In this article I suggest that section VIII of Hume’s Enquiry Concerning Human Understanding could be read as a contribution to the foundational issues of a characteristic 18th-century enterprise, namely the ‘science of man’. More specifically, it can be read as a summary of his attempt to place this science on an experimental footing, with an awareness of the lessons he has drawn in the previous sections of the Enquiry. This interpretation fits with an overall reading of the work as (...) responding to the epistemological problems that arise in the context of then-contemporary ways of knowledge production. As I argue, this section is relevant for the methodology of a science of human nature. The main problems it addresses are the following. What kind of knowledge can we hope for about human beings, and how should we pursue it? What are the meaningful questions that can be asked, and what is beyond the reach of this kind of inquiry? Answering these questions sets the scope and limits of this science. (shrink)

ABSTRACT The phrase “Enlightenment rhetoric” typically denotes discourses bent on rejecting classical oratorical styles in favor of purportedly scientific ones. Likewise, scholars often associate Enlightenment rhetorical styles with the scientific epistemologies that emerged in the seventeenth and eighteenth centuries. This article reconsiders Enlightenment rhetoric by analyzing David Hume’s 1742 essay “Of Eloquence.” More specifically, the article argues that the Scottish Enlightenment context necessitated a rhetoric that compensated for the discursive limitations of new scientific worldviews. In so doing, the article argues (...) that Hume verbalizes the transcendent dimension of classical eloquence in ways commensurate with the emphasis on perspicuity emerging in English culture, a rhetorical maneuver that the author calls discursive transcendence. Hume’s “Of Eloquence” thus serves as a case study demonstrating how an Enlightenment writer advanced a rhetoric that both rejects and pulls from prior rhetorical traditions, constituting a new understanding of Enlightenment rhetoric. (shrink)

ABSTRACT A restricted interpretation of Humean methodology understands his experimentalism solely in terms of reducing epistemic statements to private sensory impressions accessible via introspection. My aim is to revise this interpretation by means of criticizing the connection it establishes between the maxim of not going beyond experience and the copy principle. I will show that this interpretation is inconsistent with the way Hume conceives the experimental method, since there is textual evidence to affirm that experience should not be understood in (...) terms of sensory impressions only, and that the science of human nature is not restricted to the study of the mental contents only, but it is nourished in the same way by the observation of social interaction. Finally, I will argue that the method Hume proposes does not prevent intersubjective verification of the empirical evidence, since the principle of sympathy enables the communication of mental states, which makes them devoid of their private character. (shrink)

We may distinguish two interpretations of the relation between Newton’s natural philosophy and Hume’s science of human nature. The first interpretation can be called ‘traditional,’ the second ‘critical.’ This article will not side with either readings of Hume’s Newtonianism (or with some middle positions). Instead, essential points of confluence and divergence will be discussed.

There seems a potential tension between Hume's naturalistic project and his normative ambitions. Hume adopts what I call a methodological naturalism: that is, the methodology of providing explanations for various phenomena based on natural properties and causes. This methodology takes the form of introducing ‘the experimental method of reasoning into moral subjects’, as stated in the subtitle of the Treatise; this ‘experimental method’ seems a paradigmatically descriptive one, and it remains unclear how Hume derives genuinely normative prescriptions from this methodology. (...) In resolving this problem, I will argue that Hume's naturalistic methodology – that is, his ‘experimental philosophy’, or what has come to be known as his experimental method – consists of the systematization of phenomena pertaining to human nature. In applying his experimental method to normative subjects, Hume systematizes our normative judgements, deriving general principles of normative justification; he then reflexivel... (shrink)

Hume often praises and appeals to the theoretical virtue of simplicity in his philosophy. Yet there has been relatively little scholarship done on Hume’s conception of theoretical simplicity. This paper will look to rectify this lacuna in the literature. In particular, it will look to answer three questions as they relate to Hume’s philosophy. First, what is theoretical simplicity? Second, why should we favour simpler theories over more complex ones? Third, can a theory be too simple, and if so, how?The (...) paper will argue that for Hume, theoretical simplicity concerns the causal explanation of phenomena in terms of the fewest possible causes. Second, simplicity has both epistemic and aesthetic value for Hume. While he does not follow his contemporaries in appealing to God to justify the truth-conduciveness of theoretical simplicity, some of his discussions of this virtue include elements suggestive of a meta-inductive justification of it. In addition, Hume also sees theoretical simplicity as having an intrinsic aesthetic value over and above its epistemic merit. Third, Hume recognises that there are both epistemic and aesthetic tradeoffs involved with theoretica lsimplicity, which might rule against an overly simple theory. (shrink)

In his essay ‘Of the Standard of Taste’, Hume identifies two standards of taste: the general rules of art and the joint verdict of true judges. From this the following questions arise: Why did Hume present two standards? And, how should we understand the relation between them? We must first get a firmer grasp on each of the standards that Hume presents. Hence, this paper has two main goals. The first is to understand the general rules of art in the (...) light of Hume’s philosophical method, which is consonant with Newtonian methods of analysis and synthesis. The second is to provide a new interpretation of what Hume takes to be the joint verdict of true judges. In my interpretation, the joint verdict of true judges constitutes the standard of taste, not because their verdicts converge, but because their verdicts encompass blameless differences. With this new foundation for understanding the two standards, I will present my own reading of the relation between them. (shrink)

This article argues that early modern philosophy should be seen as an integrated enterprise of moral and natural philosophy. Consequently, early modern moral and natural philosophy should be taught as intellectual enterprises that developed hand in hand. Further, the article argues that the unity of these two fields can be best introduced through methodological ideas. It illustrates these theses through a case study on Scottish Newtonianism, starting with visions concerning the unity of philosophy and then turning to a discussion of (...) how methodological ideas figure in those visions. Finally, the article argues that methodological considerations can serve as good starting points to introduce and discuss central topics and canonical figures of the early modern period. (shrink)

RESUMEN Aún no se ha explorado si el potencial comunicativo del principio humeano de simpatía se limita al intercambio de sentimientos y emociones o si permite también compartir creencias. Mostraremos que Hume considera esta última posibilidad tanto a partir de la universalidad de la naturaleza humana y del carácter inherentemente social del hombre, como de la existencia de una interconexión entre pensamientos y sentimientos. Contrariamente a la opinión de diversos autores, afirmamos además que la experiencia propia no es condición de (...) posibilidad para poner en acto el principio de simpatía, sino que podemos recibir los sentimientos y creencias de los demás aunque no contemos con experiencia similar. ABSTRACT It has not yet been explored whether the communicational power of the Humean principle of sympathy is limited to conveying feelings and emotions or it also allows sharing beliefs. I will show that Hume considers the latter possibility both by means of the universality of human nature and the inherently social character of man, and the interconnection between thoughts and feelings. Contrary to the opinion of several authors, I will also argue that our personal experience is not a necessary condition to start up the principle of sympathy, but we can receive feelings and beliefs from other people even though we do not have previous similar experience. (shrink)

ABSTRACT Even though there is a general agreement among the scholars concerning the relationship between Hume and experimental philosophy, yet important disagreements prevail regarding the subject of the “science of human nature,” as well as the reasons that ground the introduction of the experimental method into moral subjects, and the way in which Hume does it. Our aim is to shed some light into these three items in order to specify the sense in which Hume’s experimentalism should be understood. Regarding (...) the first one, we maintain that the science of human nature not only deals with the study of the mind but also with human interaction within society through the course of history. Concerning the second one, we consider that there is a common ontological ground to moral and natural phenomena, because both fall into what Hume calls ‘matters of fact.’ This, in turn is what enables him to apply the same research method to both. In order to clarify the third item, we will delve into the central role that is given to facts, which Hume understands as epistemically relevant events, which are handled through explanatory reduction, Finally, we will show through some examples how Hume uses the method. (shrink)