This paper critically examines the argument structure of Fodor's theory of modularity. Fodor claims computational autonomy as the essential properly of modular processing. This property has profound consequences, burdening modularity theory with corollaries of rigidity, non-plasticity, nativism, and the old Cartesian dualism of sensing and thinking. However, it is argued that Fodor's argument for computational autonomy is crucially dependent on yet another postulate of Fodor's theory, viz. his thesis of strong modularity, ie. the view that functionally distinct modules must also (...) have physical counterparts in the neural architecture of the brain. Yet, Fodor offers little or no independent support for this neurological speculation. Moreover, due to the cognitivist underpinnings of Fodor's theory his view of modules as 'mental organs'faces an untenable dilemma that is to be traced back to the earliest history of modem cognitive science, viz. to the rationalist-computationalist research program initiated by Descartes and Male-branche. The tension characteristic for the Cartesian program was one that arose between information correlation and information processing accounts of the transactions between body and mind. Similarly, the tension characteristic for Fodor's theory of modularity is one between a causal account of modules on the model of simple detection mechanisms, and an information processing account of modules on the model of vast and elaborate cognitive systems. It is argued that the resulting concept of a cognitive module Fodorian style constitutes an amalgam of incompatible desiderata that fails to stake out a natural kind for cognitive science. As an alternative account, the final section shows connectionism to be capable of encompassing both Gibsonian and 'new look' accounts of cognitive achievements within one theoretical perspective, thus providing a fruitful interfield theory capable of combining the theoretical resources of the ecological approach with the indispensable theoretical complement provided by psychological processing accounts. This change of perspective would ultimately involve recasting the symbo-functionalist notion of cognitive function along bio-psychological lines. (shrink)

Competent decision-making is required for informed consent. In this paper, I aim, from a phenomenological perspective, to identify the specific facets of competent decision-making that may form a challenge to depressed patients. On a phenomenological account, mood and emotions are crucial to the way in which human beings encounter the world. More precisely, mood is intimately related to the options and future possibilities we perceive in the world around us. I examine how possibilities should be understood in this context, and (...) how, in depression, decision-making might be compromised. I suggest that, based on this analysis, a specific emphasis and alertness in assessments of competence in depressed patients is called for. In fact, close attention should be paid to the range of future possibilities depressed patients are able to perceive. In addition, providing environmental cues to these patients might be one way of enhancing their decision-making capacity. The practical suggestions arrived at are open to empirical research. (shrink)

Koriat & Goldsmith's thesis is provocative but has three problems: First, quantity and accuracy are not simply related, they are complementary. Second, the storehouse metaphor is not the driving force behind contemporary theories of memory and may not be viable. Third, the taxonomy is incomplete, leaving unclassified several extremely influential methods and measures, such as priming and response latency.

Aesthetic judgment has often been characterized as a sensuous cognitively unmediated engagement in sensory items whether visual, auditory, haptic, olfactory or gustatory. However, new art forms challenge this assumption. At the very least, new art forms provide evidence of intention which triggers a search for meaning in the perceiver. Perceived order excites the ascription of intention. The ascription of intention employs background knowledge and experience, or in other words, implicates the perceiver’s conceptual framework. In our response to art of every (...) description we witness the incorrigible tendency in humans to construct meaningful narratives to account for events. Such meaningful narratives always implicitly involve the ascription of intention, even when the agent of the intention is not explicitly acknowledged or even clearly conceived. This principle of intention-in-order may seem incompatible with another truism which is that art is a source of novel ideas and essentially a critique of prevailing values and norms including conceptual schemes. I argue on the contrary that the human impulse to read intention in order is a precondition of art’s critical edge. Creativity is possible even though there is no raw perceptual data to which we have conscious access. That is, there are no sensory items, unmediated by the concepts we have internalized through our interaction with our communities, to which we have conscious access. (shrink)

Using the film the Wizard of Oz, an illustrative comparison is made between the Scarecrow's learning experiences and our own. Like we often do, the Scarecrow reduces his potential learning and thinking abilities to nothing more than the formal operations presumably at work in the brain. Ostensibly lacking this brain, the Scarecrow solves nearly all the problems encountered in the journey to Oz. A neurophenomenological description of the Scarecrow's experiences reveals his prereflective, situated learning, and embodied cognition. These ways of (...) learning are often ignored and devalued in our educational system. Can this same method reveal our own subjugated knowledges? Herein, neurophenomenology is demonstrated as a critical pedagogy that critiques and liberates subjugated knowledge and supports a richer assessment of human learning and thinking. (shrink)

In this article, I argue that popular explanatory frameworks in perceptual psychology suggest the truth of color realism. I focus on perceptual judgments and their evidential basis: namely perceptual representation. I first draw a distinction between two sorts of normativities with respect to which we can evaluate representational capacities and systems: biological and psychological normativities. The former is defined in terms of evolutionary fitness, and the latter in terms of representational accuracy. Generally, representational systems achieve psychological and biological success hand (...) in hand, but in special circumstances, a representational system can be such that it serves the organism best while not generally furnishing the organism with accurate representations. I argue in this essay that an explanation how and why our ancestors developed color vision that cleaves its biological success conditions from its psychological success conditions cannot be given unless we are prepared to say the same about the visual perception of distance and other geometrical features of the world. Moreover, it is difficult to see how the anti-realist could begin to specify psychological success conditions for color representations. Hence, we ought to accept the biological utility of color vision as evidence that it is typically representationally successful, and regard our perceptual judgments about color as generally true. (shrink)

Parameters of the lambda model seem tightly linked to certain characteristics of human performance influenced by weightlessness. This commentary suggests that there is a valuable opportunity to probe the lambda model using the changed environment experienced during space flight. The likely benefits are a better model and a better understanding ofthe consequences of weightlessness for human performance.

Our successful engagement with the world is plausibly underwritten by our sensitivity to affordances in our immediate environment. The considerable literature on affordances focuses almost exclusively on affordances for bodily actions such as gripping, walking or eating. I propose that we are also sensitive to affordances for mental actions such as attending, imagining and counting. My case for this ‘Mental Affordance Hypothesis’ is motivated by a series of examples in which our sensitivity to mental affordances mirrors our sensitivity to bodily (...) affordances. Specifically, subjects perceive opportunities to perform a mental action and their doing so leads, under the right conditions, to the automatic preparation of that action. I conclude by sketching a mental affordance research program that would reinforce my case for the Mental Affordance Hypothesis and establish its ramifications for a number of debates across philosophy and psychology. (shrink)

Jerry Fodor has consistently cited the persistence of illusions--especially the M.

This commentary deals with criteria for assigning truth values to memory contents. A parallel with perception shows how truth values can be assigned by considering subjects' beliefs about the truth state of the memory content. This topic is also relevant to the study of processes of control over retrieval.

The value of accuracy and quantity as memory measures is assessed. It is argued that (1) accuracy does not measure correspondence (monitoring) because it ignores omissions and correct rejections, (2) quantity is confounded with monitoring in recall, and (3) in recognition, if targets and foils are unequal, both measures, even together, still ignore correct rejections.

Following on from ecological theories of perception, such as the one proposed by [Gibson, J. J. . The senses considered as perceptual systems. Boston: Houghton Mifflin] this paper reviews the literature on the multisensory interactions underlying the perception of flavor in order to determine the extent to which it is really appropriate to consider flavor perception as a distinct perceptual system. We propose that the multisensory perception of flavor may be indicative of the fact that the taxonomy currently used to (...) define our senses is simply not appropriate. According to the view outlined here, the act of eating allows the different qualities of foodstuffs to be combined into unified percepts; and flavor can be used as a term to describe the combination of tastes, smells, trigeminal, and tactile sensations as well as the visual and auditory cues, that we perceive when tasting food. (shrink)

“The problem of color realism” as defined in the first section of the target article, is crucial to the argument laid out by Byrne & Hilbert. They claim that the problem of color realism “does not concern, at least in the first instance, color language or color concepts” (sect. 1.1). I argue that this claim is misconceived and that a different characterisation of the problem, and some of their preliminary assumptions makes their positive proposal less appealing.

Byrne & Hilbert conceive of color perception as the representation of a physical property “out there.” In our view, their approach does not only have various internal problems, but is also apt to becloud both the intricate and still poorly understood role that “ color ” plays within perceptual architecture, and the complex coupling to the “external world” of the perceptual system as an entirety. We propose an alternative perspective, which avoids B&H's misleading dichotomy between a purely subjective and a (...) realist conception of “ color.”. (shrink)

This article examines how Modern theories of mind remain even in some materialistic and hence ontologically anti-dualistic views; and shows how Dewey's pragmatism, anticipating Merleau-Ponty, 4E cognitive scientists and especially enactivism, repudiates these theories. Throughout I place Dewey’s thought in the context of scientific inquiry, both recent and historical and including the cognitive as well as traditional sciences; and I show how he incorporated sciences of his day into his thought, while also anticipating enactive cognitive science. While emphasizing Dewey’s continued (...) relevance, my main goal is to show how his scientifically informed account of perception and cognition combats skepticism propagated by certain scientific visions, exacerbated by commonplace notions about mind, that jointly suggest that human beings lack genuine access to reality. (shrink)

Byrne & Hilbert are right that it might be an objective fact that a particular tomato is unique red, but wrong that it cannot simultaneously be yellowish-red (not only objectively, but from somebody else's point of view). Sensory categorization varies among organisms, slightly among conspecifics, and sharply across taxa. There is no question of truth or falsity concerning choice of categories, only of utility and disutility. The appropriate framework for color categories is Nominalism and Pluralistic Realism.

The pull to coordinate with other individuals is fundamental, serving as the basis for our social connectedness to others. Discussed is a dynamical and ecological perspective to joint action, an approach that embeds the individual’s mind in a body and the body in a niche, a physical and social environment. Research on uninstructed coordination of simple incidental rhythmic movement, along with research on goal‐directed, embodied cooperation, is reviewed. Finally, recent research is discussed that extends the coordination and cooperation studies, examining (...) how synchronizing with another, and how emergent social units of perceiving and acting are reflected in people’s feelings of connection to others. (shrink)

Environmental signs as physically manifested signs that we and other animals perceive and interpret in the natural environment are seldom focused on in contemporary semiotics. The aim of the present paper is to highlight the diversity of environmental signs and to propose a typology for analysing them. Combining ecosemiotics and the pragmatist semiotics of C. Peirce and C. Morris, the proposed typology draws its criteria from the properties of the object and the representamen of the sign, and of their relationships. (...) The analysis distinguishes eight basic types of environmental signs and provides examples of these from the natural environment. The typology also integrates existing concepts of environmental affordances, ecofields, phonetic syntax, sign fields, ecological codes, meta-signs and others. In addition to basic types of environmental signs, compound environmental signs are discussed with three types of these distinguished: environmental meta-signs; ecological codes; and environmental-cultural hybrid signs. Further study of compound environmental signs could lead to reconceptualising relations between linguistic and pre-linguistic semiosis. (shrink)

We reflect upon quantification in biology in two ways. First, from a sensory scientific perspective, we address theories and methods for studying sensation, perception, and cognition. Sensory science concerns action of the human senses, which are not passive receivers but operate in an active and fundamental way for human beings in various social and environmental contexts. In the past one could only handle one-to-one relationships within a univariate framework. Today we have tools to capture complexity closer to real world situations. (...) Thus, the second perspective is rooted in multivariate thinking and modeling tools. Relying mainly on soft modeling-exploratory methods, such as partial least squares regression, we claim that quantification in sensory biology in the future should be met with a dialectic view that simultaneously exploits the two perspectives. (shrink)