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Comparative concepts

Synthese 190 (1):139-170 (2013)

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  1. A Class of Conceptual Spaces Consisting of Boundaries of Infinite p -Ary Trees.Roman Urban & Simona Mróz - 2019 - Journal of Logic, Language and Information 28 (1):73-95.
    A new construction of a certain conceptual space is presented. Elements of this conceptual space correspond to concept elements of reality, which potentially comprise an infinite number of qualities. This construction of a conceptual space solves a problem stated by Dietz and his co-authors in 2013 in the context of Voronoi diagrams. The fractal construction of the conceptual space is that this problem simply does not pose itself. The concept of convexity is discussed in this new conceptual space. Moreover, the (...)
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  • Type-2 Fuzzy Sets and Newton’s Fuzzy Potential in an Algorithm of Classification Objects of a Conceptual Space.Adrianna Jagiełło, Piotr Lisowski & Roman Urban - 2022 - Journal of Logic, Language and Information 31 (3):389-408.
    This paper deals with Gärdenfors’ theory of conceptual spaces. Let \({\mathcal {S}}\) be a conceptual space consisting of 2-type fuzzy sets equipped with several kinds of metrics. Let a finite set of prototypes \(\tilde{P}_1,\ldots,\tilde{P}_n\in \mathcal {S}\) be given. Our main result is the construction of a classification algorithm. That is, given an element \({\tilde{A}}\in \mathcal {S},\) our algorithm classifies it into the conceptual field determined by one of the given prototypes \(\tilde{P}_i.\) The construction of our algorithm uses some physical analogies (...)
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  • What Verities May Be.Igor Douven & Lieven Decock - 2017 - Mind 126 (502):386-428.
    Edgington has proposed a solution to the sorites paradox in terms of ‘verities’, which she defines as degrees of closeness to clear truth. Central to her solution is the assumption that verities are formally probabilities. She is silent on what verities might derive from and on why they should be probabilities. This paper places Edgington’s solution in the framework of a spatial approach to conceptualization, arguing that verities may be conceived of as deriving from how our concepts relate to each (...)
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  • Explicating ‘Explication’ via Conceptual Spaces.Matteo De Benedetto - 2020 - Erkenntnis 87 (2):853-889.
    Recent years have witnessed a revival of interest in the method of explication as a procedure for conceptual engineering in philosophy and in science. In the philosophical literature, there has been a lively debate about the different desiderata that a good explicatum has to satisfy. In comparison, the goal of explicating the concept of explication itself has not been central to the philosophical debate. The main aim of this work is to suggest a way of filling this gap by explicating (...)
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  • Explicating ‘Explication’ via Conceptual Spaces.Matteo De Benedetto - 2022 - Erkenntnis 87 (2):853-889.
    Recent years have witnessed a revival of interest in the method of explication as a procedure for conceptual engineering in philosophy and in science. In the philosophical literature, there has been a lively debate about the different desiderata that a good explicatum has to satisfy. In comparison, the goal of explicating the concept of explication itself has not been central to the philosophical debate. The main aim of this work is to suggest a way of filling this gap by explicating (...)
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  • Frameworks, models, and case studies: a new methodology for studying conceptual change in science and philosophy.Matteo De Benedetto - 2022 - Dissertation, Ludwig Maximilians Universität, München
    This thesis focuses on models of conceptual change in science and philosophy. In particular, I developed a new bootstrapping methodology for studying conceptual change, centered around the formalization of several popular models of conceptual change and the collective assessment of their improved formal versions via nine evaluative dimensions. Among the models of conceptual change treated in the thesis are Carnap’s explication, Lakatos’ concept-stretching, Toulmin’s conceptual populations, Waismann’s open texture, Mark Wilson’s patches and facades, Sneed’s structuralism, and Paul Thagard’s conceptual revolutions. (...)
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