The sensory colors that figure in visual perceptual experience are either properties of the object of consciousness (naïve realism, sense-data theory), or properties of the subject of consciousness (adverbialism) (Section 1). I consider an argument suggested by the work of A. D. Smith that the existence of certain kinds of perceptual constancies shows that adverbialism is correct, for only adverbialism can account for such constancies (Section 3). I respond on behalf of the naïve realist that naïve realism is compatible with (...) the existence of such constancies, so long as naïve realism adopts the view that sensory colors are relational properties of physical objects, not intrinsic properties (Section 4). In other words, the naïve realist should adopt the theory of appearing (Section 5). (shrink)

The concept of quality points at a significant philosophical problem. The issue of the ontological status of the qualities of experience and reality leads us to discuss the issues of naturalism and reductionism in philosophy of mind. I argue that a transcendental version of the enactive approach is able to address these issues, thanks to its conception of the relation between subject and object as dependent co-origination. In this way, the enactive approach constitutes an alternative to both the internalism and (...) the externalism about qualities, constituting a process-oriented and relationist framework that can be fruitfully applied to the analysis of different ontological domains. In the conclusive section, I distinguish between an ontological and a metaphysical interpretation of this view, stressing the advantages of the former. (shrink)

In this paper, I present the enactive theory of color that implies a form of color relationism. I argue that this view constitutes a better alternative to color subjectivism and color objectivism. I liken the enactive view to Husserl’s phenomenology of perception, arguing that both deconstruct the clear duality of subject and object, which is at the basis of the other theories of color, in order to claim the co-constitution of subject and object in the process of experience. I also (...) extend the enactive and phenomenological account of color to the more general topic of the epistemological and ontological status of sensory qualities (qualia), outlining the fields of enactive phenomenology and enactive ontology. (shrink)