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A theory of Austria

In Kristof Nyiri (ed.), From Bolzano to Wittgenstein: The Tradition of Austrian Philosophy. Vienna: Hölder-Pichler-Tempsky. pp. 11-30 (1986)

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  1. Austrian Origins of Logical Positivism.Barry Smith - 1988 - In Barry Gower (ed.), Logical Positivism in Perspective. London: Croom Helm. pp. 35-68.
    Recent work on Austrian philosophy has revealed, hitherto, unsuspected links between Vienna circle positivism on the one hand, and the thought of Franz Brentano and his circle on the other. the paper explores these links, casting light also on the Polish analytic movement, on the development of gestalt psychology, and on the work of Schlick and Neurath.
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  • Practices of Art.Barry Smith - 1988 - In J. C. Nyíri & Barry Smith (eds.), Practical Knowledge: Outlines of a Theory of Traditions and Skills. London: Croom Helm. pp. 172-209.
    Starting out from the ontology of human work set out by Marx in Das Kapital, the paper seeks to analyse the relations between the artist and his actions and aims, the work of art he produces, and the audience for this work. The paper concludes with a discussion of the problem of creativity in the arts, drawing on ideas of Roman Ingarden and other phenomenologists.
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  • La teoria sostituzionale dell'arte.Barry Smith - 1989 - Supplementi di Topoi 3:186-209.
    In perceptual experience we are directed towards objects in a way that establishes a real relation between a mental act and its target. In reading works of fiction we enjoy experiences which manifest certain internal similarities to such relational acts, but which lack objects. The substitution theory of art attempts to provide a reason why we seek out such experiences and the artifacts which they generate. Briefly, we seek out works of art because we enjoy the physiology and the phenomenology (...)
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