Throughout his career, Schelling assigns knowledge of the absolute first principle of philosophy to intellectual intuition. Schelling's doctrine of intellectual intuition raises two important questions for interpreters. First, given that his doctrine undergoes several changes before and after his identity philosophy, to what extent can he be said to “hold onto” the same “sense” of it by the 1830s, as he claims? Second, given that his doctrine of intellectual intuition restricts absolute idealism to what he calls a “science of reason”, (...) which he says cannot prove the absolute’s existence, what other doctrine does he require in order to prove this? I will answer these questions by tracing the shifts in Schelling’s doctrine of intellectual intuition from the 1790s to the 1830s and drawing out its evolving methodological role within his science of intelligibility. (shrink)

El ensayo pretende reconstruir los debates filosóficos franco-alemanes de los años 80. La llegada del pensamiento francés de Derrida, Foucault, Lacan, etc., generó en la filosofía alemana la polaridad asimilación-rechazo. Sostenemos que dicha polaridad es producto del rechazo o integración de las propias tradiciones alemanas que los autores franceses poseen. En consecuencia, creemos que son claves las obras de Manfred Frank sobre el pensamiento francés para entender tanto el debate como sus derivaciones en las discusiones sobre modernidad-posmodernidad, sujeto-no-sujeto, deconstrucción-hermenéutica, racionalidad-irracionalidad.

In order to understand Hegel's approach to philosophy, we need to ask why, and how, he reacts to the well-known criticism of German Romantics, like Novalis and Friedrich Schlegel, against philosophical system building in general, and against Kant's system in particular. Hegel's encyclopedic system is a topical ordering of categorically different ontological realms, corresponding to different conceptual forms of representation and knowledge. All in all it turns into a systematic defense of Fichte's doctrine concerning the primacy of us as actors (...) with respect to any knowledge claim or scientific theory. Hegel's limitations of the principle of causality and of the possibility of using mathematical methods in science show, in fact, how a merely compatibilist solution of Kant's third antinomy can be overcome. (shrink)

Kant's 'Copernican Revolution', which began in the Critique of Pure Reason (1781/1787), had, by the early 1790s, fundamentally altered the terrain of German philosophy – but not entirely in the way that Kant had foreseen. Skeptical challenges to Kant's discursive account of cognition, in which experience arises from the separate faculties of sensibility and understanding, had led thinkers such as K.L. Reinhold and J.G. Fichte to attempt to provide a first, foundational principle for the critical philosophy. These efforts were enormously (...) influential, but by the middle of the 1790s, they too were facing a great deal of critical scrutiny. The central challenge to the Fichtean project came from an unlikely quarter: a group of young thinkers and poets who are collectively known as the early Romantics. For the Romantics, Fichte's project remains too 'subjectivist', for it tries to provide an account of the world by beginning with the conditions that govern subjectivity alone. Rather, the Romantics argue that the world must be understood in terms of a monistic Absolute, akin to Spinoza's substance, in which all dualisms are overcome. It is with this step that Absolute Idealism comes on the scene, and sets the stage for the development of Hegel's system in the early 1800s. This essay, which continues the story of 'Who's Who from Kant to Hegel I', examines the ways in which early Romanticism reacted to the Fichtean project, looks at a variety of anti-foundationalist idealisms that the Romantics – in particular Hölderlin, Novalis, Schlegel, and Schleiermacher – developed, and traces the role that Friedrich Schelling plays in offering the first systematic account of Absolute Idealism. (shrink)

El ensayo examina el carácter crítico de la ironía romántica de Friedrich Schlegel siguiendo las consideraciones y apropiaciones de Walter Benjamin, Harold Bloom y Paul de Man. También, el ensayo pretende mostrar el paralelismo de la actitud crítica de la ironía con tres figuras literarias románticas: el esteta, el dandy y el âneur. Estas criaturas, unidas por una fe profética en el arte, hacen de la ironía una profesión que se mueve entre la creación y la destrucción. La apropiación en (...) el contexto post-estructuralista nos permite percibir a la ironía en una incomprensión radical, desarrollando un patrón estético que opera entre la creación y la aniquilación. (shrink)

This paper traces Schelling’s discussions of individuation from the 1799 Erster Entwurf eines Systems der Naturphilosophie to the 1802 dialogue, Bruno. It argues that the Erster Entwurf is unable to solve what Schelling there calls “the highest problem of the philosophy of nature,” because nature as pure productivity necessarily tends to annihilate all individuality. It is only in 1801 and 1802, the years that mark Schelling’s construction of an Identitätssystem, that a solution emerges. This solution is based on the rejection (...) of one of the defining orthodoxies of German Idealism, Spinoza’s dictum that omnis determinatio est negatio, and on the subsequent theorization of a form of infinite finitude. Consideration of Schelling’s changing attitude to the problem of individuation is intended as a case study of the more general shift from Naturphilosophie to Identitätssystem. (shrink)

Amid a period of isolation and profound internal conflict, both in his life and in his thought, arises that which, according to Hölderlin, is “the general conflict in the human being”, namely the conflict between the “aspiration to limitation” and “the aspiration to the absolute”. The aim of this article is to analyze and, as much as possible, follow to its fullest extent, this fundamental thought: to see how it molds Hölderlin’s positions on existence and philosophy, how it meets the (...) most poignant philosophical concerns of the time and hence directly influences Hölderlin’s reading of Fichte, and how it leads the young poet to the notion of an infinite progression of philosophy, that is, to an infinite approximation to the ideal of knowledge. (shrink)

ABSTRACT The question of human consciousness is a crucial part of Novalis’ aim of construing a self-critique of the I, or critique of human identity, as it is proposed in his “Fichte-Studien”. Namely, this question is an intermediary stage in said critique, serving as proof for Novalis’ theory of the opposites, the fundamental stage, and his position on philosophizing, the final stage of this endeavor, which will be at the basis of his whole philosophical system; and as such, it is (...) a topic of great importance, as it is not only a link in a chain of thought which aims at proving the organicity or living heterogeneity - and not Fichte’s machine-like homogeneity - of the human but is also a key topic towards the resolution of Novalis’problem of philosophy as an existential problem. Given this, the present article intends to situate the question of human consciousness in the framework of Novalis’greater scope of a critique of the I; and from then, to comment on Novalis’own position on the problem of human consciousness, as it is stated in the formula “Consciousness is the Being outside of Being, within Being”; a position which further separates the young poet from Fichte, as it renders him closer and closer to other young idealists, such as Hölderlin or Schelling. RESUMO A questão da consciência humana é uma parte crucial no intento novaliano de construir uma autocrítica do Eu, ou crítica da identidade humana, como ela é proposta nos seus “Fichte-Studien”. Designadamente, esta questão constitui um estado intermédio em tal crítica, servindo como prova da teoria dos contrários de Novalis, o estádio fundamental desta, e a posição de Novalis sobre o filosofar, o estádio final da sua empresa, a qual está na base de todo o seu sistema filosófico; e, como tal, é um tópico de grande importância, visto ser não só um elo em uma linha de pensamento que visa provar a organicidade ou heterogeneidade viva - e não a maquinal homogeneidade de Fichte - do humano, mas também um tópico-chave tendo em vista a resolução da questão novaliana da filosofia enquanto problema existencial. Assim sendo, o presente artigo propõe-se situar a questão da consciência humana no contexto maior da crítica da identidade de Novalis; e, a partir daí, comentar a posição de Novalis sobre o problema da consciência humana, como ele surge exposto na fórmula “A consciência é o Ser fora do Ser, no Ser”; uma posição que decisivamente separa o jovem poeta de Fichte, enquanto o aproxima de outros jovens idealistas, tais como Hölderlin ou Schelling. (shrink)

Why should philosophy, or even thinking, get in the way of seeing? In attempting to address this question, this paper identifies post-Romanticism as a phenomenologically inflected response to the failure of both pre-Romantic Reflexionsphilosophie and Hegelian speculative overcoming, one that seeks to express our relation to the world in a way that does not rely on a reflection model of consciousness and gives no support to the notion of a cognitively inaccessible absolute. It will be suggested that the poetry of (...) Fernando Pessoa offers lessons in such a post-Romanticism, showing how a phenomenological attentiveness to the world-disclosive power of poetry and to the everyday mereness of things constitutes a more coherent way of relating to the world. With reference to Heidegger and Jean-Luc Nancy, it will be argued that Pessoa’s poetry shows us that it is by reining in the reflection model of consciousness that we achieve a greater sense of the world and our position in it. (shrink)