This paper attempts to reconcile two apparently opposed ways of thinking about the imagination and its relationship to literature, one which casts it as essentially concerned with fiction-making and the other with culture-making. The literary imagination’s power to create fictions is what gives it its most obvious claim to “autonomy”, as Kant would have it: its freedom to venture out in often wild and spectacular excess of reality. The argument of this paper is that we can locate the literary imagination’s (...) complementary power of cultural articulation in this fictional activity. The suggestion is that we should conceive of the literary imagination as expressing its interests in culture not mimetically but by producing a certain kind of meaning. This meaning is irreducibly narratological, and understanding it helps us to see the role of narrative in bringing into harmony the literary imagination’s interests in both the imaginary and the real. (shrink)

Abstract Western philosophical and psychological thinking lacks an accepted theory of human personality; it has produced conflicting and inadequate notions, such as the religious one of a soul, the vague concept of the ?mind? and biological theories basing their understanding of man on the functions of the nervous system, particularly the brain, or dealing with his mental dimension only in terms of behavioural patterns. This paper explores the notions of personality in Indian systems and finds that virtually all of them (...) understand it, despite differing terminology, as a fluid complex of functions or living forces characterised by intrinsic intelligence and coordinated by a dynamic structural principle, operating on three levels of reality: phenomenal material, phenomenal immaterial and noumenal or absolute. One can say that the Indian tradition fully appreciated the complexity of the problem and produced theories of personality which are more comprehensive than western ones and merit study as well as attention from the point of view of contemporary creative philosophical thinking. [1]. (shrink)

The concept of the mahant- ātman-, or “vast self”, found in some of the Early and Middle Upaniṣads, has, at least since the days of Hermann Oldenberg, been explored by a number of scholars, most notably by van Buitenen :103–114, 1964). These studies have usually emphasized the cosmic implications of this concept; the vast ātman- being the non-individualized spirit that brings forth and pervades the universe, then enters the bodies of all created beings as their animating principle. As such it (...) precedes the mahān, or mahat, of the Sāṃkhya philosophy. The present paper argues that the concept of a mahant- puruṣa- or “vast person”, appearing parallel to the vast ātman in these texts, is in fact older, being traceable to Middle Vedic texts; the emergence of the Upaniṣadic ātman doctrine has eventually led to its replacement by the mahān ātmā. Originally, it is argued, the adjective mahant- stressed the difference between this “vast” puruṣa, who is said to dwell in the sun, and the minute puruṣa within man, who is seen as the tiny “person” in one’s pupil, or resides in the heart, having the size of a thumb. In contradistinction to the ātman, the puruṣa is a thoroughly anthropomorphic soul-concept, a “person” within the person. The ultimate identity between this tiny soul-person and the puruṣa in the sun is a recurring, but little studied, motif in the micro-macrocosmic speculations of the Brāhmaṇa texts. This “vast”, solar puruṣa is sometimes identified with the Puruṣa or primeval man of Ṛgveda 10.90, from whose body the universe was formed, and much of the imagery surrounding the vast puruṣa of Middle and Late Vedic literature seems to derive from this hymn. (shrink)

The account of the conversation between King Janaka and the Ṛṣi Pañcaśikha on the fate of the individual after death is one of the philosophical texts that are included in the Mokṣadharmaparvan of the Mahābhārata. There are different scholarly views on the history and composition of the text as well as the philosophical teachings propagated by Pañcaśikha. In contrast to earlier studies this paper not only analyzes the whole text, but also pays attention to the narrative framework in which the (...) philosophical discourse is embedded. In the text Bhīṣma functions as an external narrator, who relates and interprets the conversation as well as characterizes the protagonists and thereby influences the ways in which text is received by the audience. It is argued that it is important to deal with the interplay between the narrative and the philosophical discourse that is narrated, when analysing the philosophical positions that are either refuted or accepted in the text. 12.211–12 is not only a philosophical text, but also a tale about philosophical discourse in general and about how Sāṃkhya philosophy is taught to a non-expert audience. Seen from this perspective the text is significant for the way in which philosophical terms and issues are dealt with in the epic and adjacent non-expert texts, such as the Purāṇas. (shrink)

It is a common mistake, especially, perhaps, among students of the religions and philosophies of India, to assume that the word prakṛti, best known as the ultimate material principle in the Sāṃkhya and Yoga systems of religious thought, the material cause of the world in Hindu theologies and, as such, an epithet of the goddesses in Hinduism, always refers to an ultimate principle. Even in Sāṃkhya and Yoga texts the word prakṛti is used in various ways. Prakṛti does not always (...) refer to the ultimate principle. Translators often leave the word prakṛti untranslated and mislead the reader to assume that the ultimate principle is referred to, when it is not. This article discusses the use of prakṛti in the Sāṃkhya-Yoga texts the Yogasūtra and the Vyāsabhāṣya and criticises some translation practices. (shrink)

The Bhagavadgītā is often interpreted in the light of the larger context of the Mahābhārata epic or in comparison to later religious or philosophical texts. Much less attention has been given to the relationship between the Bhagavadgītā and the older Upaniṣads. This article analyzes the relationship of the Bhagavadgītā to the Upaniṣads formally affiliated with the Kṛṣṇa Yajurveda (the Kaṭha, Śvetāśvatara, and Maitrī Upaniṣads) and demonstrates that these four texts are linked together in a complex textual network of mutual references (...) as well as shared themes. This article argues that scholars must understand both the emerging theism of the Bhagavadgītā and its “proto-Sāṃkhya” philosophy in the context of the Kṛṣṇa Yajurveda school and its greater theological and philosophical concerns. (shrink)

(2014). The Rāga Bhāva in the Sāṁkhya Kārikā: Rectifying an Age-Old Mistake. Asian Philosophy: Vol. 24, No. 2, pp. 133-146. doi: 10.1080/09552367.2014.917831.

Though scholarship on diverse methods of yoga in the Indian traditions abounds, there has not been sufficient research that examines the traditions of yoga in the purāṇas. The present paper explores yoga articulated in the Viṣṇu Purāṇa and argues that what seems like a unified teaching is a composite of an eight-limbed yoga embedded within an instruction on proto-Sāṃkhya. An evaluation of the key elements of yoga as developed in this text as a whole, clarifies our understanding of the emergence (...) of yoga and its relationship to epic formulations on the one hand and to the Classical System of the Yogasūtras of Patañjali on the other. (shrink)