Unrestricted Composition (UC) is, roughly, the claim that given any objects at all, there is something which those objects compose. (UC) conflicts in an obvious way with common sense. It has as a consequence, for instance, that there is something which has as parts my nose and the moon. One of the more influential arguments for (UC) is Theodore Sider’s version of the Argument from Vagueness. (A version of the Argument from Vagueness was first presented by David Lewis (1986), pp. (...) 212–213). That argument purports to show that some plausible claims concerning the nature of vagueness entail (UC). In this paper I will suggest a response to this argument. I will show that the proponent of Supersubstantivalism (SS)—the view that material objects are identical to regions of spacetime—can reject a premise of Sider’s argument without denying the plausible claims concerning vagueness. Doing so requires only rejecting a certain view concerning the relationship between the proper sub-region relation and the proper parthood relation. So, proponents of (SS) are in a better position than many of us to side with common sense regarding composition. In the first section of the paper, I will present Sider’s argument. In the second section, I will introduce (SS) and briefly discuss some reasons one might have to believe that it is true. In the third section, I will show how the proponent of (SS) can avoid commitment to (UC) and reject a premise of Sider’s argument. Last, I’ll briefly consider and respond to some objections. (shrink)

The so-called "argument from vagueness", the clearest formulation of which is to be found in Ted Sider’s book Four-dimensionalism, is arguably the most powerful and innovative argument recently offered in support of the view that objects are four-dimensional perdurants. The argument is defective--I submit--and in a number of ways that is worth looking into. But each "defect" corresponds to a model of change that is independently problematic and that can hardly be built into the common-sense picture of the world. So (...) once all the gaps of the argument are filled in, the three-dimensionalist is left with the burden of a response that cannot rely on a passive plea for common sense. The argument is not a threat to common sense as such; it is a threat to the three-dimensionalist faithfulness to common sense. (shrink)

The so-called ‘argument from vagueness’ is among the most powerful and innovative arguments offered in support of the view that objects are four-dimensional perdurants. The argument is defective – I submit – and in a number of ways that are worth looking into. But each ‘defect’, each gap in the argument, corresponds to a model of change that is independently problematic and that can hardly be built into the common-sense picture of the world. So once all the gaps of the (...) argument are filled in, the three-dimensionalist is left with the burden of a response that cannot rely on a passive plea for common sense. The argument is not a threat to common sense as such; it is a threat to the three-dimensionalist faithfulness to common sense. (shrink)

This paper consists of two parts. The first concerns the logic of vagueness. The second concerns a prominent debate in metaphysics. One of the most widely accepted principles governing the ‘definitely’ operator is the principle of Distribution: if ‘p’ and ‘if p then q’ are both definite, then so is ‘q’. I argue however, that epistemicists about vagueness should reject this principle. The discussion also helps to shed light on the elusive question of what, on this framework, it takes for (...) a sentence to be borderline or definite. In the second part of the paper, I apply this result to a prominent debate in metaphysics. One of the most influential arguments in favour of Universalism about composition is the Lewis-Sider argument from vagueness. An interesting question, however, is whether epistemicists have any particular reasons to resist the argument. I show that there is no obvious reason why epistemicists should resist the argument but there is a non-obvious one: the rejection of Distribution argued for in the first part of the paper provides epistemicists with a unique way of resisting the argument from vagueness. (shrink)

In his excellent book, Four-Dimensionalism: An Ontology of Persistence and Time (Sider, 2001), Theodore Sider defends a version of four-dimensionalism which he calls the ‘stage-theory’. This paper focuses on Sider's argument from vagueness and argues that, due to the problematic nature of the argument from vagueness, Sider’s case in favor of four-dimensionalism is in the end not successful.

A presentation of the Lewis-Sider argument from vagueness for unrestricted composition and possible responses.

When some objects are the parts of another object, they compose that object and that object is composite. This article is intended as an introduction to the central questions about composition and a highly selective overview of various answers to those questions. In §1, we review some formal features of parthood that are important for understanding the nature of composition. In §2, we consider some answers to the question: which pluralities of objects together compose something? As we will see, the (...) dominant answers are all of them and none of them. In §§3-4, we examine one of the main arguments that has driven philosophers to these extreme answers: the argument from vagueness. In §5, we turn to the question of whether composition is unique: is it sometimes the case that some things compose more than one thing? Finally, in §6, we turn from the question of which composites exist to the question of which composites exist fundamentally. (shrink)

In the region where some cat sits, there are many very cat-like items that are proper parts of the cat (or otherwise mereologically overlap the cat) , but which we are inclined to think are not themselves cats, e.g. all of Tibbles minus the tail. The question is, how can something be so cat-like without itself being a cat. Some have tried to answer this “Problem of the Many” (a problem that arises for many different kinds of things we regularly (...) encounter, including desks, persons, rocks, and clouds) by relying on a mereological maximality principle, according to which, something cannot be a member of a kind K if it is a large proper part of, or otherwise greatly mereologically overlaps, a K. It has been shown, however, that a maximality constraint of this type, i.e. one that restricts mereological overlap, is open to strong objections. Inspired by the insights of, especially, Sutton and Madden, I develop a type of functional-maximality principle that avoids these objections (and has other merits), and thereby provides a better answer to the Problem of the Many. (shrink)

Four-dimensionalism, the stage theory version in particular, has been defended as the best solution for avoiding vagueness in regards to composition, persistence and identity. Stage theory is highly problematic by itself, and the two views usually packed with it, unrestricted composition and counterpart theory, are a heavy burden. However, dispensing with these two views, four-dimensionalism could avoid vague persistence by issuing a criterion that would establish sharp temporal boundaries for the existence of genuine entities (simples, molecules and living organisms). This (...) would avoid vague existence and vague identity, but in a way that is still compatible with endurantism. Nevertheless, a minimal (substantialist) four-dimensionalism, a worm perdurantist ontology, would fit better with the unique way in which organisms persist: by retaining both identity and intrinsic change. (shrink)

The special composition question is the question, ‘When do some things compose something?’ The answers to this question in the literature have largely been at odds with common sense, either by allowing that any two things compose something, or by denying the existence of most ordinary composite objects. I propose a new ‘series-style’ answer to the special composition question that accords much more closely with common sense, and I defend this answer from van Inwagen's objections. Specifically, I will argue that (...) the proposed answer entails the transitivity of parthood, that it is non-circular, and that it casts some light on the ancient puzzle about the Ship of Theseus. (shrink)

Almost all philosophers interested in parthood and composition think that a composite object is a further thing, numerically distinct from the objects that compose it. Call this the orthodox view. I argue that the orthodox view is false, and that a composite object is identical to the objects that compose it (collectively). This view is known as composition as identity. -/- I argue that, despite its unpopularity, there are many reasons to favour com- position as identity over the orthodox view. (...) First, defenders of the orthodox view have not offered complete theories of composition. For instance, they have not given adequate accounts of heterogeneous properties like being black and white in composite objects. Nor have they given satisfactory explanations for the necessary connections that hold between composite objects and their proper parts. -/- Second, there appears to be no good way for defenders of the orthodox view to remedy this. Any account of the heterogeneous properties of composite objects which is compatible with the orthodox view faces serious problems, as does any account of the necessary connections between an object and its proper parts. Composition as identity, on the other hand, is compatible with intuitive responses to both of these challenges. -/- Third, there are a number of strong arguments in favour of composition as identity. For example, composition as identity fits our evidence about the way the world is better than the orthodox view does. It also allows us to easily maintain that composition sometimes occurs and sometimes does not—i.e., it allows us to easily maintain that composition is restricted. The orthodox view does not. The theories of composition put forward by most philosophers are at best incomplete or in need of improvement. At worst, they are false and composition as identity is true. (shrink)

Persistence in Time No person ever steps into the same river twice—or so goes the Heraclitean maxim. Obscure as it is, the maxim is often taken to express two ideas. The first is that everything always changes, and nothing remains perfectly similar to how it was just one instant before. The second is that nothing … Continue reading Persistence in Time →.

Composition as Identity is the view that an object is identical to its parts taken collectively. I elaborate and defend a theory based on this idea: composition is a kind of identity. Since this claim is best presented within a plural logic, I develop a formal system of plural logic. The principles of this system differ from the standard views on plural logic because one of my central claims is that identity is a relation which comes in a variety of (...) forms and only one of them obeys substitution unrestrictedly. I justify this departure from orthodoxy by showing some problems which result from attempts to avoid inconsistencies within plural logic by means of postulating other non-singular terms besides plural terms. Thereby, some of the main criticisms raised against Composition as Identity can be addressed. Further, I argue that the way objects are arranged is relevant with respect to the question which object they compose, i.e. to which object they are identical to. This helps to meet a second group of arguments against Composition as Identity. These arguments aim to show that identifying composite objects on the basis of the identity of their parts entails, contrary to our common sense view, that rearranging the parts of a composite object does not leave us with a different object. Moreover, it allows us to carve out the intensional aspects of Composition as Identity and to defend mereological universalism, the claim that any objects compose some object. Much of the pressure put on the latter view can be avoided by distinguishing the question whether some objects compose an object from the question what object they compose. Eventually, I conclude that Composition as Identity is a coherent and plausible position, as long as we take identity to be a more complex relation than commonly assumed. (shrink)

An encyclopedia entry which covers various revisionary conceptions of which macroscopic objects there are, and the puzzles and arguments that motivate these conceptions: sorites arguments, the argument from vagueness, the puzzles of material constitution, arguments against indeterminate identity, arguments from arbitrariness, debunking arguments, the overdetermination argument, and the problem of the many.