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  1. Dionysiac Drama and the Dionysiac Mysteries.Richard Seaford - 1981 - Classical Quarterly 31 (02):252-.
    In Euripides' Bacchae Dionysos visits Thebes in disguise to establish his mysteries there. And so, given normal Euripidean practice, it is almost certain that in the lost part of his final speech Dionysos actually prescribed the establishment of his mysteries in Thebes. In the same way the Homeric Hymn to Demeter tells how the goddess came in disguise to Eleusis and finally established her mysteries there. After coming to Eleusis she performs certain actions in the house of king Celeus, for (...)
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  • Religion and Politics in Aeschylus' Orestela.A. M. Bowie - 1993 - Classical Quarterly 43 (01):10-.
    In the light of the remarkable changes of political colour which Aeschylus has undergone in the hands of scholars, there is a certain amusing irony about the fact that the satyr-play which followed the Oresteia was the Proteus. Sadly, we know too little of the Proteus to say whether it would have resolved this debate about the Oresteid's political stance, though one may have one's doubts.
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  • The return of Hephaistos, Dionysiac procession ritual, and the creation of a visual narrative.Guy Hedreen - 2004 - Journal of Hellenic Studies 124:38-64.
    The return of Hephaistos to Olympos, as a myth, concerns the establishment of a balance of power among the Olympian gods. Many visual representations of the myth in Archaic and Classical Greek art give visible form to the same theme, but they do so in a manner entirely distinct from the manner in which it is expressed in literary narratives of the tale. In this paper, I argue that vase-painters incorporated elements of Dionysiac processional ritual into representations of the return (...)
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  • Invocazione al “signore dell’anima che sempre vive”: Melanipp. PMG 762.Marco Ercoles - 2020 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 164 (2):197-207.
    In Melanipp. PMG 762 the reading βροτῶν (v. 1) of the MSS can be retained. The god invoked as “lord of the everlasting soul” (v. 2), generally identified with Dionysus-Zagreus, can be rather recognized as the Orphic Zeus.
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  • Atenea versus Afrodita: las mujeres y la ciudadanía.Sin Autor - 2008 - 'Ilu. Revista de Ciencias de Las Religiones 13:153-174.
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  • ¿ Hubo ritos de paso cruentos en el orfismo?Ana Isabel Jiménez San Cristóbal - 2009 - Synthesis (la Plata) 16.
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  • Xenophanes, Aeschylus, and the doctrine of primeval brutishness.Michael J. O'Brien - 1985 - Classical Quarterly 35 (02):264-.
    The belief that primitive men lived like beasts and that civilisation developed out of these brutal origins is found in numerous ancient authors, both Greek and Latin. It forms part of certain theories about the beginnings of culture current in late antiquity. These are notoriously difficult to trace to their sources, but they already existed in some form in the fifth century b.c. One idea common to these theories is that of progress, and for this reason a fragment of Xenophanes (...)
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