Nietzsche takes moral judgments to be false beliefs, and encourages us to pursue subjective nonmoral value arising from our passions. His view that strong and unified passions make one virtuous is mathematically derivable from this subjectivism and a conceptual analysis of virtue, explaining his evaluations of character and the nature of the Overman.

In order to overcome the unhealthy perspective of body-mind dualism and become capable of holding the “higher” and healthier perspective of body and mind as will to power, Nietzsche stresses that one must engage in a process of cultivation of the body. Such a practice of self-cultivation involves leaving behind incorporated illusory and life-denying perspectives and incorporating more “truthful” and affirmative perspectives on life. In this article, Nietzsche’s views on the body and its cultivation will be further explored and compared (...) with Japanese Buddhist thought on body, mind, and cultivation. In Japanese thought, the notion of shinjin-ichinyō (oneness of body and mind) was developed in order to overcome a dualistic approach to body and mind. The unity of body and mind plays an essential part in the philosophies of both Kūkai and Dōgen. Whereas in early Indian Buddhism, self-cultivation took place primarily through the mind (citta), in Japanese Buddhist practice the body, not the mind, is the primary locus as exemplified in Dōgen’s somatic practice of zazen. Although from the everyday perspective, body and mind are experienced as two separate things, a higher perspective is possible in which body-mind is experienced as a continually changing configuration of dharmas that doesn’t contain any “I.” Such a higher perspective is called “samadhic awareness” by Dōgen, in which “body and mind are cast off” (shinjin totsuraku). For both Nietzsche and Dōgen, their “philosophy am Leitfaden des Leibes” does not aim at discovering “truths” by means of introspection and thinking, but at increasing the body’s capacity for the incorporation of new and liberating perspectives. (shrink)

The nature and value of autonomy has long been debated in diverse philosophical traditions, including moral and political philosophy. Although the notion dates back to ancient Greek philosophy, it was during the Age of Enlightenment that autonomy drew much attention. Thus, as may be known, moral philosophers tended to emphasize self-regulation, particularly one’s own will to abide by universal moral laws, as the term “autonomy” originates from the Greek words “self” (auto) and “rule” (nomos). In parallel, modern epistemologists supposedly espoused (...) the idea of intellectual autonomy as self-reliance. In this classical view, an intellectually autonomous explorer of knowledge must not depend on a belief that is obtained from another’s testimony, until one can justify it to oneself. However, accompanying the growing focus on the importance of social dimensions of acquiring knowledge and understanding, recent epistemologists have doubted the classical view and have since reconsidered intellectual autonomy from distinct approaches such as social and virtue epistemology. This paper propounds an interpersonal-epistemic approach to intellectual autonomy. First, it is argued that thinking through questioning both individually and with other epistemic peers is an interpersonal-epistemic practice. Second, it is demonstrated that with particular cognitive features inherent within us, an intellectually autonomous person must think through questioning in necessary situations. This interpersonal account of intellectual autonomy can conceptually enrich intellectual autonomy by considering its relationship with not only responsibility but also with vulnerability. Specifically, regarding responsibility, an intellectually autonomous person must be responsible for his or her own actions throughout questioning processes. Regarding vulnerability, our intellectual autonomy lies in retaining autonomy with vulnerability in the plastic control of the questioning processes. (shrink)

Nietzsche sometimes praises the drive to order—to simplify, organize, and draw clear boundaries—as expressive of a vital "classical" style, or an Apollonian artistic drive to calmly contemplate forms displaying "epic definiteness and clarity." But he also sometimes harshly criticizes order, as in the pathological dialectics or "logical schematism" that he associates paradigmatically with Socrates. I challenge a tradition that interprets Socratism as an especially one-sided expression of, or restricted form of attention to, the Apollonian: they are more radically disparate. Beyond (...) strengthening the case for this basic point, I develop a distinctive account of what, exactly, distinguishes the Apollonian-classical and Socratic forms of order. To this end, I advance interrelated interpretations of Apollonian-classical simplicity and the "cold" calm that it elicits, by contrast to superficially similar Socratic phenomena. This illuminates Nietzsche's broader ambivalence toward science, in part by clarifying the nature and value of an idealized Apollonian science. (shrink)

ABSTRACTIn this article I argue that we should understand Nietzsche’s doctrine of eternal recurrence as the ideal of life affirmation opposed to philosophical pessimism, the view that life is not worth living. I first articulate Nietzsche’s psychological account of pessimism as a vengeful focus on the past and an aversion to time understood as transience. I then consider the question of why a person with the opposite psychological orientation – a creative relation to the future and an endorsement of time (...) – would will the eternal recurrence of all things. My answer appeals to Nietzsche’s notions of will to power and the redemption of the past from its senselessness. The interpretation of eternal recurrence that emerges from this approach takes Nietzsche’s vision of a great, world-redeeming individual to be integral to his doctrine of eternal recurrence. This is just one way in which it differs from common interpretations of eternal recurrence as a cosmological theory or thought experiment. (shrink)

Los intentos de delimitación que se presentan a continuación, con motivo del arte danzario como forma de obra de arte performática o como instancia de lo performático, atienden a algunos cuestionamientos propuestos a la reflexión sobre el arte, por parte de algunas prácticas y fenómenos artísticos de la década de 1960 y que se relacionan con prácticas de la primera mitad del siglo XX. Son fenómenos artísticos que involucran la espacialidad, la corporeidad y el movimiento de quienes convergen con motivo (...) de los eventos artísticos, y que hacen énfasis en la dimensión procesual de las obras, una dimensión que escasamente tiene presencia en los constructos estéticos dominantes como el kantiano y el hegeliano. Ahora bien, sobre el fondo de la obra de arte total del siglo XIX ( en las declaraciones estéticas de Richard Wagner y de Friedrich Nietzsche), más recientemente se hacen visibles y tematizables formas de arte multimediático, happening, performance, body art, instalación, vídeo arte, arte experimental, además de la dominante y tradicional obra de arte visual y plástica o la del lenguaje poético: en efecto, ya podemos señalar la presencia de la problemática de lo performático en la plástica, en gran parte de la obra de Marcel Duchamp, o en las lecturas de poesía dadaísta, o en las mismas obras efímeras de varios artistas y movimientos de la época. (shrink)

Abstract Both the subject of science and the notion of creativity in Nietzsche have not been studied with the attention they deserve. The subject of science, however, can be considered a thread of research that is attracting the attention of a large number of philosophers. The notion of creativity, for its part, occupies, among other notions, a little known place within the interests that revolve around the figure of the thinker of Röcken. Therefore, we intend to develop a study of (...) the concept of science in Nietzsche focusing on an analysis of his criticism, to pose the gaze on the subject of Darwinism. Creativity will be studied in light of Nietzsche works and later in nexus with science. The relationship between these themes allows a novel approach to the study of science in Nietzsche and, therefore, to perceive its possible consequences. (shrink)

What happens to the inner light of consciousness with the death of the individual body and brain? Reductive materialism assumes it simply fades to black. Others think of consciousness as indicating a continuation of self, a transformation, an awakening or even alternatives based on the quality of life experience. In this issue, speculation drawn from theoretic research are presented. -/- Table of Contents Epigraph: From “The Immortal”, Jorge Luis Borges iii Editor’s Introduction: I Killed a Squirrel the Other Day, Gregory (...) M. Nixon iv-xi Research Essays The Tilde Fallacy and Reincarnation: Variations on a "Skeptical" Argument Teed Rockwell 862-881 Death, Consciousness, and Phenomenology, Steve Bindeman 882-899 The Idealist View of Consciousness After Death, Bernardo Kastrup 900-909 Consciousness, a Cosmic Phenomenon—A Hypothesis, Eva Déli 910-930 The Theory of a Natural Afterlife: A Newfound, Real Possibility for What Awaits Us at Death, Bryon K. Ehlmann 931-950 Near-Death Cases Desegregating Non-Locality/Disembodiment via Quantum Mediated Consciousness: An Extended Version of the Cell-Soul Pathway, Contzen Pereira & J Shashi Kiran Reddy 951-968 On the Possible Existence of Quantum Consciousness After Brain Death, Massimo Pregnolato & Alfredo Pereira Jr. 969-991 Science and Postmortem Survival, Edward F. Kelly 992-1011 Explorations ISS Theory: Cosmic Consciousness, Self, and Life Beyond Death in a Hyperdimensional Physics, Chris H. Hardy 1012-1035 Does the Consciousness End, Remain Awake, or Transform After Death? Radivoj Stankovich (with Micho Durdevich) 1036-1050 Big Bang Spirituality, Life, and Death, Ken Bausch 1051-1063 Death, Consciousness and the Quantum Paradigm, Ronald Peter Glasberg 1064-1077 Living With Limits: The Continuum of Consciousness, Donald Brackett 1078-1098 Mysticism, Consciousness, Death, Mike Sosteric 1099-1118 What Dies? Eternalism and the Afterlife in William James, Jonathan Bricklin 1119-1140 Theories of Consciousness and Death: Does Consciousness End, Continue, Awaken, or Transform When the Body Dies? Roger Cook 1141-1153 It’s the Other Way Around: Matter is a Form of Consciousness and Death is the End of the Illusion of Life in the World, James P. Kowall & Pradeep B. Deshpande 1154-1208 Statements A Feminine Vision for the World Consciousness, & a New Outrageous Ontology, Lorna Green 1209-1217 The Mask of Eternity: The Quest for Immortality and the Afterlife, Iona Miller 1218-1228 Are We Really “such stuff as dreams are made on”? Chris Nunn 1229-1225 Is the Afterlife a Non-Question? (Let's Hope Not), Deepak Chopra 1226-1230 Life After Death? An Improbable Essay, Stuart Kauffman 1231-1236. (shrink)

Two major twentieth century philosophers, of East and West, for whom the nothing is a significant concept are Nishida Kitarō and Martin Heidegger. Nishida’s basic concept is the absolute nothing upon which the being of all is predicated. Heidegger, on the other hand, thematizes the nothing as the ulterior aspect of being. Both are responding to Western metaphysics that tends to substantialize being and dichotomize the real. Ironically, however, while Nishida regarded Heidegger as still trapped within the confines of Western (...) metaphysics with its tendency to objectify, Heidegger’s impression of Nishida was that he is too Western, that is, metaphysical. Yet neither was too familiar with the other’s philosophical work as a whole. I thus compare and assess Nishida’s and Heidegger’s discussions of the nothing in their attempts to undermine traditional metaphysics while examining lingering assumptions about the Nishida–Heidegger relationship. Neither Nishida nor Heidegger means by “nothing” a literal nothing, but rather that which permits beings in their relative determinacy to be what they are and wherein or whereby we find ourselves always already in our comportment to beings. Nishida characterizes this as a place that negates itself to give rise to, or make room for, beings. For Heidegger, being as an event that clears room for beings, releasing each into its own, is not a being, hence nothing. We may also contrast them on the basis of the language they employ in discussing the nothing. Yet each seemed to have had an intuitive grasp of an un/ground, foundational to experience and being. And in fact their paths cross in their respective critiques of Western substantialism, where they offer as an alterantive to that substantialist ontology, in different ways, what I call anontology. (shrink)

The hermeneutical tradition represented by Yorck, Heidegger, and Gadamer has distrusted Dilthey as suffering from the two sins of modernism: scientific “positivism” and individualistic and aesthetic “romanticism.” On the one hand, Dilthey’s epistemology is deemed scientistic in accepting the priority of the empirical, the ontic, and consequently scientific inquiry into the physical, biological, and human worlds; on the other hand, his personalist ethos and Goethean humanism, and his pluralistic life- and worldview philosophy are considered excessively aesthetic, culturally liberal, relativistic, and (...) subjective. This essay involves two tasks in response to this negative evaluation of Dilthey that has shaped our current understanding of his philosophical project; first, an interpretation of the issues at stake in Heidegger’s reception of and struggles with Dilthey. These issues touch upon language, historicity, and the nature of hermeneutics. Second, by pursuing this task in light of Guignon’s interpretation of Dilthey and Heidegger, I hope to question and challenge the “overcoming” of Dilthey’s epistemic and life-philosophical hermeneutics in the “ontological” or “philosophical” hermeneutics of Heidegger. (shrink)

There is no more central issue to education than thinking and reasoning. Certainly, such an emphasis chimes with the rationalist and cognitive deep structure of the Western educational tradition. The contemporary tendency reinforced by cognitive science is to treat thinking ahistorically and aculturally as though physiology, brain structure and human evolution are all there is to say about thinking that is worthwhile or educationally significant. The movement of critical thinking also tends to treat thinking ahistorically, focusing on universal processes of (...) logic and reasoning. Against this trend and against the scientific spirit of the age this paper presents a historical and philosophical picture of thinking. By contrast with dominant cognitive and logical models the paper emphasizes kinds of thinking and styles of reasoning. The paper grows out of interests primarily in the work of Nietzsche, Heidegger and Wittgenstein, and in the extension and development of their work in Critical Theory and French poststructuralist philosophy. The paper draws directly on some of this work to argue for the recognition of different kinds of thinking, which are explored by reference to Heidegger, and also the significance of styles of reasoning, which are explored by reference to Wittgenstein and to Ian Hacking. (shrink)

Der Band gibt erstmals einen umfassenden Überblick über den lyrischen Nachlass des jungen Nietzsche aus den 1850er und -60er Jahren. Zusätzlich präsentiert Armin Thomas Müller eine Beispiel-Edition und historisch kontextualisierende Analyse des Manuskripthefts Mp I 22 von 1858. Somit trägt der Band grundlegend zur literatur-, philosophie- wie kulturgeschichtlichen Auseinandersetzung mit Nietzsche bei. Armin Thomas Müllers Arbeit nimmt den bislang in der literaturwissenschaftlichen wie auch philosophischen Auseinandersetzung mit Friedrich Nietzsche vernachlässigten lyrischen Nachlass aus der Zeit zwischen 1850 und 1869 in den (...) Blick. Anschließend an eine grundlegende Einführung in das Thema wird Nietzsches Jugendlyrik überblicksartig vorgestellt mit Schwerpunkten zur Editions- und Forschungsgeschichte, zu literaturgeschichtlichen Kontexten sowie zu den autoreflexiven Aufzeichnungen des jungen Nietzsche, die das Thema (lyrischer) Dichtung umkreisen. Die vorliegende Publikation enthält zudem eines heutigen materialorientierten Standards entsprechende Faksimile-Edition mit diplomatischer Transkription des Manuskripthefts Mp I 22 von 1858. Das kulturgeschichtliche Erkenntnispotenzial in Nietzsches Jugendgedichten wird abschließend in einer textgenetischen und historisch kontextualisierenden Analyse der edierten lyrischen Texte aus Mp I 22 deutlich. Auf dieser Grundlagenforschung werden weiterführende Auseinandersetzungen mit Nietzsche aufbauen können. (shrink)

The question of truth is one of the oldest philosophical topics, but perhaps it concerns the world today more than ever. Der Beitrag geht auf einen Vortrag zurück, der 2018 in verschiedenen Fassungen beim Nietzsche-Forum München e.V., beim Nietzsche-Forum der Tongji-Universität Shanghai und beim Nietzsche-Kolloquium der Stiftung Nietzsche-Haus in Sils-Maria und 2019 in Machatschkala, Dagestan, gehalten wurde. Nietzsche was a realist about truth and he sought to criticize and reject the idealizations and moralizations that continue to dominate philosophical thinking: he (...) wanted to see how truth really stands. Following Nietzsche we can recognize more clearly that we need illusions in order to live, but that these illusions also endanger the very lives they support. We demand a final truth on which we can rely at all times, and which allows us to live together, such as the truth of God, the truth of reason, or the truth of being. But searching for such a final truth, we face “nothing,” or what Nietzsche described as “nihilism.” At the same time, however, we keep on speaking about truth and truths. How to speak—after Nietzsche—about truth without succumbing to illusion? Starting from Nietzsche’s critique of truth and Heidegger’s metaphysical account of Nietzsche’s position, this article examines how Nietzsche, in contrast to Heidegger’s ontological commitments, allows us to decide about truth on the grounds of perspectivism. While Nietzsche’s position thus seems compatible with that of Niklas Luhmann’s constructivism, Nietzsche still holds on to his truth as the truth of “an evangelist the like of which there has never been” (EH, Destiny 1). (shrink)

The Anaximander fragment, in the readings of both Heidegger and Derrida, speaks of that which exceeds positive law. In this article, the author provides a detailed reading of Heidegger’s Der Spruch des Anaximander, showing how Heidegger relates this fragment to his thinking of Being, the latter having been ‘forgotten’ by metaphysics. Heidegger’s reading at the same time involves a contemplation of technology and of the ontological relation of beings to each other. Derrida’s reading of Heidegger’s Der Spruch highlights specifically those (...) parts of Heidegger’s text where that which precedes Being’s gathering, Being’s disjoining or dissemination, is pointed to. This disjoining, Derrida contends, speaks of the gift of a day more ancient than memory itself and ties in closely with certain aspects of the thinking of Marx. Derrida’s focus on that which precedes Being is in turn related to his contemplation of the law or condition of possibility of technology and also of that which makes possible a relation to the other as other. This condition of possibility, or the gift of Being, which Heidegger’s text also speaks of, involves a ‘higher law’ which can serve as a ‘measure’ for the evaluation, interpretation and transformation of positive law. (shrink)

One of the more interesting aspects of the relatively unexplored topic of Nietzsche’s interest in Epicurus and Epicurean philosophy is his tendency to associate both with suffering. In this essay I examine a number of Nietzsche’s references to Epicurus and Epicureanism, paying particular attention to his recurring suggestion that both the foundation of this philosophy and its special appeal have much to do with the mitigation of suffering and the prospect of rest and contentedness. I also examine Nietzsche’s unusual suggestion (...) that Epicureanism and Christianity have much in common. While Nietzsche is sympathetic to Epicurus and appreciates the therapeutic appeal of his philosophy, this essay goes on point out several fundamental ways in which this ancient “redemption doctrine” is markedly un-Nietzschean in its character and goals. (shrink)

The paper discusses the possibility of applying Heidegger’s considerations on art to the problematic and multifaceted field of contemporary art. The questions of origin and essence, which we are accustomed to refer to the metaphysical tradition, take on new significance by connecting art not to beauty, but to truth. In this epochal change of position, we can find the identity of contemporary art, which reveals itself not by offering edifying meanings, but by indicating a horizon of comprehensibility in which we (...) are involved. Starting from the innovative status of the Dasein as a projecting being-in-the-world, the horizon of comprehensibility of contemporary art outlines a context in which there is no subjectivity using a work, but in which an encounter happens. In its intrinsic and sometimes complacent contradictoriness, contemporary art, especially installations and performances, always manifests its identity as a struggle between truth and untruth, as an event that has no steady ground, and no unique or ascertained origin or monolithic essence, and which is nevertheless expressive and meaningful. The quality of being an event implies that contemporary art is not something objectifiable, representable, or categorizable, but is something that happens. What happens cannot become a substantial foundation, because it remains perpetually a happening, which affects us with its different languages and perspectives. The poetic matrix of contemporary art indicates the uniqueness and unrepeatability of each work of art, which shows us how the un-originality and un-essentiality of art is the main pathway to arrive at an experience of the world that each time is like the first time. (shrink)

Is it possible to think about “the Greeks” without exposing oneself to what they call their gods? Feeling called upon to respond to this question, precisely within the constellation of Europe’s most gloomy hour, Martin Heidegger employs the instruments that come to him through his own “turn,” but also from further back: the “Fourfold” and the “Holy” may thus be studied in their crucial confrontation with Parmenides. A corollary resides in the link with the famous problem of “Hellenization” in Christianity.

Our paper analyzes one of the most important philosophical problems of the philosophies of the Enlightenment: the problem of the emergence and the justification of the autonomy of reason. Our study will reflect on the critique of the autonomous reason, a critique brought by the Enlightenment thinkers themselves. Kant is one example of criticizing, and moreover securing the status of reason in the Enlightenment. Friedrich Heinrich Jacobi, however, was not only an adversary of transcendental philosophy, but also a radical critic (...) of the concept of ‘reason.’ In Jacobi’s works, reason faced a powerful critique of its own mechanisms of justification. Jacobi’s main thesis is that reason is threatened by the prospect of nihilism lurking from inside its main body of axioms. His critique against nihilism from the point of view of a believer is nothing new to the history of ideas, but here the direction of the critique changes against the vein of the Modern Age’s mainstream views with respect to the relation between reason and faith: reason’s own standards of truth are deemed as incapable of securing a safe place for reason against the prospect of an overwhelming nihilism. Thus, Jacobi emphasizes again and again that reason or cognition must find its standard of truth outside itself, or else it must face the scene of nothingness. (shrink)

The tradition of Kant’s critical philosophy developed the concept of imagination rigorously and productively. In this article, I shall defend the suitability of placing this concept in a paleoanthropological frame and linking it to the cognitive practices – predominantly sensorimotor, interactive and those directed at the emergence of technologies – which preceded and prepared for the advent of articulated speech. Special attention will be paid to the internalization processes of these practices and their effects on human conduct. On the basis (...) of this discussion, I shall defend the theory by which the advent of denotative articulated speech entailed a profound reorganization of the technical performances attributable to the imagination and the relative internalization processes. Moreover, the origin of articulated speech inaugurated a singular story, that of the relationship between word and image. In my conclusions, I shall describe a major outcome of this within the framework of the new electronic technologies. (shrink)

Heidegger’s 1938–1939 seminar on Nietzsche ’s On the Utility and Liability of History for Life continues Heidegger’s grand interpretation of Nietzsche as a metaphysical thinker of presence. Nietzsche ’s conceptions forgetting, memory, and even life itself, according to Heidegger, are all complicit in the privileging of presence. Simultaneous with his seminar, Heidegger is also compiling the notebook, Die Geschichte des Seyns, 1938–1940, wherein he sketches his own conception of history. Examining Heidegger’s criticisms of Nietzsche in the light of his contemporaneous (...) notebook allows us to articulate Heidegger’s concern for history and for “what has-been” as a thinking of the “coming” of being. For Heidegger, to exist historically is to exist as something sent, something arriving, as something that “comes” to us. This coming of history is an ontological determination of all that is, no longer construed as present-at-hand objects, but as always arriving, relational beings. After presenting Heidegger’s view of the coming of history, I return to Nietzsche ’s Utility and Liability of History to draw attention to an aspect of his text that is neglected by Heidegger, that of the political. The concluding sections of Nietzsche ’s text confront the politics of the present, in both senses of the genitive, in order to rally against the closure of society. In the conclusion to the paper, I turn to the political dimension of Nietzsche ’s thinking of history with an eye to how it might elude Heidegger’s interpretation. (shrink)

ABSTRACTThis review essay of Shawn Loht’s new book, Phenomenology of Film: A Heideggerian Account of the Film Experience, not only offers an ontological reading of the filmic experience inspired by Heidegger’s philosophy but also contributes substantially to the ongoing debate of whether or not film is a medium that is legitimately philosophical. In addition to confronting unique ideas about film that emerge from Loht’s analysis of Heidegger’s phenomenological ontology of Dasein, including a reading of later Heidegger of the “Turn,” this (...) essay also seeks to think with and then beyond Loht in a way that might inspire readers to further pursue these issues in relation to a potentially reconceived understanding of the practice of film-as-philosophy. (shrink)

In response to Hegel’s thesis concerning the “end of art,” John Sallis suggests that the future or the “promise of art” may be opened in thinking through Heidegger’s essay “The Origin of the Work of Art.” Sallis proposes that this promise of art may lie in the capacity to “set forth various elements through transfigurement into shining.” In this paper I reflect on what this suggestion concerning the promise of art may mean. Furthermore, I propose that “The Origin of the (...) Work of Art” shows a resonance with Nietzsche’s Birth of Tragedy that Heidegger’s reading of Nietzsche obscures, and that this resonance is suggested in Sallis’ earlier work on Nietzsche’s book. I suggest that the Gestalt configuration of “world” and “earth” in Heidegger’s essay echoes the configuration of the Apollonian and Dionysian in Nietzsche’s thought. I further suggest in the conclusion that this resonance enables one to draw the connection between “The Origin of the Work of Art” and Heidegger’s later work in which the promise of art opens up a different mode of dwelling upon the earth. (shrink)

هایدگر متأخر، با واکاوی تاریخ تفکر مغرب‌زمین، فلسفه دوره مدرن را به مثابه تداوم سنت متافیزیک یونانی، و نه گسستی از آن، تبیین کرده و سوبژکتیویسم دکارتی را برآمده از هستی‌-‌خداشناسی یونان، خاصه افلاطون و ارسطو، تفسیر می‌کند. رشد خودآگاهی سوژه عقلانی به خویشتن، به مثابه بسط منطقی و ضروری عقلانیت یونانی ، منجر به این می‌شود که دکارت هستی را به عنوان تصورشدگی نزد فاعل شناسا تفسیر کند. در این صورت، تصورشدگی، به مثابه هستی هستندگان، وامدار سوژه انسانی خواهد (...) بود و در نتیجه فاعل شناسا را در جایگاه بنیاد هستندگان قرار می‌دهد. با این وصف، انسان، در مقام سوژه، پس از این می‌تواند جایگاهی را اشغال کند که پیش از این، و در متافیزیک و الهیات فلسفی، متعلق به خداوند بوده است. همین تصاحب جایگاه خداوند به وسیلۀ سوژه انسانی است که منجر به افول اعتبار او به مثابه بنیاد هستندگان می‌شود و تردیدهایی ملازم با وجود یا معناداری او را از پی می‌آورد. (shrink)

مارتین هایدگر در آثار متأخر خود تشریح می‌کند که متافیزیک به مثابه هستی‌ـ‌خداشناسی چگونه با توجه صرف به هستندگان آنها را از یک سو به جهت چیستی یا ذات مورد بررسی قرار می‌دهد و از سوی دیگر به جهت بودگی و قرار گرفتن در زنجیرۀ علّی ذیل برترین هستنده یا همان خداوند. وی با نگاه نقادانه به ساختار هستی‌ـ‌خداشناسی متافیزیک، بر آن است تا تبیین کند که رویکرد هستی‌ـ‌خداشناسانه هم سبب از دست رفتن فهم هستی شده و هم در نتیجۀ (...) آن الوهیت را از جایگاه اصلی خود خارج کرده است. در این مقاله بر آنیم تا معنای هستی‌ـ‌خداشناسی را در تفکر هایدگر متأخر بررسی کنیم و بدین منظور در پی آن هستیم که چگونه متافیزیک نزد هایدگر از نگاه همدلانۀ هستی‌شناسی بنیادین به رویکرد انتقادی هستی‌ـ‌خداشناسی تغییر جایگاه پیدا کرد و آثار دورۀ گذار و دورۀ متأخر وی را بدین منظور مورد تأمل قرار می‏دهیم. در این مقاله با تبیین ساختار هستی‌ـ‌خداشناسانۀ متافیزیک از منظر هایدگر نشان خواهیم داد که چگونه هستی مغفول واقع شده سبب تولد الهیات متافیزیکی شده است. (shrink)