- Submit
-
Browse
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- More
Switch to: References
Citations of:
Add citations
You must login to add citations.
|
|
|
|
|
|
This dissertation defends the reliability of first-person methods for studying consciousness, and applies first-person experiments to two philosophical problems: the experience of size and of the self. In chapter 1, I discuss the motivations for taking a first-person approach to consciousness, the background assumptions of the dissertation and some methodological preliminaries. In chapter 2, I address the claim that phenomenal judgements are far less reliable than perceptual judgements (Schwitzgebel, 2011). I argue that the main errors and limitations in making phenomenal (...) |
|
|
Developmental synesthesia typically involves either the stimulation of one sensory modality which gives rise to an experience in a different modality (when a sound, for example, evokes a colour) or the stimulation of a single sensory modality giving rise to different qualitative aspects of experience (when the sight of a number, for example, evokes a colour). These occurrences seem to support Grice’s (1989) argument that sense modalities cannot be individuated without reference to the introspective-character of experience. This, however, threatens intentionalism (...) |
|
|
|
|
|
The distinction between phenomenal and access consciousness arises from the battle between biological and computational approaches to the mind. If P = A, the computationalists are right; but if not, the biological nature of P yields its scientific nature. |
|
|
It is often thought that sensible qualities such as colours do not exist as properties of physical objects. Focusing on the case of colour, I discuss two views: the Galilean view, according to which colours do not exist as qualities of physical objects, and the naive view, according to which colours are, as our perception presents them to be, qualities instantiated by physical objects. I argue that it is far from clear that the Galilean view is better than the naive (...) |
|
|
|
|
|
If all the participants in the color ontology debate are naturalists with good sciences on their side, how could color subjectivism win? The apparent reason is that subjectivism is supported by the opponent process theory that is a successful neurophysiological reduction of colors. We will argue that the real reason is the unique reductive methodology of the opponent paradigm. We will undermine subjectivism by arguing against the methodology. |
|
|
This paper argues that we should reject G. E. Moore’s anti-skeptical argument as it is presented in “Proof of an External World.” However, the reason I offer is different from traditional objections. A proper understanding of Moore’s “proof” requires paying attention to an important distinction between two forms of skepticism. I call these Ontological Skepticism and Epistemic Skepticism. The former is skepticism about the ontological status of fundamental reality, while the latter is skepticism about our empirical knowledge. Philosophers often assume (...) |
|
|
This is a commentary on Laurence Maloney’s chapter in Mausfeld R., and Heyer, D. (Eds.): Colour Perception: Mind and the Physical World. Oxford: Oxford University Press, 2003. I discuss two related proposals as to the nature of object color formulated by Maloney. On the first proposal colors are photoreceptor excitations; on the second, they are fundamental, universal reflectance characteristics of terrestrial surfaces. I argue that the second proposal is suitable for purposes of color objectivism, whereas the first one is not. (...) |
|
|
It seems intuitively obvious that metameric matching of color samples entails a loss of information, for spectrophotometrically diverse materials appear the same. This intuition implicitly relies on a conception of the function of color vision and on a related conception of how color samples should be individuated. It assumes that the function of color vision is to distinguish among spectral energy distributions, and that color samples should be individuated by their physical properties. I challenge these assumptions by articulating a different (...) |
|
|
Teresa believes in God. Maggie’s wife believes that the Earth is flat, and also that Maggie should be home from work by now. Anouk—a cat—believes it is dinner time. This dissertation is about what believing is: it concerns what, exactly, ordinary people are attributing to Teresa, Maggie’s wife, and Anouk when affirming that they are believers. Part I distinguishes the attitudes of belief that people attribute to each other (and other animals) in ordinary life from the cognitive states of belief (...) |
|
|
It is often claimed, following Joseph Levine, that there is an ‘explanatory gap’ between ordinary physical facts and the way we perceive things, so that it is impossible to explain, among other things, why colours actually look the way they do. C.L. Hardin, by contrast, argues that there are sufficient asymmetries between colours to traverse this gap. This paper argues that the terms we use to characterize colours, such as ‘warm’ and ‘cool’, are not well understood, and that we need (...) |
|
|
|
|
|
In this paper I argue that there are problems with the foundations of the current version of physicalism about color. In some sources laying the foundations of physicalism, types of surface reflectance corresponding to (veridical) color perceptions are characterized by making reference to properties of the observer. This means that these surface attributes are not objective (i.e. observer-independent). This problem casts doubt on the possibility of identifying colors with types of surface reflectance. If this identification cannot be maintained, that in (...) |
|
|
This paper serves to introduce the papers from the symposium by the same title, by describing the sort of work done in philosophy of psychology conceived as a branch of the philosophy of science, distinguishing it from other discussions of psychology in philosophy, and criticizing the claims to set limits on scientific psychology in the largely psychologically uninformed literatures concerning "folk psychology' and "wide" and "narrow" content. Philosophy of psychology as philosophy of science takes seriously and analyzes the explanatory structures, (...) |
|
|
Some sounds have pitch, some do not. A tuba’s notes are lower pitched than a flute’s, but the fuzz from an untuned radio has no discernible pitch. Pitch is an attribute in virtue of which sounds that possess it can be ordered from “low” to “high”. Given how audition works, physics has taught us that frequency determines what pitch a sound auditorily appears to have. |
|
|
This dissertation explores issues in the philosophy of psychology and metaphysics through the lens of the emotion of disgust, and its corresponding property, disgustingness. The first chapter organizes an extremely large body of data about disgust, imposes two constraints any theory must meet, and offers a cognitive model of the mechanisms underlying the emotion. The second chapter explores the evolution of disgust, and argues for the Entanglement thesis: this uniquely human emotion was formed when two formerly distinct mechanisms, one dedicated (...) |
|
|
The nature of color is an open philosophical and scientific question. In this work I develop a physicalist relationist theory of color. So far, attempts to identify color as a physical property of objects have not been convincing because no physical property used by scientists seems to be well correlated with color sensations. I define a new physical property which I call transformance and show that transformance is 100% correlated with color sensations. Intuitively, transformance is a very general abstract physical (...) |
|
|
The thesis is intended to contribute to the growing understanding of the indispensable role played by phenomenal consciousness in human cognition, and specifically in making our concepts of the external world available. The focus falls on so called observational concepts, a type of rudimentary, perceptually-based objective concepts in our repertoire — picking out manifest properties such as colors and shapes. A theory of such concepts gets provided, and, consequently, the exact role that perceptual consciousness plays in making concepts of this (...) |
|
|
This thesis is an examination and critique of naturalistic representational theories of phenomenal character. Phenomenal character refers to the distinctive quality that perceptual and sensational experiences seem to have; it is identified with 'what it is like' to undergo experiences. The central claims of representationalism are that phenomenal character is identical with the content of experience and that all representational states, bearing appropriate relations to the cognitive system, are conscious experiences. These claims are taken to explain both how conscious experiential (...) |
|
|
I offer a novel defence of radically externalist theories of perception, via a strikingly spare and broadly physicalist metaphysics. The core, motivating claim is what I call a natural view of perception, according to which perception involves direct awareness of our environment, such that the phenomenology of experience consists of the worldly things perceived, as they appear to the perspective of the subject. To underpin this natural view, I propose a simple metaphysical picture of perception, which identifies the perceptual experience (...) |
|
|
Philosophers long have noted that some sensations (particularly those of color) seem to be ineffable, or refractory to verbal description. Some proposed neurophysiological explanations of this ineffability deny the intuitive view that sensations have inherently indescribable content. The present paper suggests a new explanation of ineffability that does not have this deflationary consequence. According to the hypothesis presented here, feedback modulation of information flow in the cortex interferes with the production of narratives about sensations, thereby causing the subject to assess (...) |
|
|
In this paper I shall defend a projectivist view of sensory experience. The case I shall focus on is that of color experience. Projectivism has recently been criticized by some authors who claim that it is unintelligible, or at least implausible, and that it makes a severe category mistake. I shall argue that despite some prima facie impressions of implausibility, projectivism can be made intelligible, and plausible, if its details are spelled out in a reasonable way. In addition, projectivism is (...) |
|
|
The primary issues concern whether objects have colours, and what sorts of properties the colours are. Some philosophers hold that nothing is coloured, others that colour are powers to affect perceivers, and others that colours are physical properties. |
|
|
Some philosophers have regarded the connection between hues and certain arousal or affective qualities as so intimate as to make them inseparable, and this “necessary concomitance view” has been invoked to defend functionalism against arguments based on inverted spectra. Support for the necessary concomitance view has sometimes been thought to accrue from experiments in psychology. This paper examines three experiments, two of which apparently offer support for the view. It argues that careful consideration of these experiments undermines this appearance of (...) |
|
|
Our understanding of human visual perception generally rests on the assumption that conscious visual states represent the interaction of spatial structures in the environment and our nervous system. This assumption is questioned by circumstances where conscious visual states can be triggered by external stimulation which is not primarily spatially defined. This work discusses psychophysical experiments investigating flicker induced subjective experiences of colour and form. Using the presentation of spatially uniform flicker with a precise temporal resolution it is shown that subjective (...) |
|
|
There is growing body of knowledge about how humans and animals perceive col- ours; we may safely say that both physiology and physics of colour perception are becoming less and less mysterious. Still it doesn't help to solve a philosophical puzzle: What do exactly mean expressions like “perceived red” or “perceived green”? What do perceived colours refer to in the world? There are three problem fields I am touching on in this paper: (i) semantics of colour names, (ii) ontological status (...) |
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-5ff6c685cb-dmxst uwo