Do members of cultural groups have special claims to own or control the products of the cultures to which they belong? Is there something morally wrong with employing artistic styles that are distinctive of a culture to which you do not belong? What is the relationship between cultural heritage and group identity? Is there a coherent and morally acceptable sense of cultural group membership in the first place? Is there a universal human heritage to which everyone has a claim? Questions (...) such as these concern the ethics of cultural heritage (or heritage ethics, for short). This entry seeks to provide an overview of the philosophical work on topics in heritage ethics, as well as introduce readers to some of the most philosophically relevant literature from other disciplines. (shrink)

Art is saturated with cultural significance. Considering the full spectrum of ways in which art is colored by cultural associations raises a variety of difficult and fascinating philosophical questions. This curriculum guide focuses in particular on questions that arise when we consider art as a form of cultural heritage. Organized into four modules, readings explore core questions about art and ethics, aesthetic value, museum practice, and art practice. They are designed to be suitable for use in an introduction to philosophy (...) of art, as well as in more topically focused courses, particularly on topics concerning the ethics and politics of art. (shrink)

Is there something morally wrong with cultural appropriation in the arts? I argue that the little philosophical work on this topic has been overly dismissive of moral objections to cultural appropriation. Nevertheless, I argue that philosophers working on epistemic injustice have developed powerful conceptual tools that can aid in our understanding of objections that have been levied by other scholars and artists. I then consider the relationship between these objections and the harms of cultural essentialism. I argue that focusing on (...) the systematic nature of appropriative harms may allow us to sidestep the problem of essentialism, but not without cost. (shrink)

Cultural appropriation can be understood as involving members of one culture taking or adopting objects or practices which ‘belong’ to another culture in the sense of being affiliated or connected to that other culture in a unique or special way. But what constitutes this ‘belonging’ precisely? This paper proposes that belonging, in the targeted sense, is determined by meaningful connections between an object or practice and the relevant culture—in other words, connections that could be described as the thing’s ‘meanings’. Such (...) meanings primarily include relations of causality, teleology, and symbolic representation. After expounding this account, the paper closes with a word of caution. The term ‘belongs’ is sometimes ambiguous, indicating both affiliation and legal or moral property rights. Despite this, belonging as affiliation or meaningful connectedness is not equivalent to rightful ownership. Nor does the former, by itself, entail the latter. (shrink)

This paper discusses ethics in the context of Aboriginal Studies. Taking the example of a late-nineteenth century missionary work, a collection of out-of-print Mi’kmaq stories, it examines the ethical implications of the potential re-publication of such a text. It is argued that the Baptist missionary Silas T. Rand, who translated and transcribed the narratives, did his work from a Eurocentric perspective. The biases of a colonial ideology built into his translations/interpretations which are often quoted as authoritative would be further perpetuated (...) if his work is republished without critical commentary. As Aboriginal oral traditions generally form the basis of Aboriginal cultures and contemporary Aboriginal literatures but have been demeaned for centuries thereby further colonizing the peoples, an edition of Rand’s work informed by a postcolonial ethics is crucial. The paper therefore concludes with the suggestion that the stories collected by the missionary should be repatriated in the respective Mi’kmaq communities in a way that the people can decide how to go about their publication (if they want them published at all). A non-Aboriginal scholar may facilitate the process but should follow the directions of the communities. (shrink)