The problem of truthmakers for negative propositions was introduced by Bertrand Russell in 1918. Since then the debate has mostly been concerned with whether to accept or reject their existence, and little has been said about what it is that makes a negative proposition negative. This is a problem as it is obvious that you cannot just read it off from the grammar of a sentence. The aim of this paper is to demonstrate that propositions may be negative or positive (...) in many ways: it offers a typology, and shows how the question of the existence of negative facts will receive a different answer depending on its relationship to that typology. (shrink)

In the first part ("Determination"), I consider different notions of determination, contrast and compare modal with non-modal accounts and then defend two a-modality theses concerning essence and supervenience. I argue, first, that essence is a a-modal notion, i.e. not usefully analysed in terms of metaphysical modality, and then, contra Kit Fine, that essential properties can be exemplified contingently. I argue, second, that supervenience is also an a-modal notion, and that it should be analysed in terms of constitution relations between properties. (...) In the second part ("A Theory of Truthmaking"), I first review the literature on ontological commitment, and argue that the notion of truthmaking is better suited to play its explanatory rôle. I then argue that we should take truthmaker theory seriously, and that we should provide actual truthmakers for all truths there are. In the last chapter of this part, I review Armstrong's truthmaker theories and argue that they are unsatisfactory. I generalise my criticism to an argument against truthmaker necessitarianism, the view that truthmakers necessarily make true the truths they are truthmakers of. In the third part ("Properties and their Kind(s)"), I discuss qualitative determination. I present and endorse the truthmaker argument for universals, and defend universalism against friends of tropes, states of affairs and facts. I then give a novel characterisation of the important class of intrinsic properties, building on Lewis' work. With a workable notion of intrinsicness at hand, I argue that relations are ontologically – but not "ideologically" – dispensable: qualitative determination in general is a matter of intrinsic structure. In the future, I plan to add two parts and to publish my thesis as a book: In the fourth part ("Exemplification"), I argue for the existence of an exemplification relation tying universals and particulars together. I derive theoretical benefits from this relation by providing adverbialist theories of modality and tense and identify exemplification with a type of parthood. In the fifth part ("Qua qua qua"), I investigate the curious and interesting ontological category of so-called "qua-objects" (Picasso-as-a-painter, for example) and argue that they exist, are not identical with transworld indidivuals or modal parts and that they provide (contingent) truthmakers for all true predications. (shrink)

I analyse the concept of sentimental value, with a view to identifying its relations with the notions of intrinsic, final, extrinsic and instrumental value. The analysis explores issues arising in the understanding of an object as sentimentally valuable, and reveals a serious tension in the common sense extrinsic conception of sentimental value.

_ Source: _Volume 95, Issue 2, pp 245 - 264 In the last few decades, the interest in Brentano’s philosophical psychology, especially in his theory of judgment, has been steadily growing. What, however, has remained relatively unexplored are the modifications that have been introduced over the years into this theory by Brentano himself and by his student Anton Marty. These amendments constitute the focus of the present paper. As will be argued, only by making such changes can the weaknesses of (...) the first formulation of the theory be overcome. Moreover, as the final section of the paper attempts to show, these modifications may even trigger further steps towards what we might label a new Brentanian theory of judgment. (shrink)

Both through his own work and that of his students, Franz Clemens Brentano had an often underappreciated influence on the course of 20 th - and 21 st -century philosophy. _The Routledge Handbook of Franz Brentano and the Brentano School_ offers full coverage of Brentano’s philosophy and his influence. It contains 38 brand-new essays from an international team of experts that offer a comprehensive view of Brentano’s central research areas—philosophy of mind, metaphysics, and value theory—as well as of the principal (...) figures shaped by Brentano’s school of thought. A General Introduction serves as an overview of Brentano and the contents of the volume and three separate bibliographies point students and researchers on to further avenues of inquiry. Systematic and detailed, _The Routledge Handbook of Franz Brentano and the Brentano School_ provides readers with a valuable reference to Brentano’s work, and to his lasting importance in the history of philosophy and in contemporary debates. (shrink)

This article is a review of Franz Brenatno’s material ontology. We support the thesis that Brentano defends an original type of monism. This monism can be seen as the conjunction of three theories: reism (the thesis that there are only concrete individual things), priority monism (the thesis that there is only one substance), and supersubstantivalism (the thesis that this substance is space).

Abstract: Brentano’s conception of scientific philosophy had a strong influence on his students and on the intellectual atmosphere of Vienna in the late nineteenth century. The aim of this article is to expose Brentano’s conception and to contrast his views with that of two traditions he is said to have considerably influenced: phenomenology and analytic philosophy. I will shed light on the question of how and to what extent Brentano’s conception of philosophy as a rigorous science has had an impact (...) on these two traditions. The discussion will show that both took their liberties in the interpretation of the thesis, a move that allowed them to liberate themselves from Brentano’s inheritance and to fully develop their own philosophical positions. (shrink)

Some commitments at the interface of semantics and ontology, such as numbers or symphonies, tend to appear problematic. The scorekeeping approach to semantics introduces contextually shifting parameters that allow for construal of truth as indirect correspondence. Meinong did recognize diversity and richness that is made possible by the non-reductionist engagement of the scorekeeping approach. Because of his commitment to the deep presupposition of direct correspondence construal of truth though, Meinong had to interpret richness of normative discursive scorekeeping commitments as richness (...) of ontological strata, features and engagements. Once as Meinong recognizes the construal of truth as indirect correspondence, many problems related to his objects dissolve, naturally placing his scorekeeping discovery into discursive normative setting. A translation of Meinongian objects into discursive scores confirms that his discovery aims at these indeed, which is obscured by his sticking to the construal of truth as direct correspondence. (shrink)

According to standard Creationism about fictional characters, each fictional character is created by its single author independently, or created by its co-authors cooperatively, or created by its independent authors independently. I argue that standard Creationism faces the Creator-Determining Problem. I propose a non-standard form of Creationism, i.e., Conjunctive Creationism, according to which each fictional character is conjunctively created. I argue that Conjunctive Creationism does not face the Creator-Determining Problem. By responding to four potential worries, I provide a further defense. My (...) conclusion is that Conjunctive Creationism is a more promising form of Creationism.Selon la norme du créationnisme concernant les personnages fictifs, chaque personnage est soit créé indépendamment par son seul auteur, soit créé par ses co-auteurs en collaboration, soit encore créé indépendamment par ses auteurs indépendants. Cette norme doit cependant faire face au problème de l’identification du créateur. Pour éviter ce problème, je propose d’adopter le créationnisme conjonctif, selon lequel chaque personnage est créé conjointement. Je défends cette proposition en répondant à quatre inquiétudes potentielles. Je conclus que le créationnisme conjonctif est une forme plus prometteuse du créationnisme. (shrink)

Twardowski'sOn the Content and Object of Presentations(1894) is one of the most influential works that Austrian philosophy has left to posterity. The manuscriptLogik(1894–1895) supplements that work and allows us to reconstruct Twardowski's theory of judgement. These texts raise several issues, in particular whether Twardowski accepts propositions and states of affairs in his theory of judgement and whether his theory is acceptable. This article presents Twardowski's theory, shows that he accepts states of affairs, that he has a notion of proposition, and (...) that his theory is interesting and sophisticated. (shrink)

Meinongian 'objects' are evoked in an effort to critique and expand upon traditional theories of reference. The argument stems from an account of Peirce's categories of meaning in light of vague, contradictory, inconsistent, general, incomplete, and incompleteable signs. In addition to signs as either 'true', 'false', or meaningless, the function of imaginary numbers reveals the possibility of a sign's being both 'true' and 'false' or neither 'true' nor 'false', over time, and dialogically speaking. This demands a tolerance for vagueness, ambiguity, (...) contradiction, and incessantly changing meaning. (shrink)

Phenomenology is intrinsically intentional for Brentano. Qualitative conscious experiences are individuated by their phenomenal space. Examples concerning the phenomenal take account of both experiential and physical spaces. As directedness at an object and reflexive directedness of the act at itself come interwoven, there is the intrinsic phenomenology of intentionality. Both intentionality of phenomenology and phenomenology of intentionality present the wholes with mutually pervading and only logically distinguishable parts. The above theses establish balance between phenomenology and intentionality, a balance disrupted in (...) both analytical and continental traditions to which Brentano was a precursor. (shrink)

The most striking feature of Meinong's theory of intentionality is his thesis that every mental act has its reference‐object “beyond being and non being”. This theory seems, at first, to be a clear example of the so called object‐theory of intentionality, as it introduces special “postulated” entities in the target‐position of the mental act. Closer examination, however, reveals in Meinong's works important elements of the mediator‐theory. Meinong speaks of auxiliary incomplete objects situated “between” the subject and the object of reference (...) and “mediating” the intentional access to the reference‐object. Moreover, even if the object of reference is of the simple nominal form, the mediating structure involves essentially propositional entities . In the paper we attempt to give a set‐theoretical interpretation of Meinong's theory in the frame of which we could eventually do without the incomplete mediating objects. Yet, some general epistemological considerations suggest the indispensability of such incomplete mediating structures. (shrink)