This monograph contributes to the scientific misconduct debate from an oblique perspective, by analysing seven novels devoted to this issue, namely: Arrowsmith by Sinclair Lewis (1925), The affair by C.P. Snow (1960), Cantor’s Dilemma by Carl Djerassi (1989), Perlmann’s Silence by Pascal Mercier (1995), Intuition by Allegra Goodman (2006), Solar by Ian McEwan (2010) and Derailment by Diederik Stapel (2012). Scientific misconduct, i.e. fabrication, falsification, plagiarism, but also other questionable research practices, have become a focus of concern for academic communities (...) worldwide, but also for managers, funders and publishers of research. The aforementioned novels offer intriguing windows into integrity challenges emerging in contemporary research practices. They are analysed from a continental philosophical perspective, providing a stage where various voices, positions and modes of discourse are mutually exposed to one another, so that they critically address and question one another. They force us to start from the admission that we do not really know what misconduct is. Subsequently, by providing case histories of misconduct, they address integrity challenges not only in terms of individual deviance but also in terms of systemic crisis, due to current transformations in the ways in which knowledge is produced. Rather than functioning as moral vignettes, the author argues that misconduct novels challenge us to reconsider some of the basic conceptual building blocks of integrity discourse. (shrink)

Though the realm of biology has long been under the philosophical rule of the mechanistic magisterium, recent years have seen a surprisingly steady rise in the usurping prowess of process ontology. According to its proponents, theoretical advances in the contemporary science of evo-devo have afforded that ontology a particularly powerful claim to the throne: in that increasingly empirically confirmed discipline, emergently autonomous, higher-order entities are the reigning explanantia. If we are to accept the election of evo-devo as our best conceptualisation (...) of the biological realm with metaphysical rigour, must we depose our mechanistic ontology for failing to properly “carve at the joints” of organisms? In this paper, I challenge the legitimacy of that claim: not only can the theoretical benefits offered by a process ontology be had without it, they cannot be sufficiently grounded without the metaphysical underpinning of the very mechanisms which processes purport to replace. The biological realm, I argue, remains one best understood as under the governance of mechanistic principles. (shrink)

This article examines how new types of performance appraisal reconfigure everyday personal relationships at work. These systems deploy smartphone technologies to be used continuously by individuals to rate each other. Our aim is to show, in concrete terms, how these practices claim to configure a democratic space where individuals are liberated to express their views about each other’s work. On the contrary, we argue that by being placed in continuous confrontation with each other’s ratings, the genuine space for democratic contestation, (...) for the establishment of a genuine community, as well as for critique and dissent is—paradoxically—narrowed down. The first section of this article explores the context in which managerialism has become consolidated at the centre of neo-liberal politics in a dialogue with some of Mouffe’s and Rancière’s arguments. We use Rancière’s concept of “policing” to understand how managerial techniques subvert genuine democratic spaces, modes of participation and expression. Using performance appraisal systems as an example, the second part of the article provides a critical investigation which shows how managerialism intervenes at the very roots of possible democratic engagement and undermines dissent in subtle ways. (shrink)

This article analyzes the socio-cultural theories of Adorno, Benjamin, and Brecht through the lens of the theatre, most especially as it pertains to the work of actors. It explores the forces of capitalism that determine how art is produced, distributed, and consumed. Following Adorno’s reading of Marx, actors are here posited as commodities whose labor is separated from the product they create for public consumption. This commodification raises various questions: How does a market economy shape the production and consumption of (...) art? What is technology’s function in the commodification of art? What is art’s sociopolitical role and how does it apply to theatre? To address these questions I juxtapose the cultural theory of Adorno and Benjamin with Brecht’s epic theatre. This comparison exposes the ritualistic potential of the theatre to bring an audience together as a community through sharing a socially enriching event. (shrink)

Xavier Le Roy’s performance Self-Unfinished is emblematic of how contemporary dance’s resistance to the submission of the body to a codified ideal body model manifests itself through the staging of bodies “beyond codes”, i.e., bodies that take surprising, sometimes even apparently “monstrous” shapes. The purpose of this article is to investigate the “monstrosity” of Self-Unfinished and to sketch out an analysis of it following Hermann Schmitz's theory of the Leib and Tonino Griffero’s account on atmospheres.

This paper interrogates a ‘positive’ view of culture’s (potential) role in widening compliance with international human rights standards, which (1) concentrates on the ‘cultural’ bases of conflict over rights and, in consequence, (2) focuses primarily on cultural interpretation as a means of achieving greater respect for rights norms. The thrust of the paper is that the relationship between culture and human rights norms is much more complex than this positive perspective implies and, this being so, that some of its claims (...) about the potential benefits of cultural interpretation for widening rights compliance are hard to sustain. I substantiate this argument by exploring five challenges to this approach. (shrink)

Wittgensteinian readings of Being and Time, and of the source of the intelligibility of Dasein''s world, in terms of language and the average everyday public practices of das Man are partly right and partly wrong. They are right in correcting overly individualist and existentialist readings of Heidegger. But they are wrong in making Heidegger into a proponent of language or everydayness as the final word on intelligibility and the way the world is disclosed to us. The everydayness of das Man (...) and language are partial sources of intelligibility but only insofar as they are comprehended within the greater unitary structure of care and temporality. Care and temporality constitute the foundational underpinnings for disclosure and the intelligibility ofthat wherein Dasein dwells. (shrink)

The present study aims to delineate the working mechanism of prediction in sentence comprehension, by disentangling the influence of the facilitated general memory retrieval from the coexistent influence of the predicted language-specific semantic and/or syntactic information for the first time. The results support that prediction might influence the downstream cognitive processing in two aspects: the pre-activated information facilitates the retrieval of a matched input in memory and, the pre-activated information interacts with higher-level semantic/syntactic processing. More importantly, the present findings suggest (...) that these two types of influences seem to occur at different stages of sentence comprehension: the facilitated memory retrieval of the input modulates N400 amplitude and the latency of post-N400 late central-parietal positivity/P600, while the predicted semantic/syntactic information and/or their interactions modulate the amplitude of the late positivity. The present findings would be helpful for interpreting the underlying mechanism of observed effects in prediction studies. (shrink)

This paper focuses on the methodical disclosure of the lowest level of the constitution of time in Husserl’s phenomenology of time (especially in the C-Manuscripts), following this leading question: is it at all possible to disclose phenomenologically the primal-phenomenal constituting stream of consciousness? First, I address the different levels of constitution in order to focus on the ultimate level. Second, I analyse the “intentionality” of the primal-stream, by means of differentiating it from act-intentionality. Third, I outline the methodical function of (...) the reduction and of the phenomenologizing ego. Fourth, I present Abbau as the methodical possibility of reaching primal-phenomenality. Fifth, I address the problem of grasping the primal-phenomenal dimension in its originality. I will argue that we can grasp this fundamental dimension by means of a “phenomenological deconstruction” of constituted experience and at the same time by putting this dimension in an intentional relationship with the phenomenologizing ego. (shrink)

The thesis maintained here is that Nietzsche belongs to and revitalizes a rhetorical tradition which has competed with philosophy for cultural and educational dominance. The general strategy of the thesis is to draw comparisons between Nietzsche and those aspects of the Sophists' activity that were attacked by Plato, in order to challenge philosophy's claim to moral and intellectual superiority over rhetoric. The first chapter considers the allegation that philosophy is demonstrably superior to rhetoric because it has a proper method and (...) can achieve positive results. Against this, it is argued that philosophy is distinguished from rhetoric by its values, not its methodological purity; the remaining chapters probe this conflict of values. Chapter two explores the charge that rhetoric is both manipulative and open to manipulation, notes how Nietzsche's texts have been subject to these two criticisms, and counters them by challenging philosophy's models of manipulation and education. Chapter three examines the rival educational ideals of philosophy and rhetoric, arguing that the key differentiating feature is rhetoric's pragmatism. It shows how this feature has been used to disparage rhetoric, and argues that Nietzsche develops a form of pragmatism that meets the philosophical attack effectively. Chapter four considers the suggestion that rhetoric is less rational than philosophy because it employs looser argumentation, and argues that, at least as manifested by Nietzsche, rhetorical argumentation produces a superior rationality - according to an alternative perspective on reason and science. Chapter five considers the claim that the eloquence of rhetoric is to be condemned for seducing and confusing the seeker after truth; this is countered by developing the Nietzschean dictum that art is worth more than truth. The main conclusion is that, through Nietzsche's development of the ancient tradition, rhetoric emerges as a real alternative "love of wisdom". (shrink)