In this essay, I reconsider the constitution of democratic freedom in aesthetic terms. My interest is in articulating a conception of aesthetic freedom that can be mapped onto a conception of democratic freedom. For this purpose, I bring together Charles Sanders Peirce’s ontology, which comprises fragments of an aesthetic theory, Friedrich Schiller’s concept of aesthetic play and Stanley Cavell’s democratic perfectionism. By providing a philosophical framework for constructing an aesthetics and politics that supports the recent aesthetic turn in political theory, (...) which urges overcoming political theory’s excessive dependence on an epistemological theory of representation, and by proposing a modification to the turn’s heavy reliance on theories of affect, my reading of Peirce, Schiller and Cavell offers a new way to think about the political significance of the autonomy of aesthetic experience and affect for democratic freedom. (shrink)

Published in 1908, C.S. Peirce’s ‘A Neglected Argument for the Reality of God’ is one of his most difficult articles. Presenting a peculiar entanglement of scientific method and theology, it sketches a ‘humble’ argument for the reality—and not the existence—of God for Musers, that is, those who pursue the activity he calls ‘Musement’. In Musement, Peirce claims, we can achieve a kind of perception of the intertwinement of the three universes of experience: of feeling, of brute fact, and of reason. (...) He also somehow relates each universe to a distinct phase of inquiry, which is described by the use of induction, deduction, and abduction or retroduction. The way that he develops his claims allows him to outline God as an abductive vague hypothesis to explain how those three universes make up a single whole. The hypothesis being vague means that the principle of contradiction does not hold for it. In this presentation, we aim at throwing some light at these points, focusing on the concept of Musement and what is understood as the vagueness of the hypothesis. (shrink)

This paper considers Peirce's striking remarks about mathematics in a little-known review of Spinoza's Ethics within the larger context of his philosophy of mathematics. It argues that, for Peirce, true mathematical reasoning is always at the vanguard of thought, and resists logical demonstration. Through diagrammatic thought and her pre-theoretical innate faculty of logica utens, the great mathematician is able to see a theorem as true long before the logical apparatus necessary to demonstrate its truth exists. For Peirce, true (theoremic) mathematical (...) thought is in some sense pre-logical, and thus, the logical demonstration of this thought in the form of mathematical proofs is in fact "merely a veil over the living thought.". (shrink)

: This paper discusses the American scientist and philosopher Charles S. Peirce's (1839–1914) classification of the sciences from the contemporary perspective of interdisciplinary studies. Three theses are defended: (1) Studies on interdisciplinarity pertain to the intermediate class of Peirce's classification of all science, the sciences of review (retrospective science), ranking below the sciences of discovery (heuretic sciences) and above practical science (the arts). (2) Scientific research methods adopted by interdisciplinary inquiries are cross-categorial. Making them converge to an increasing extent with (...) the sciences of discovery, especially the methodeutic of normative logic, is one of the future challenges for studies on interdisciplinarity. (3) The overall structure of Peirce's classification, were it to be applied in today's situation, would not, in any major respect, be radically different from what it was designed to reflect a hundred years ago, in spite of the virtually exponential creation and production of new domains and the massive increase in investment in research and scientific publication. Accordingly, charges that the sciences of discovery are becoming ever more fragmented are not new. (shrink)