This tribute to the breadth and influence of Trudy Govier’s philosophical work begins with her early scholarship in argumentation theory, paying special attention to its pedagogical expression. Most people first encounter Trudy Govier’s work and many people only encounter it through her textbooks, especially A Practical Study of Argument, published in many editions. In addition to the work on argumentation that has continued throughout her career, much of Govier’s later work addresses social philosophy and the problems of trust and response (...) to moral wrongs. The introduction by Catherine Hundleby situates Govier’s research along the path of her unusual academic life. While following the timeline of Govier’s research publication, in this collection the authors build on her work and suggest certain new connections between her argumentation theory and social philosophy. A Practical Study of Argument, first published in 1985, situates Govier among a distinct segment of informal logicians whose concerns about teaching reasoning to post-secondary students orient their research, Takuzo Konishi argues. Moira Kloster evaluates Govier’s progress in the challenge of providing critical thinking education to diverse and changing social contexts. Shifting gears to social philosophy but still addressing education, Laura Elizabeth Pinto explores the significance of Govier’s work on trust for explaining the problem of “audit culture” for teaching. At the centre of this volume, social philosophy receives an abstract meta-ethical defense from Linda Radzik. Moving solidly into the domain of normative social philosophy, Alice MacLachlan reconsiders Govier’s condemnation of revenge by viewing it as a form of moral address, but she notes how revenge as an act of communication contrasts with argumentation in lacking the respect that Govier maintains is intrinsic to argumentation. MacLachlan ultimately agrees that revenge is morally indefensible. The practical challenges of addressing others in the aftermath of wrongdoing, especially in public contexts, can make it difficult to distinguish between victims and combatants or wrongdoers, Alistair Little and Wilhelm Verwoerd explain, and Kathryn Norlock argues that forgiveness is psychologically vexed too. People may recognize transformation to be in principle possible for all people, Norlock argues, and yet we may find the evidence regarding some particular evildoer sufficient to count that person as an exception. Finally Govier responds to the various papers. (shrink)

What is the difference between belief and desire? In order to explain the difference, recent philosophers have appealed to the metaphor of.

Hume seems to have discarded with final causes and teleology. However, his invocation of a pre-established harmony between the course of nature and the succession of our ideas suggests otherwise. This paper takes Hume’s general strategy of shifting to the external perspective into account, and argues that the seemingly internal property of force and vivacity are, in fact, functional-teleological properties. Force and vivacity bears many explanatory burdens: It explains the difference between imagination and memory, between conception and belief, and it (...) establishes causal necessity. What kind of property is this supposed to be? We can answer this question by taking into account Hume’s explanation of the way in which this very property is communicated in the cases of ideas of memory and belief, and of the function it performs in these cases. It will be argued that force and vivacity is not an intrinsic, phenomenal property of ideas. It is a relational and historical property. A major objective of the paper is the application of this interpretation from the case of ideas to the case of impression. What kind of history could transfer force and vivacity to impressions? Answer: natural history. By a careful examination of passages concerning innate capacities, passions, and animal instincts, we can make sense of the tenet that impressions have force and vivacity because of our natural history. It will be suggested that Hume’s philosophy of mind is fit to integrate Darwinian Design as an explanatory corner-stone. Hume, so scheint, ist ein scharfer Kritiker von Finalursachen und Teleologie. Seine häufig als ironisch missverstandene Berufung auf eine Art „prästabilierter Harmonie“ zwischen Naturverläufen und Ideenabfolgen verweist jedoch auf eine andere Lesart. Der folgende Essay behauptet, indem er Humes explanatorische Strategie betont, etwa im Falle seiner berühmten Lösung der skeptischen Zweifele zur Kausalität zu einer externen Perspektive zu wechseln, dass es sich bei der scheinbar geistinternen Eigenschaft „Kraft und Lebendigkeit“ tatsächlich um eine teleologisch- historische Eigenschaft handelt. Kraft und Lebendigkeit leisten in Humes Philosophie des Geistes eine große Erklärungsarbeit: Sie erklären den Unterscheid zwischen Vorstellung und Erinnerung, zwischen Vorstellung und Überzeugung, und sie stellen die wesentliche Zutat der kausalen Notwendigkeit dar. Doch um welche Art Eigenschaft handelt es sich? Diese Frage kannmit Blick auf Humes Ausführung darüber beantwortet werden, wie diese Eigenschaft auf Ideen der Erinnerung und auf Überzeugungsideen übertragen wird, und v.a. mit Blick auf die Funktion, die diese Eigenschaft übernimmt. Es soll gezeigt werden, dass es sich bei Kraft und Lebendigkeit um keine intrinsische, phänomenale Eigenschaft von Ideen handelt, sondern um eine relationale, historische Eigenschaft. Ein wichtiges Ziel des Essays besteht darin, diese Deutung von Ideen auf Eindrücke zu übertragen. Inwiefern kann es sich bei der Kraft und Lebendigkeit von Eindrücken umeine relationale und historische Eigenschaft handeln? Die Antwort findet sich in der Naturgeschichte, wie mit Verweis auf Humes Ausführungen zu angeborenen Fähigkeiten, Leidenschaften und tierlichen Instinkten gezeigt werden kann. Die Stoßrichtung des Essays besagt, dass Humes Philosophie des Geistes durchaus mit einer Darwinschen Auffassung des Geistes zusammengeführt werden kann. (shrink)

An important part of Hume's philosophy is grounded in a fundamental distinction between two kinds of perceptions: impressions and ideas. Existing views of the distinction are that the former are livelier than the latter, that the former are causally prior to the latter, that the latter are copies of the former, that the former but not the latter are perceptions of an objective realm, and that the former are feelings whereas the latter are thoughts. I argue that all of these (...) views of the distinction are problematic and should be replaced by the Reflection view, according to which (simple) ideas are, while impressions are not, the direct products of reflection on other perceptions. (shrink)

This paper argues that we should distinguish two different kinds of imaginative vividness: vividness of mental images and vividness of imaginative experiences. Philosophy has focussed on mental images, but distinguishing more complex vivid imaginative experiences from vivid mental images can help us understand our intuitions concerning the notion as well as the explanatory power of vividness. In particular, it can help us understand the epistemic role imagination can play on the one hand and our emotional engagement with literary fiction on (...) the other hand. (shrink)

The main thesis of the dissertation is that Hume resolves his central concern with the problem of reason by arguing for a pragmatic conception of that notion. After a discussion of Hume's argument to the effect that the traditional conception of reason leads to unmitigated scepticism, I turn to Hume's account of belief. Vivacity is the distinguishing mark of a belief. That notion has two aspects: an intrinsic felt quality, and a causal connection to action. The former is part of (...) the descriptive account of belief and the latter accounts for the normative distinctions among beliefs. A belief is rationally warranted, if it leads to beneficial consequences. Both the descriptive-explanatory and the normative-evaluative accounts of belief rest on Hume's conception of the imagination. In the last chapter, it is argued that Malebranche significantly influenced Hume's conception of the imagination. (shrink)

In this article, I make a philosophical comparison between Hobbes' and Hume's s conceptions of imagination. The article should not be taken as an examination of Hobbes' real effect on Hume's thinking. That is a historical problem I do not address. In addition to being philosophically comparative, the article is expli- cative. Since the subject matter is so broad, I have been compelled to confine myself to the explicative level in my examination. I unfold Hume's conception of imagination, take Juhana (...) Lemetti's interpretation of Hobbes for granted (with some subtle alterations) and then compare my Hume to Lemetti's Hobbes. I will not go into all the details of Hume's rich and many-sided conception and many problems cannot be discussed in the paper; my intention is to shed some light on Hobbes' and Hume's thinking by comparing their conceptions of imagination and their reasons for the conceptions. (shrink)

How are we to understand the phenomenology of imagining? Attempts to answer this question often invoke descriptors concerning the “vivacity” or “vividness” of our imaginative states. Not only are particular imaginings often phenomenologically compared and contrasted with other imaginings on grounds of how vivid they are, but such imaginings are also often compared and contrasted with perceptions and memories on similar grounds. Yet however natural it may be to use “vividness” and cognate terms in discussions of imagination, it does not (...) take much reflection to see that these terms are ill understood. In this paper, I review both some relevant empirical literature as well as the philosophical literature attempt to get a handle on what it could mean, in an imaginative context, to talk of vividness. As I suggest, this notion ultimately proves to be so problematic as to be philosophically untenable. (shrink)

This is the original, longer draft for my entry on Hume in the 'The Routledge Hand- book of Philosophy of Imagination', edited by Amy Kind and published by Routledge in 2016 (see the separate entry). — Please always cite the Routledge version, unless there are passages concerned that did not make it into the Handbook for reasons of length. — -/- This chapter overviews Hume’s thoughts on the nature and the role of imagining, with an almost exclusive focus on the (...) first book of his Treatise of Human Nature. Over the course of this text, Hume draws and discusses three important distinctions among our conscious mental episodes (or what he calls ‘perceptions’): (i) between impressions (including perceptual experiences) and ideas (including recollections, imaginings and occurrent beliefs); (ii) between ideas of the memory and ideas of the imagination; and (iii), among the ideas of the imagination, between ideas of the judgement (i.e. occurrent beliefs) and ideas of the fancy (i.e. imaginings). I discuss each distinction in turn, also in connection to contemporary views on imagining. In addition, I briefly consider Hume’s views on the imagination as a faculty aimed at the production of ideas, as well as on the role that imagining plays in the wider context of our mental lives, notably in the acquisition of modal knowledge and in the comprehension of, and resistance to, stories and opinions that we take to be false or fictional. (shrink)