The speculative philosophy of Alfred North Whitehead offers critical social and cultural theory an unusual way of rethinking the place and value of experience in its concerns. This article explores the challenges that Whitehead's approach to experience, deliberately contrasted with the subject-object thinking of modernity, creates. The article seeks to provide an account of the importance of Whitehead's appeal to naïve experience and of how this appeal counters some of the problems of more recent and more familiar accounts of the (...) fate of experience which draw on some of the same historical points of reference — especially Romantic poetry. In particular, the article suggests that Whitehead's broadly impersonal conception of the open structure of experience as constructive process mitigates the `pathos of finitude' attendant upon critical accounts which presume the unity of experience and then ask how this unity is shattered under modernity. Whitehead's work is situated transversally to analysis and phenomenology and is argued to accord a value to and role for abstraction which calls for a more experimental approach to the topic. While `naïve experience' clearly differs from the understanding of experience evident in other accounts, the article also suggests that it is not incompatible with a more Foucauldian kind of singular history. (shrink)

In 1962 Umberto Eco published his Opera aperta. Forma e indeterminazione nelle poetiche contemporanee, in which he dealt with the televised space and its influence on the development of plot in contemporary narratives. The analysis of the aesthetic of television led him to highlight the exclusive capacity of television to transmit events in real time: Live TV.Eco affirms in particular that through the editing in Live TV, the role of choice completely changes in comparison to what happens in the editing (...) phase within the cinematographic narrative. In Live TV, choice becomes a proper composition, a form of narrative, a means of unifying in a discursive way a set of isolated images within the framework of a wider set of events taking place at the same time and intersecting one another. This impromptu narrative brings with it the use of some recursive forms, which represent an important narrative tool enabling a weaving of the narrative space. Eco identified those recursive forms in some jazz figures such as the riff, the recursive form of which allows for the creation of an organic composition full of improvisation. A few years later, the importance of figures of this kind was also noted by Deleuze-Guattari, who posited that ritornello has an important function of organizing the exterior space, or chaotic space. Based on these considerations, this paper deals with the phenomenon of repetition, recursivity, and patterns, to bring these concepts into the construction of narrative spaces. The central point of the paper is that the birth of Live TV started a phenomenon of exteriorization of the inner data of the narrative construction. This phenomenon of externalization makes possible the understanding of data through spatial terms, and one starts to use recursive formulas to navigate it. (shrink)

La monnaie symbolise la valeur, le souverain, ou le Peuple, bref la Totalité. Mais quelle fonction a cette symbolisation? Au plus strict, la fonction symbolique de la monnaie c’est de quantifier. Or la quantification est déjà épaisse de nombreux problèmes philosophiques. Alors, le propos tentera ici de montrer une problématisation foucaldienne de la fonction symbolique de la monnaie, en termes de pouvoir-savoir. Car la considération de la fonction symbolique de la monnaie ouvre, au niveau théorique, le problème de l’articulation de (...) la valeur (intensive) à sa manifestation (extensive), et au niveau épistémologique, un problème d’objectivation de l’objectivation, un problème réflexif de valeur de vérité des jugements de valeurs (bulle spéculative). (shrink)

In Deleuze, singularity replaces generality in the economy of thought. A Deleuzian singularity is an event, but the notion comprises the effectuation of the event into form. The triptych émission–distribution–répartition itself distributes the dimensions of the passage from form-giving event to topological morphology. The Deleuzian concept of intensity allows thinking both pre-individuality and the rhizomatic connection of singularities on the metaphysical surface of structure. Reflections upon the philosophy of differential calculus allow for a coherent scaffolding reaching from pre-individual intensity to (...) specific individuality, in the passage from transcendental genesis to empirical morphogenesis. But if singularity as event is intensive, singularity as determinant of morphology – and hence, of structural metastability – is not. Although the differential scaffolding covers both intensive difference and extensive equality, and so the two sides of the notion of singularity, the concept of intensity remains slightly displaced, rendering conceptually difficult not only the perception of intensity, but also the contemplation of individual duration, if viewed in the terms of genetic ‘indi-drama-different/ciation’. The essay concludes that it is art that may let us consciously contemplate our pre-individual differences. (shrink)

Straipsnyje svarstoma galimybė, ar ritmo konceptas, funcionuojantis Gillesio Deleuze’o ir Félixo Guattari tekstuose, negalėtų padėti atsekti minties judėjimo linijų nuo filosofijos link skirtingų meno formų ir atgal. Pradedant nuo dinaminės problemų ir sąvokų kartografijos, kurią kaip tinkamą tokiems minties eksperimentams įžvelgė Anne Sauvagnargues, Jamesas M. Buchananas, Ronaldas Bogue, Stephenas Zepke, šiame tyrime siūloma sąvoka ritmas yra tinkama kaip siejamoji galimų filosofijos ir įvairių menų sankabos jungtis. Ritmas Deleuze’o ir Guattari tekstuose tampa filosofine sąvoka ir įgauna ontologinį statusą, transcenduojantį siauras filosofijos (...) ir meno apibrėžtis. Ji funkcionuoja tarpinėje teritorijoje: tarp minties, garso, žodžio ir vaizdo, meno kūrinio, filosofijos, gyvenimo. Būtent žvelgiant iš tokios ontologinės perspektyvos, ši sąvoka įgauna galią atverti ne horizontaliuosius, o vertikaliuosius, genealoginius meno kaip tapsmo aspektus. (shrink)

The status of continuity in Deleuze’s metaphysics is a subject of debate. Deleuze calls the virtual, in Difference and Repetition, an Ideal continuum, and the differential relations that constitute the Ideal imply the continuity of this field. But, Deleuze does not hesitate to formulate the same field by the affirmation of divergence (incompossibility) that can be regarded as a form of discontinuity. It is, hence, unclear how these two ostensibly contradictory accounts might reconcile. This article attempts to reconstitute a Deleuzian (...) theory of continuity through Leibniz, whose philosophy is equally subject to a tension between the law of continuity, prevalent in his mathematics and metaphysics, and the discontinuity or absolute individuality of monads. By reorienting The Fold around the motif of continuity a new conceptual space is opened for continuity qua heterogeneity-and-inseparability. Then, enfolding the conceptual personae of The Fold onto Difference and Repetition reveals the tacit though decisive presence of different types of continuity operational in Deleuze’s metaphysics that will be called divergent, intensive, torsional, and tenorsional continuities. (shrink)

In The Fold, Deleuze regards Raymond Ruyer as the most recent of Leibniz’s great disciples. This claim is not self-evident, since Ruyer often criticises Leibniz and stresses the divergence of his theory from Leibniz’s monadological metaphysics. Therefore, while Ruyer does not seem to regard himself as indebted to Leibniz, and as his psychobiology is not always reconcilable with Leibniz’s philosophy, it is necessary to explore what is at stake in Deleuze’s recognition of Ruyer as a Leibnizian thinker. This essay foregrounds (...) the tacit intertwining between Leibniz and Ruyer, which can, on the one hand, contribute to Leibniz’s scholarship and uncover the contemporaneity of his thought, and on the other hand, expose certain revealing Ruyerian moments in Deleuze’s immanent philosophy. (shrink)

Nous posons l'oeuvre d'Albert Lautman comme une sorte d'opérateur de brisure de symétrie dans le cadre de l'opposition traditionnelle de la philosophie spéculative et des sciences physico-mathématiques. L'enjeu pour la philosophie en est, à de très rares exceptions près, encore très mal perçu. Sur ce plan, nous reprenons la question du « platonisme » supposé de Lautman, et nous le confrontons à sa lecture fondamentale de Martin Heidegger. Les conséquences de cette inscription dans le sillon heideggérien sont fondamentales pour une (...) juste restitution de cette pensée et de cette philosophie dans ce qu'elles conservent de plus actuel. Sur l'autre versant, celui des percées lautmaniennes dans le champ de la physique mathématique, nous insistons sur l'extrême alacrité prospectiviste de son regard, sa puissance philosophique venant renforcer cette singulière sensibilité à ce qui fit l'essentiel des mathématiques et de la physique théorique de son temps. En ce sens, sa position occupe bel et bien l'un des points nodaux du site « surrationaliste ». (shrink)

Isabelle Stengers anchors the major stake in Whiteheadian philosophy in the notion of constructivism. In doing so, the relation of this philosophy of becoming — the first anti-substantialist principle of which is stated as `principle of process' — to the ideas of vitalist intuition as the self-expression of the world is announced as eminently problematic. This problematizing opening to Whitehead obliges us to think about the constructivist nature of his concepts because of their irreducibility to the expression of facts of (...) experience since they must necessarily function as a machinic articulation of how things become implied in the `ontological principle' of reason; by the same token, it poses at the heart of the analysis the question of the pragmatic-speculative alterity in Whiteheadian constructivism. (shrink)

I argue against the use of general ‘ism’ terms such as ‘speculative realism’ and ‘correlationism’ by Harman. This use is contrasted with more nuanced readings of philosophers, referring to Bryant and DeLanda’s more subtle versions of materialism that do not fit the general label. Instead of general categories I defend Deleuze’s use of the concept of problem as studied by Bell. This argument is then developed through a close reading of Logic of Sense, against Harman’s denial of the reality of (...) relations and processes. I demonstrate that Deleuze is not a correlationist as defined by Harman, by following Sauvagnargues, Smith and Beistegui on the concepts of event and simulacrum in Logic of Sense. I then consider Deleuze’s study of language and his argument that designation, signification and manifestation rely on the concept of sense. This argument leads to a position which is neither idealism, nor materialism, because the differential processes at work in sense cannot be reduced to matter or to the subject, working instead between them and denying their independent reality. (shrink)

Translated from: W.V.O.Quine, W. H. O. (1986): Philosophy of Logic. Second Edition. Harvard University Press. Cambridge, Massachusetts and London, England, 47-61.

Contemporary capitalism is becoming increasingly metaphysical. The article contrasts a ‘physical’ capitalism – of the national and manufacturing age – with a ‘metaphysical capitalism’ of the global information society. It describes physical capitalism in terms of (1) extensity, (2) equivalence, (3) equilibrium and (4) the phenomenal, which stands in contrast to metaphysical capitalism’s (1) intensity, (2) inequivalence (or difference), (3) disequilibrium and (4) the noumenal. Most centrally: if use-value or the gift in pre-capitalist society is grounded in concrete inequivalence, and (...) exchange-value in physical capitalism presumes abstract equivalence, then value in contemporary society presumes abstract inequivalence. The article argues that the predominantly physical causation of the earlier epoch is being superseded by a more metaphysical causation. This is discussed in terms of the four Aristotelian causes. Thus there is a shift in efficient cause from abstract homogenous labour to abstract heterogeneous life. Material cause changes from the commodity’s units of equivalence to consist of informational units of inequivalence. Formal cause takes place through the preservation of form as a disequilibriate system through operations of closure. These operations are at the same time information interchanges with a form’s environment. Final (and first) cause becomes the deep-structural generation of information from a compressed virtual substrate. This may have implications for method in the social and human sciences. The article illustrates this shift with a brief discussion of global finance. (shrink)

The collection Virtual Mathematics: the logic of difference brings together a range of new philosophical engagements with mathematics, using the work of French philosopher Gilles Deleuze as its focus. Deleuze’s engagements with mathematics rely upon the construction of alternative lineages in the history of mathematics in order to reconfigure particular philosophical problems and to develop new concepts. These alternative conceptual histories also challenge some of the self-imposed limits of the discipline of mathematics, and suggest the possibility of forging new connections (...) between philosophy and more recent developments in mathematics. This component of Deleuze’s work has, to date, been rather neglected by commentators working in the field of Deleuze studies. One of the aims of this collection is to address this critical deficit by providing a philosophical presentation of Deleuze’s relation to mathematics; one that is adequate to his project of constructing a philosophy of difference and to the exploration of some of its applications. This project developed as a result of encounters with an increasing number of researchers who have been working on the mathematical aspects of Deleuze’s work and the key role that these play in his philosophy. By bringing this work together for the first time, this collection makes an important contribution to the emerging body of work that endeavours to explore the broad range of Deleuze’s philosophy. (shrink)

This essay proposes to read Jean-Luc Nancy’s references to creation ex nihilo as both an intervention in the French debate concerning eventness, and as a transformative rethinking of the status of phenomenality. Nancy’s position is roughly triangulated relative to key remarks from other thinkers and, above all, its distinctive components (temporality, negativity, spatiality) are elucidated through historical glosses. Articulating the overall architecture of this theory serves to illustrate the Heideggerian access to the event debate. It also deepens aspects only elliptically (...) alluded to in Nancy’s own writing. (shrink)

Speculative realists have directed a radical critique towards what they call “correlationism,” the stance according to which we only have access to the correlation between thinking and being, and never to either term considered apart from the other. Both Quentin Meillassoux and Ray Brassier have used Gilles Deleuze’s ontology as a paradigmatic example of correlationism. Instead of defending Deleuze from this accusation, I argue that we need to accept it, but that the correlation is drastically transformed when we take into (...) account Deleuze’s panpsychism. I hence contend that Deleuze is a panpsychist, grounding my argument in (a) his theory of contemplations and (b) his account of the universe as a cinema in itself. This changes everything, since a panpsychist type of correlationism avoids the main problem that leads both Meillassoux and Brassier to try to overcome correlationism, namely, that of the possibility of existence before and after humans. (shrink)

Today, many philosophers write on topics of contemporary interest, such as emerging technologies, scientific advancements, or major political events. However, many of these reflections, while philosophically valuable, fail to contribute to those who may benefit the most from them. In this article, we discuss our own experience of engaging with nursing researchers and practicing nurses. By drawing on the field of philosophical phenomenology, we intervene in a longstanding debate over the meaning of “empathy” in nursing, which has important implications for (...) nursing research, training, and practice. However, our intention is not only to introduce and discuss this philosophical intervention. Rather, we present this intervention as a model for how philosophers might successfully engage with the field of nursing, and perhaps with other fields as well, with the aim of effecting positive change in research or practice. The article proceeds in five parts. First, we introduce the problem of conceptual clarity in nursing and explain why many nursing concepts are still in need of refinement. Second, we discuss the origins of the concept of empathy in nursing and outline the challenges associated with borrowing theory from other fields. Third, we explain how nurses tend to conceptualize empathy today, drawing upon the psychological distinction between cognitive and emotional empathy. Fourth, we discuss our intervention in this debate and explain how we attempt to resolve existing conceptual confusions by developing the concept of empathy from the ground up. Fifth, we conclude by briefly reflecting upon some of the challenges of interdisciplinary engagement and providing some recommendations based upon our own experience. (shrink)

(1999). Figures in (De)composition: The genesis of the paradoxical self in paul auster's moon palace (a fuzzy grammar of subjectivity) 1 . Angelaki: Vol. 4, No. 3, pp. 75-91.

Topology is integral to a shift in socio-cultural theory from a linguistic to a mathematical paradigm. This has enabled in Badiou and Žižek a critique of the symbolic register, understood in terms of pure conceptual abstraction. Drawing on topology, this article understands it instead in terms of the figure. The break with the symbolic and language necessitates a break with form, but topologically still preserves a logic of the figure. This becomes a process of figuration, indeed a process of `deformation'. (...) Badiou/Žižek will then presume a break with the symbolic for `the real'. But topology entails the centrality of not the real but the imaginary. With Castoriadis, this imaginary is understood as productive and social, and with Sloterdijk as spatial. In our times this is a self-organizing socio-technical imaginary. For Niklas Luhmann these socio-technical systems engage in coupling. They structurally couple with other social imaginaries. Their self-organization, going beyond pure functionality, operates through semantic excess: an excess that organizes the system and is their structure. Such structural coupling entails semantic exchange, consisting of not just information but also of images. (shrink)

Deleuze never explicitly formulates his philosophy of logical truth‐values. It thus remains an open question as to the number and types he held there to be. Despite his explicit comments on these matters, additional textual evidence suggests that in his thinking on the event, he favored a third truth‐value, holding either the analetheic view that some truth‐bearers can be truth‐valueless or the dialetheic view that some truth‐bearers can be both true and false. I first argue that taking a logical approach (...) to Deleuze's thinking is feasible, despite his and others' claims that might suggest otherwise. Next, I examine his explicit statements to show that they cannot be taken at face value and that, rather, we need to transpose his claims into contemporary terminology in order to accurately assess them. I lastly turn to his Leibniz‐inspired philosophy of time to argue that the affirmations involved in this conception strongly suggest a dialetheic tendency in his thinking. (shrink)

From the point of view of the philosophy of Gilles Deleuze, Raymond Ruyer's work appears to bear out two distinct tendencies of unequal appeal. On the one hand, Ruyer appears to be an anti-Aristotelian thinker of formation, rejecting any hylomorphic account of the production of reality. However, and notably despite his serious commitment to the work of the sciences of his day, he remains wedded to the ultimately conservative Leibnizian principle of closure. Nowhere is this dichotomy more striking than in (...) his account of human society. The aim of this paper is to show how his positive account of form finds a significant and convincing extension in Deleuze and Guattari's notion of social surface or socius in Anti-Oedipus. (shrink)