Sartre’s account of the emotions presupposes a conception of human nature that is never fully articulated. The paper aims to render such conception explicit and to argue that frustration occupies a foundational place in Sartre’s picture of affective existence.

This paper argues that an essential and often overlooked feature of jealousy is the sense that one is entitled to the affirmation provided by the love relationship. By turning to Sartre's and Beauvoir's analyses of love and its distortions, I will show how the public nature of identity can inhibit the possibility of genuine love. Since we must depend on the freedom of others to show us who we are, the uncertainty this introduces into one's sense of self can trigger (...) anxiety and pathological attempts to control those others upon whom one's self-value depends. In jealousy one tries to possess the other person's freedom in the hopes that a constant positive evaluation can be thereby secured. The belief that one is entitled to the self-perfection that such affirmation promises reveals both the important existential role that the beloved plays in the jealous person's psychic structure and the manner in which gender inequalities can promote such distortions of love. (shrink)

This paper explores the nature of emotions by considering what appear to be two differing, perhaps even conflicting, approaches to affectivity—an evolutionary functional account, on the one hand, and a phenomenological view, on the other. The paper argues for the centrality of the notion of function in both approaches, articulates key differences between them, and attempts to understand how such differences can be overcome.

On Sartre's own admission, his account of the emotions discloses them as functional. As such, the emotions aim to serve a particular purpose for which he provides the phenomenology. Sartre's phenomenology discloses consciousness as being-in-the-world in two ways, actually as having two worlds. One is a deterministic world, the other magical. Emotion is the drop from the deterministic world to the magical. In order for emotion to perform the function Sartre has in mind it performs, it is crucial there be (...) a certain tension between the deterministic world and the magical world. I argue that given what Sartre himself says about the magical world, the necessary tension can never arise; hence, no functional thesis of emotion is possible if it is formed along Sartre's lines. (shrink)

This paper will discuss the notion of solastalgia or climatic anxiety (Albrecht et al., 2007; Galea et al., 2005,) as a form of anxiety connected to traumatic environmental changes that generate an emotional blockage between individuals, their environment (Cloke et al., 2004,) and their place (Nancy, 1993,). I will use a phenomenological approach to explain the way in which emotions shape our constitution of reality (Husserl, 1970; Sartre, 1983, 1993, 1996; Seamon and Sowers, 2009; Shaw and Ward, 2009). The article’s (...) overall goal is to describe the relationship between environment and “climatic” emotions to understand what we can do to improve our well-being. I believe that scientistic and reductionistic ways of looking at climatic anxiety do not consider this complex dynamic and fail to propose actual solutions for the well-being of both the environment and the individuals. (shrink)

How do we feel our body in emotion experience? In this paper I initially distinguish between foreground and background bodily feelings, and characterize them in some detail. Then I compare this distinction with the one between reflective and pre-reflective bodily self-awareness one finds in some recent philosophical phenomenological works, and conclude that both foreground and background bodily feelings can be understood as pre-reflective modes of bodily self-awareness that nevertheless differ in degree of self-presentation or self-intimation. Finally, I use the distinction (...) between foreground and background bodily feelings to characterize the experience of being absorbed in an activity, as opposed to accounts that imply that absorption involves bodily inconspicuousness. (shrink)

The aim of this article is to offer a novel reconstruction of Sartre's theory of motivation. I argue for four related claims: (a) Sartre's theory of motivation revolves around the Schelerian‐inspired notion of affectivity and the peculiar way affectivity provides us access to evaluative properties of the objects in our environment; (b) according to Sartre, the structure of intentional action, and in particular the act of choice and commitment to projects, is inextricably linked with “affectivity”; (c) the inextricable link between (...) intentional action and affectivity is to be analyzed in terms of the fundamental structure of consciousness as being self‐present, thus making the agent nonpositionally aware of her choices and commitments; (d) an agent is motivated to act when her affective disclosure of value is in part constituted by the awareness of her commitments to relevant projects. (shrink)