Alison Simmons, in Simmons (1999), argues that Descartes in Meditation Six offered a teleological account of sensory representation. According to Simmons, Descartes’ view is that the biological function of sensations explains both why sensations represent what they do (i.e., their referential content) and why they represent their objects the way they do (i.e., their presentational content). Moreover, Simmons claims that her account has several advantages over other currently available interpretations of Cartesian sensations. In this paper, I argue that Simmons’ teleological (...) account cannot be sustained for both theoretical and textual reasons and that it does not have the advantages it is claimed to have. (shrink)

The theory of knowledge in early twentieth-century Anglo American philosophy was oriented toward phenomenally described cognition. There was a healthy respect for the mind-body problem, which meant that phenomena in both the mental and physical domains were taken seriously. Bertrand Russell's developing position on sense-data and momentary particulars drew upon, and ultimately became like, the neutral monism of Ernst Mach and William James. Due to a more recent behaviorist and physicalist inspired "fear of the mental", this development has been down-played (...) in historical work on early analytic philosophy. Such neglect assumes that the "linguistic turn" is a proper and permanent effect of twentieth-century philosophy, an assumption that distorts early analytic historiography, and begs a substantive philosophical question about thought and cognition. (shrink)

This article explores the vocabulary of knowing in Descartes’ Meditations. It offers a detailed and in part sequential examination of his use of cognitio and scien...

ABSTRACT E. M. Curley has said that Descartes’ cogito, ergo sum “is as obscure on examination as it is compelling at first glance.” Why should that be? Maybe because the cogito raises so many textual and interpretive questions. Is it an argument or an intuition? If it is an argument, does it require an additional premise? Is it best interpreted as a “performance?” Is it best seen as the discovery that any reason proposed for doubting its success entails the meditator’s (...) existence? And so on. But all these questions typically arise in the wake of worries about the cogency of the cogito when it is treated as an argument and worded in its canonical form, “I think, therefore I exist.” In this essay, I focus on what I take to be the most fundamental reason for questioning the cogito’s cogency when it is so treated—namely that the “I” in its premise is question-begging. I distinguish that reason from other reasons that are sometimes conflated with it, and I argue that it is not a good reason. I then comment on some of the questions mentioned above in light of my defense of the cogito seen in that traditional way. (shrink)

In the _Meditations_ and related texts from the early 1640s, Descartes argues that the self can be correctly considered as either a mind or a human being, and that the self’s properties vary accordingly. For example, the self is simple considered as a mind, whereas the self is composite considered as a human being. Someone might object that it is unclear how merely considering the self in different ways blocks the conclusion that a single subject of predication—the self—is both simple (...) and composite, which is contradictory. In response to this objection, this paper develops a reading of Descartes’s various ways of considering the self. I argue that the best reading of Descartes’s qualified claims about the self, i.e., about the self _qua_ mind or the self qua human being, presupposes an account of the unqualified self, that is, of the self _simpliciter_. I argue that the self _simpliciter_ is not a mind, and that it is not a human being either. This result might suggest the pessimistic conclusion that Descartes’s view of the self is incoherent. To avoid this result, I introduce a new metaphysical account of the Cartesian self. On my view, the self is individuated by a unified mental life. The self is constituted by the beings that jointly produce this mental life, and derives its unity from it. (shrink)

Consider the distinctive qualitative property grass visually appears to have when it visually appears to be green. This property is an example of what I call sensuous color. Whereas early modern mechanists typically argue that bodies are not sensuously colored, Margaret Cavendish (1623–73) disagrees. In cases of veridical perception, she holds that grass is green in precisely the way it visually appears to be. In defense of her realist approach to sensuous colors, Cavendish argues that (i) it is impossible to (...) conceive of colorless bodies, (ii) the very possibility of color experience requires that bodies are sensuously colored, and (iii) the attribution of sensuous colors to bodies provides the best explanation of color constancy. Although some passages might suggest that Cavendish endorses a reductive account of sensuous color, according to which sensuous color reduces to a body's microscopic surface texture (or some other mechanistically respectable property), I argue that she accepts a nonreductive account, on which sensuous color is not thus reducible. (shrink)

The term “clear and distinct” is used by both Descartes and Husserl when they talk about the truth of an idea and the evidence of judgment. Although the words “clear” and “distinct” are juxtaposed with the conjunction “and,” this does not mean that their status is equal. If the concept of “evidence” can be used to characterize the hierarchical relationship between them, then we can say that, for Descartes, distinct evidence is higher than clear evidence. For Husserl, on the contrary, (...) clear evidence is higher than distinct evidence. Their opposing views concerning the hierarchy between clarity and distinctness is symptomatic of the differences between their two understandings of the epistemological relationship between intellect and sensibility, as well as of their respective ontological reach. (shrink)

How does Descartes characterize the peculiar way in which each of us is aware of our bodies? I argue that Descartes recognizes a sense of bodily ownership, such that the body sensorily appears to be one's own in bodily awareness. This sensory appearance of ownership is ubiquitous, for Descartes, in that bodily awareness always confers a sense of ownership. This appearance is confused, in so far as bodily awareness simultaneously represents the subject as identical to, partially composed by, and united (...) to her body, without distinguishing these relations. Finally, the appearance of ownership is grounded in multiple other ways in which the body sensorily appears: namely, in the fact that the body appears to be inescapable, modified by bodily sensations, and an object of special concern. (shrink)