with an epistemological distinction between knowledge and belief in general. He is rather making a contrast between scientific knowledge (which is equivalent to explanation by the primarily appropriate cause) and some explanatory beliefs that falls short of capturing the primarily appropriate cause.

Ludwik Fleck is a pioneer of the contemporary social constructionist trend in scientific theory, where his central concept of thinking style has become standard fare. Yet the concept is too often misunderstood and simplified with serious consequences not only for Fleck studies. My essay situates Fleck’s concept of thinking style in the historical context of the 1920s and ‘30s, when the notion of style was first applied to the natural sciences, in order to illustrate the uniqueness of Fleck’s concept among (...) the uses of style by his contemporaries and, finally, to examine the epistemological, methodological, and political consequences of this distinction. (shrink)

Can a phenomenology of culture be at the same time a philosophy of culture? In other words, can a descriptive exploration of acts and objects of culture serve at the same time as a critical reflection on those acts and objects? Or does cultural critique imply a separate and additional task, that of a normative examination of the explored cultural phenomena? What would be the founding values of such an examination? How would it be established? Furthermore, what would be the (...) importance of recognizing the distinct nature of this task compared to the exploratory-descriptive one? How would the two tasks relate to one another? Finally, is a full-fledged philosophy of culture, i.e. a critical exploration of cultural phenomena, needed? And if yes, why? These are the questions addressed by this paper. Answers are sought in a close examination of the work of Ernst Cassirer which involved both a phenomenology of cultural forms as well as an attempt at their normative-critical evaluation. And yet his work was criticized by many for its lack of an ethical dimension, a critique endorsed by another phenomenologist of culture, Alfred Schutz, whose work itself was accused for being non-critical. Beginning with a presentation of these two phenomenologies of culture this paper examines closely the charges directed against Cassirer's comprehensive philosophy of culture, namely, its idealism and its a-moralism. Through this examination the paper aims to shed light on a number of issues pertaining to the questions formulated above. (shrink)

The main argument in this book is the undeniable openness of every system to the unknown. And the fundamental question goes: What does this openness produce? We are a part of the infinite universe and an incorporation of its wholeness. Both for us means an individualized reality, through which the universe expresses itself and on the other hand through which it is built up with. It also means our necessity, importance and indestructibility for the sum of its incorporations. Most connections (...) among ourselves are hardly conscious for us. Meanwhile the infinitesimality structure of all consciousness guarantees not only the logical lack of inconsistency of these connections but also the freedom of choice of every individual. Our goal by no means can be to decide completely consciously. Responsibility contains spontaneity or rather trust in a meaningful working together of the forces. We increasingly become aware of our role in the entire relationship and we learn to contribute optimally to the value fulfillment of all individuals, ourselves included. Beyond the supposed differences between objective and subjective reality, we at some point of awareness comprehend that we create our reality out of our innermost depths. (shrink)

We shall address from a conceptual perspective the duality between algebra and geometry in the framework of the refoundation of algebraic geometry associated to Grothendieck’s theory of schemes. To do so, we shall revisit scheme theory from the standpoint provided by the problem of recovering a mathematical structure A from its representations \ into other similar structures B. This vantage point will allow us to analyze the relationship between the algebra-geometry duality and the structure-semiotics duality. Whereas in classical algebraic geometry (...) a certain kind of rings can be recovered by considering their representations with respect to a unique codomain B, Grothendieck’s theory of schemes permits to reconstruct general rings by considering representations with respect to a category of codomains. The strategy to reconstruct the object from its representations remains the same in both frameworks: the elements of the ring A can be realized—by means of what we shall generally call Gelfand transform—as quantities on a topological space that parameterizes the relevant representations of A. As we shall argue, important dualities in different areas of mathematics can be understood as particular cases of this general pattern. In the wake of Majid’s analysis of the Pontryagin duality, we shall propose a Kantian-oriented interpretation of this pattern. We shall use this conceptual framework to argue that Grothendieck’s notion of functor of points can be understood as a “relativization of the a priori” that generalizes the relativization already conveyed by the notion of domain extension to more general variations of the corresponding domains. (shrink)

O artigo examina os trabalhos completos de Cassirer, assim como seus escritos póstumos com relação à tese de Heinz Paetzold de que a filosofia de Cassirer sofre uma transformação em direção à antropologia em seu trabalho tardio, assim como a tese de Guido Kreis de que tal transformação da filosofia dos símbolos não é possível porque não pode garantir seu próprio fundamento. O autor demonstra uma continuidade no pensamento de Cassirer com relação ao tema da antropologia, segundo a qual Cassirer (...) vem lidando com o problema de uma metafísica do simbólico desde pelo menos 1921 e já em 1928 faz uma determinação inicial do homem como um ser capaz de forma. A retomada da questão antropológica ocorre em 1939 e está em clara continuidade com os trabalhos anteriores. A reconstrução da gênese de _Ensaio sobre o homem_ que se segue revela finalmente um segredo até então bem guardado da pesquisa de Cassirer, ou seja, uma resposta à questão de por que a história aparece pela primeira vez como uma forma simbólica na última obra publicada por Cassirer. (shrink)

Живым существам объективный мир представляется как совокупность чувственно воспринимаемых качеств, воспоминаний, ощущений, мыслей, желаний, убеж- дений и т.д. Почему произошло так, что объективный мир способствовал появлению су- ществ, обладающих субъективным представлением об окружающей их действительности. Почему объективный мир породил существ с субъективным восприятием мира? Эта статья во многом посвящена разрыву между объективным и субъективным, а также проблеме качественного характера феноменального сознания. Я утверждаю, что физиологическое, феноменальное и концептуальное составляют трехуровневую иерархию эмергентных кате- горий. Эти категории каузально и онтологически различны (или (...) разделены). Для каждой характерен уникальный механизм интеракции. Этот механизм создает условия для форми- рования наделенного значением дискурсивного взаимодействия с окружающей средой. Повышение уровня сложности организации в рамках каждой категории неизбежно приво- дит к появлению нового уровня в иерархии. Иначе говоря, существует эмергентная иерар- хия развивающихся категорий, определяемая природой их механизмов взаимодействия с окружающим миром. Что касается первой категории, я утверждаю, что биохимические механизмы склонны в своем развитии идти особым, наделенным значением путем, при котором качественно учитываются характеристики окружающей среды и обеспечивается реакция на них. Говоря о второй категории, я показываю, что эти механизмы дают орга- низму возможность оценки и приоритизации квалитативных ассимиляций. Далее я объяс- няю, почему этот процесс характеризует индивидуальный субъективный феноменальный опыт. Наконец, я говорю об этом с точки зрения уникального взгляда на мир, присущего человеку. (shrink)

"The term 'model' has become fashionable". What Mary Hesse characterized in the mid-1960s as a trend in logic, mathematics, and the natural sciences, applies today in general for a broad spectrum of disciplines. Today models appear to be of "extraordinary importance" compared to the first half of the twentieth century, when models were neither mentioned nor contemplated, either generally in scientific publications or specifically in the philosophy of science. It is even assumed that models are "the key to science" and (...) that today's science is largely... (shrink)

In ancient as well as in early modern theories of emotion, philosophy is often described as some kind of therapy. However, the assumption that philosophical reflection can influence our emotional life is only plausible, if the following requirements are met. First, one has to defend a realist account of self-knowledge. Second, one must allow for some kind of constructivism in regard to the description of one′s own experience. Finally, one has to maintain a strictly cognitivist conception of emotion. The article (...) discusses these three conditions and shows that, while the idea of a therapeutic influence of philosophical reflection is valid in principle, it is only of a restricted use. (shrink)

At the turn of the twentieth century, Helm and Ostwald were the most prominent supporters of so-called ‘energetics’, which aimed to unify all physics by employing the sole concept of energy, without relying on mechanical models. This paper argues that Cassirer's interest in the history of the energy principle and the energetic controversy is entangled with the main themes of his philosophy of physics up to the 1920s: the opposition between the a priori and the a posteriori and the substance-concept (...) and the function-concept. These interwoven motifs are not always easy to disentangle. The paper suggests that Cassirer's interpretation of the energy principle can serve as a guiding thread that runs through Cassirer's philosophy of physics up to the 1920s. (shrink)

Summary This paper deals with the development of Husserl’s and Merleau-Pontys analyses of the affective lived experience of body and space. Both the concept of „flesh“ (Merleau-Ponty) and „Hyle“ (Husserl) stand for a sensuous principle that underlies the original givenness and solidarity of body and world and I claim that this interaction and the concomitant intertwining of body and place make up the existential dimension of architecture, i.e. the, being-here-in-a-place’. In this connection, I argue that the fact that bodily affective (...) experience endows the world with sense has led to a double break: On the one hand with representation and on the other with perspectivity and compossibility of the realms of being in Husserl’s and Merleau-Ponty’s respective approaches. Finally, I will exemplify this break and the development of genetic insights – from an anthropocentric, organic and harmonious space conception to a topologic space made up of incompossibilities expressing an ambiguous sense – with paradigmatic works of architecture, so as to make evident the explanatory potential of phenomenology for architecture. (shrink)

Erwin Panofsky’s essay “Perspective as Symbolic Form” from 1924 is among the most widely commented essays in twentieth-century aesthetics and was discussed with regard to art theory, Renaissance painting, Western codes of depiction, history of optical devices, psychology of perception, or even ophthalmology. Strangely enough, however, almost nothing has been written about the philosophical claim implicit in the title, i.e. that perspective is a symbolic form among others. The article situates the essay within the intellectual constellation at Aby Warburg’s Kulturwissenschaftliche (...) Bibliothek in Hamburg, and analyzes the role of Ernst Cassirer’s philosophy of symbolic forms for the members of the Warburg circle. Does perspective meet the requirements for becoming a further “symbolic form,” beyond those outlined by Cassirer? The article argues that, ultimately, perspective cannot possibly be a symbolic form; not because it does not meet Cassirer’s philosophical requirements, but rather, because that would uproot Cassirer’s overall project. While revisiting Panofsky with Cassirer unearths the wide-raging philosophical implication of the essay, revisiting Cassirer with Panofsky means to highlight the fundamentally perspectival nature of all symbolic forms. (shrink)

Science is one faith and has one great commandment. The faith is simply that man can control his future in his own interest. In the face of the appalling discrepancy between the powers of the natural and the social sciences, a discrepancy that leads to visions of man's liquidation by man, the assertion is nevertheless made that the remedy for the consequences of science is more science. The long record of scientific victories in the past gives some warrant, let us (...) suppose, for faith in continued victory, but at bottom there is no compelling proof. There never has been, and, I make bold to say, there never will be. The role of scientist in the human drama always contains lines reminiscent of Prometheus; an utterly nonrational belief in ultimate triumph lends him strength to confront what to others may seem a hopeless future. The frequency with which it will appear in the references is not because the writer regards it as of major importance, but because it dovetails more neatly with this paper than do many other more significant books. Moreover, it has fairly full footnote and chapter bibliographies. The statements in the non-parenthetical part of this paragraph are good examples of the near-elliptical character of much of what is said here. Expansion is badly needed, but the reader must be referred to ch. vi of. The position represented is not new; many writers, among them William James, have held it in various ways.). (shrink)

Summary It is about 100 Years ago that the German-American philosopher Susanne K. Langer started a bold and courageous appearance on the stage of consciousness-research - until then exclusively dominated by male and paternalistic figures. This contribution is to highlight SK Langers work and impact on the theory of consciousness, especially on her final three volume publication: “Mind. An Essay on Human Feeling” (1967, 1972, 1982) which, until now, has not been translated into German. What stands out in Langer’s work (...) is her intuitive closeness to many Gestalt-theorists and the overriding importance she attributes to symbolization in the specific make-up of the human mind. Her main focus is centered on presentative symbolics; meaning those early forms of human expression (prior or along the development of human language) in magic rituals, rhythm, music, painting and sculpturing, early collective work experience, formalized playing or funeral activities. Langers view on symbols goes far beyond the typical meaning of reference towards a much more sophisticated intertwinement of form, event and being in a matrix of “living tensions”. I would like to point out that her research is of important value to a revised thinking on mental health and mental crisis in reshaping the complex interaction between image, Gestalt and Symbol. (shrink)

Kant’s admission of a “gap” in the philosophical system of criticism, which his unpublished project of the “Transition from the Metaphysical Foundations of Natural Science to Physics” would have been meant to fill, has been the object of controversy among scholars. This article reconsiders the problem by connecting the manuscripts with the operation of “exhibition” of concepts, which already had a systematic role in the 1780s, concluding that the new project was intended to provide not a reform, but a necessary (...) complement of previous works. In the final section Kant’s new awareness of this problem in the 1790s is connected to the contemporary reception of criticism. This context provides more evidence supporting the main argument of the article about the inner development of Kant’s thought. (shrink)

In this paper it is championed that a two stages hypothesis for the evolution of language must take into account a qualified approach to heterochrony and the available information from the archaeological record. As it seems, a protracted childhood and youth was already at work in Homo erectus, but early postnatal brain growth was only available to Homo sapiens. According to these facts, the term hysteron proteron is given here to the reversal that sets off linguistic capacity during the first (...) three years of life, upon the ancient abilities for social, natural and technological knowledge, which were already established during the last 2 Mya BP. The unfolding of linguistic capacity creates the typical effect that ontogeny reverses phylogeny: since late postnatal brain growth, quite recent in evolution, launches in ontogeny before the phylogenetically old processes of playing and learning take place during childhood and youth. Full symbolic abilities may be explained as emerging from older semiotic competences based on iconicity and indexicality, which would have presumably sustained human life for millennia. Furthermore, it is argued that the formation of linguistic categories follows from that overlaying of extended connectivity linked to early postnatal brain growth, inasmuch as it entangles and transforms previous iconic and referential information: i.e. the ancient semiotic capacities for proprioception, embodiment, extended mimesis and pragmatic knowledge, shaping a sort of self-organization process that provides the formal and semantic properties we find in articulated languages. (shrink)

Matthias Neuber’s book represents an important contribution to the relatively young discipline of the History of Philosophy of Science. Starting roughly in the 1980s, increasing attention has been devoted not only to the relationship between philosophy and the history of science, but to an accurate historical reconstruction of earlier projects within philosophy of science. One of the most outstanding results of these investigations has probably been the radical reshaping of the rather caricatural image of logical empiricism—for better or worse the (...) core of the philosophical heritage of many philosophers of science—summarized in the so-called ‘standard view’. By analyzing the historical, sociological, and philosophical questions surrounding logical empiricism new light has been shed on the sense of a cultural, social, and political mission that characterized it before its emigration from Europe to North America in the 1930s and 1940s. What came to be known as .. (shrink)

Der vorliegende Band vereinigt die Akten des internationalen Schleiermacher-Kongresses 2021 und nimmt den Philosophen, Theologen, Pädagogen und Übersetzer Friedrich Schleiermacher (1768–1834) als Kommunikationstheoretiker in den Blick. Ob als Universitätslehrer, Kanzelredner, als politischer Reformer, Publizist, Salongänger oder Briefeschreiber – Schleiermacher war selbst ein begnadeter Kommunikator und im Begriff der Kommunikation bündeln sich wie in einem Brennglas viele zentrale Aspekte seines Denkens. Seine Philosophie, Theologie und philologische Praxis zeichnen sich durch ihre emphatische Prozesshaftigkeit jenseits starrer Systeme aus. Sich in Sprache manifestierendes Wissen, (...) moralisches Handeln, religiöses Erleben und der Entwurf gemeinschaftlicher Institutionen sind im beständigen Werden und nur im Austausch der miteinander streitenden, sich liebenden und hassenden, Ideen und Sinn entwerfenden und um Gemeinschaft und Individualität ringenden Menschen wirklich. Die Beiträge dieses Bandes gehen Schleiermachers Werk ebenso wie seiner gesellschaftlichen, kirchlichen und philologischen Praxis vor dem Hintergrund ihrer ideengeschichtlichen Verflechtung nach und aktualisieren sein Denken in Auseinandersetzung mit unterschiedlichen Positionen der Gegenwart. (shrink)

This research proposes the comparative analysis of the symbolic representations of Maidan in the Ukrainian and Polish media outlets that comprise tabloid and quality publications. Different types of symbols are identified in the news analysis, reports, and feature stories on Maidan. The typology of symbols is worked out on the basis of the Cassirer’s philosophy of symbolic forms and Langer’s symbol theory. The coded types of symbols include symbol-products, symbol-concepts, symbol-slogans, symbol-situations, symbol-processes, and symbolic actions. With the help of the (...) content analysis it is found that some most visible symbols in the media coverage of Maidan coincide in the Ukrainian and Polish print media. These are the symbol-concept “barricade”, the symbol-concept “Berkut”, and the symbol-process “dispersal of Maidan”. However, there are symbols that have either quantitative or qualitative significance in the Polish press and are absent in the Ukrainian media at all, namely, the symbol-product “blood”, the symbol-concept “solidarity”, the symbol-concept “freedom”. (shrink)

RÉSUMÉ: Dans cet article, j’entreprends de clarifier le projet (frégéen) d’une logique de l’arithmétique -- tel qu’il a été discuté par Natorp et Rickert -- en distinguant trois questions directrices. Le nombre est-il un objet logique? L’arithmétique est-elle réductible à la logique? Est-il possible de déduire les opérations arithmétiques de lois purement logiques? Ma thèse est que la distinction rigoureuse de ces trois questions permet de lever une grande partie des obscurités qui affectent en généralle programme d’une logique de l’arithmétique. (...) La contribution néo-kantienne à ce programme se trouve du même coup éclairée d’une lumière nouvelle.ABSTRACT: In this article, I try to shed light on the (Fregean) project of a logic of arithmelic-as discussed by Natorp and Rickert-by outlining three main questions. Is the number a logical object? Is arithmetic reducible to logic? Is it possible to deduce the arithmetical operations from purely logical laws? I argue that rigorous distinction between these three questions makes it possible to elucidate many problems affecting the program of a logic of arithmetic. The Neo-Kantian contribution to this program is at the same time considered in a new light. (shrink)

En este trabajo se aborda una articulación filosófica acerca del lenguaje, ligada a una amplia reflexión sobre el conocimiento humano y que Cassirer vincula como principio fundamental de su inmensa obra Filosofía de las formas simbólicas . Recuperando el gran trabajo sobre el origen de las lenguas iniciado por Humboldt, a principios del siglo XIX, Cassirer propone un análisis del lenguaje que va más allá del concepto de “uso”, centrándolo en el campo estructural de una “morfología espiritual” de las lenguas.

Until now psychoanalytic literature has paid little attention to the psychoanalytic consulting room or the arrangement of couch and armchair and their likely effect on the psychoanalytic process. In this qualitative study, the answers of 20 former analysands reporting about their analyses in a guided interview were interpreted. It was found that room and psychoanalytic process interact very closely with one another. In the course of the analysis analysands define room implicitly in five different ways unaware of their doing so. (...) Room is defined as 1 the complete room in which the couch and armchair stand. Subjectively, the analysand is in the analyst’s room and is assigned a place on the couch for his own use. Analysis consists mainly on the analysand’s adapting to the analytic procedure. 2 the couch setting. Subjectively, the analysand is in his own room. Psychoanalysis consists mainly of regressive dyadic interactions between analysand and analyst. The analysand idealizes the room and is unaware of any irritating element. 3 the couch. Subjectively, the analysand is in his own room, concentrating on the confrontation with himself during the analytic work. The analyst accompanies the process mainly protectively by having the consulting room ready. 4 the complete room with all its details as the basis of the analysand’s own concept of a room. The analysand has an increasingly critical view of the consulting room, the analyst and all the details of the analytic process. He now becomes fully aware of all the elements belonging to room and process. He conceptualises his own idea of the perfect room. His often vehement criticism of all the elements of the room is central to the analytic work at this stage. 5 the complete consulting room including the couch setting. After the end of his analysis, the analysand returns to his old consulting room and discovers, mainly unconsciously, that his former consulting room has become foreign to him. He is no longer in his own room and soberly looks at an unattractive room in which he once experienced all the decisive periods of his life. The analysand goes through these five phases respectively. The process is not reversible. On account of the interaction stated between room perception and psychoanalytic process this room theory can serve as a means of efficacy research in order to evaluate the depth of the psychoanalytic process and the qualitative personality changes within it. (shrink)

The article deals with `The Symbolic Force of Human Rights'. First, it restricts the meaning of the term `symbolic' and of the expression `symbolic force'. Second, it discusses the concept of human rights. Having established the conceptual framework, the author goes to the core of his argument, characterizing the symbolic force of human rights as ambivalent: on one hand, it serves for their generalized affirmation and accomplishment; on the other hand, it acts as a manner of political manipulation. In this (...) regard, the article focuses, first, on the symbolic force of human rights at the level of national states, and then within the international and worldwide context, on criticizing finally the rhetorical use of human rights by nowadays' only superpower, the USA. Key Words: human rights • interventionism • supranational and national • legal orders • symbolic force. (shrink)

En el presente trabajo se reflexiona el proceso de construcción del autoconocimiento propuesto por Ernst Cassirer. El objetivo es identificar la tensión entre la vida y espíritu como su antítesis básica y a las mediaciones simbólicas como el recurso cultural que posibilita la formación de un autoconcepto. A través de una revisión crítica de la Philosophie der symbolischen Formen y An Essay on Man, se sostendrá que, i) el autoconocimiento es un proyecto tríadico que integra cada fase previa, ii) que (...) requiere una investigación funcional de la obra y cultura humana para iii) sostener una tensión que distingue sin separar al agente como ser vivo y su autoconocimiento como un producto espiritual. (shrink)

Widmer sheds light on a neglected aspect of the Western philosophical tradition. Following an era of Hegelianism, the members of the neo-Kantian "Marburg School," such as Friedrich Albert Lange, Hermann Cohen, Rudolf Stammler, Paul Natorp, and Ernst Cassirer defended socialism or left-wing ideals on Kantian principles. In doing so, Widmer breaks with two mistaken assumptions. First, Widmer demonstrates that the left-Hegelian and Marxist traditions were not the only significant philosophical sources of socialist critique in nineteenth-century Germany, as the left-Kantians identified (...) problems of normativity that the left-Hegelians could not adequately address. Second, Widmer challenges the prevailing assumption that the political philosophies developed in the Marburg School can be comprehensively characterized as a unified school of "ethical socialism." By showing that they varied fundamentally regarding their political views and their philosophical foundations of socialism, Widmer fills a gap in the studies of neo-Kantianism that is long overdue. (shrink)

У статті виокремлено два підходи до визначення лінгвістичних умов появи і функціонування міфу. За першого підходу припускають, що міф є проявом несвідомого (М. Мюллер) або свідомого (Е. Кассирер, Р. Барт) викривлення мови. Міф є неусувним, адже неусувною є мовна презентація фактів світу, яка не буває досконалою. На думку прихильників свідомої міфологізації мови, ці викривлення здійснюються задля політичного впливу. На філософію покладається завдання протистояти такому викривленню, а отже, і міфотворчості загалом. Цей підхід видається спрощеним, оскільки міф тут ототожнюється з лінгвістичною формою (...) його поширення, редукується до аналізу спотворень мовної презентації. При цьому втрачаються психологічні і гносеологічні передумови міфу, його унікальний статус у житті спільнот. Умови для розроблення другого підходу виникають через критику класичної раціональності низкою впливових мислителів, що підважили віру в ексклюзивну здатність дискурсивної мови презентувати істину (Ф. Ніцше, Л. Вітґенштайн, М. Гайдеґґер). Згідно з другим підходом, міф зароджується і продовжує існування через неспроможність логосу презентувати деякі важливі аспекти реальності, передовсім її екзистенційний вимір (П. Тілліх, Г. Блюменберґ, Л. Гатаб, К. Морґан). В такому разі міф і логос стають альтернативними та водночас тісно пов’язаними лінгвістичними способами презентувати істину. Логос (мова науки) презентує передовсім абстрактні каузальні зв’язки сутностей. Водночас міфічні оповіді краще за науку здатні презентувати таємниці походження і існування, створювати ціннісну ієрархію для спільнот. (shrink)

the domain of Art critique and becoming a philosophical argument. How can we think of Perspective as symbolic Form? Is Perspective really a symbolic form? Why is Perspective so important? Because at the beginning of the Modern Age, Perspective as spiritual figure grounds many symbolic or even many scientific constructions. We could we say that perspective open the foundation of modern science as such. The “Geometrization” of Vision, beginning with perspective, will be for us the interpretative key in order to (...) understand the Modern Age as a whole. This understanding will allow us to understand the anthropologic dimension arising from the Modern Age, called „Perspectivism“. Assuming that perspective was neither only an invention of painting nor of geometry nor of philosophy, taken as singular fields of human inquiry, we will try to sketch the genesis of “perspective” from an interdisciplinary point of view. By doing so, we will also try to fix its deep significance for the anthropology of the Modern Age. Living and feeling in a perspectival world is the real invention of the Modern Age, one that overcame the closed Cosmos of the Middle Ages in order to reveal to mankind its own potential. Our interdisciplinary approach will proceed from many points of view and converge on the idea of a new kind of human experience. Such an interdisciplinary approach will open new questions about our present time. Are we justified in thinking of our experience today as perspectival? What does it mean today to think from perspectives in the manifold dimensions of our living and to face to the complexity of our times? (shrink)