This paper aims to clarify the program of Deleuze’s work on Hume’s philosophy. Also, I plan to make clear the operational meaning of Deleuze’s own hallmark regarding his approaches to philosophy. I start to follow Deleuze’s plot by engendering three functions of his interpretation of Hume’s Treatise that will be the area of three thematic chapters. The first tries to sort the polemical function of empiricism that is launched through Deleuze’s Hume; the second attempts to figure the domain of subjectivity (...) as the inventive function of the book; the third searches the creative function by describing the role of the institutional theory. (shrink)

Hurricane Katrina was an elemental and a social event. To understand it, you first have to understand the land, the air, the sun, the river and the sea; you have to understand earth, wind, fire and water; you have to understand geomorphology, meteorology, biology, economics, politics, history. You have to understand how they have come together to form, with the peoples of America, Europe and Africa, the historical patterns of life of Louisiana and New Orleans, the bodies politic of the (...) region, bodies you need to study with political physiology. You have to understand what those bodies could do and what they could withstand, and how they intersected the event of the storm. In this paper, simply for the sake of time and space constraints, I will concentrate on New Orleans; the stories of the Mississippi Gulf Coast, or of Saint Bernard, Saint Tammany, and Plaquemines Parishes in Louisiana are complex and dramatic as well. (shrink)

This article examines Gilles Deleuze’s concept of the simulacrum, which Deleuze formulated in the context of his reading of Nietzsche’s project of “overturning Platonism.” The essential Platonic distinction, Deleuze argues, is more profound than the speculative distinction between model and copy, original and image. The deeper, practical distinction moves between two kinds of images or eidolon, for which the Platonic Idea is meant to provide a concrete criterion of selection “Copies” or icons (eikones) are well-grounded claimants to the transcendent Idea, (...) authenticated by their internal resemblance to the Idea, whereas “simulacra” (phantasmata) are like false claimants, built on a dissimilarity and implying an essential perversion or deviation from the Idea. If the goal of Platonism is the triumph of icons over simulacra, the inversion of Platonism would entail an affirmation of the simulacrum as such, which must thus be given its own concept. Deleuze consequently defines the simulacrum in terms of an internal dissimilitude or “disparateness,” which in turn implies a new conception of Ideas, no longer as self-identical qualities (the auto kath’hauto), but rather as constituting a pure concept of difference. An inverted Platonism would necessarily be based on a purely immanent and differential conception of Ideas. Starting from this new conception of the Idea, Deleuze proposes to take up the Platonic project anew, rethinking the fundamental figures of Platonism (selection, repetition, ungrounding, the question-problem complex) on a purely differential basis. In this sense, Deleuze’s inverted Platonism can at the same time be seen as a rejuvenated Platonism and even a completed Platonism. (shrink)

Jung’s advance, for Deleuze, must lie in this identification of a « problematic » zone of human intelligence, through which the instinctual form of consciousness can return. A gap is opened up for the return of an « instinct devenu désintéressé, conscient de lui-même, capable de réfléchir sur son objet et de l’élargir indéfiniment ».