Intuitivamente, la realidad está formada por entidades y hechos existentes y concretos. Sin embargo, nuestro lenguaje y pensamiento versa también sobre hechos meramente posibles, sobre cosas inexistentes y entidades abstractas. ¿Cómo es esto posible? ¿Significa ello que cuando hablamos y pensamos de estas otras cosas no hablamos de nada real? ¿o mas bien la realidad está mas poblada de lo que pensábamos y hay diferentes maneras de formar parte de la realidad además de la de existir de manera positiva y (...) concreta? En este libro trataremos de arrojar luz a estas y otras preguntas similares, poniendo atención a las estrategias argumentativas generales que suelen esgrimirse en esta rama de la filosofía. (shrink)

Platonism and Christian Thought in Late Antiquity examines the various ways in which Christian intellectuals engaged with Platonism both as a pagan competitor and as a source of philosophical material useful to the Christian faith. The chapters are united in their goal to explore transformations that took place in the reception and interaction process between Platonism and Christianity in this period. -/- The contributions in this volume explore the reception of Platonic material in Christian thought, showing that the transmission of (...) cultural content is always mediated, and ought to be studied as a transformative process by way of selection and interpretation. Some chapters also deal with various aspects of the wider discussion on how Platonic, and Hellenic, philosophy and early Christian thought related to each other, examining the differences and common ground between these traditions. -/- Platonism and Christian Thought in Late Antiquity offers an insightful and broad ranging study on the subject, which will be of interest to students of both philosophy and theology in the Late Antique period, as well as anyone working on the reception and history of Platonic thought, and the development of Christian thought. (shrink)

Summary As opposed to the traditional view of the prodigium as a part of a divination that augurs divine wrath, in this article we regard episodes of prodigies as ancient societies’ expression of their connection with their gods. Prodigious episodes are the evidence of divine presence or absence within a community.

Zeno’s paradoxes of motion, allegedly denying motion, have been conceived to reinforce the Parmenidean vision of an immutable world. The aim of this article is to demonstrate that these famous logical paradoxes should be seen instead as paradoxes of immobility. From this new point of view, motion is therefore no longer logically problematic, while immobility is. This is convenient since it is easy to conceive that immobility can actually conceal motion, and thus the proposition “immobility is mere illusion of the (...) senses” is much more credible than the reverse thesis supported by Parmenides. Moreover, this proposition is also supported by modern depiction of material bodies: the existence of a ceaseless random motion of atoms—the ‘thermal agitation’—in the scope of contemporary atomic theory, can offer a rational explanation of this ‘illusion of immobility’. Our new approach to Zeno’s paradoxes therefore leads to presenting the novel concept of ‘impermobility’, which we think is a more adequate description of physical reality. (shrink)

In this article I address the issue of the ontological conditions of possibility for a naturalistic notion of emergence, trying to determine its fundamental differences from the atomist, vitalist, preformationist and potentialist alternatives. I will argue that a naturalistic notion of ontological emergence can only succeed if we explicitly refuse the atomistic fundamental ontological postulate that asserts that every entity is endowed with a set of absolutely intrinsic properties, being qualitatively immutable through its extrinsic relations. Furthermore, it will be shown (...) that, ironically enough, this metaphysical assumption is implicitly shared by all the above mentioned alternatives to Emergentism. The current article concludes that the notion of organization by itself is not enough, and that ontological emergence can only be justified by assuming a relational ontological perspective that, in opposition both to atomism and holism, defends that the existence-conditions, the identity and the causal behavior of any emergent systemic property can only be conceived, and explained, as constructed by and through specific networks of qualitatively transformative relational processes that occur between the system’s components and between the system and its environment. Additionally, I try to explain how one can make sense of the idea that an emergent phenomenon is both dependent on, and autonomous from, its emergence base. (shrink)

Considerations of Jacques Derrida’s oeuvre, and of deconstruction as theory and practice, are bound to revolve around Derrida’s key notion of différance, developed at the outset of his career. However, Derrida’s conception of justice, which started to make its presence felt in his work in the late 1980s, should also be considered to play a major role, not least when bearing in mind his declaration, made in 1989, that “deconstruction is justice.” In this paper, the relation between différance and justice (...) is explored against the background of Martin Heidegger’s essay “Anaximander’s Saying” which, it is argued, played a formative role in the development of Derrida’s thinking. Derrida’s analysis of justice as being comprised of three aspects—justice as idea, as law or right and as deconstruction—is shown to bear a strong resemblance with the conceptual scheme drawn from Anaximander in Heidegger’s essay. The parallels between Derrida’s différance and the notion of usage, described by Heidegger as “the early word for Being,” are also brought out. (shrink)

Violence turns hope and expectation into guilt and shame. This publication discusses the outcome of a philosophical and artistic investigation into complex patterns of behaviour. Negative connotations and positive aspects of guilt and shame are connected convincingly to the artistic process which is used by the artist to produce new work. As a consequence, a different light is shed on the concepts of guilt and shame. The author shows in an intriguing way how adapting an artistic attitude can help us (...) think in a more peaceful and independent manner. Over Schuld en Schaamte (On Guilt and Shame) thus offers a new surprising insight how violence can be transformed into hope and more rewarding practices. (shrink)