This paper addresses the unresolved question of whether demonstrative this/that and their accompanying gestures serve the same function. By utilizing Langacker’s notion of Current Discourse Space (CDS) and integrating gesture studies and frame semantics, this research models the entire process of demonstrative use and points to the distinct roles that demonstratives and gestures play in each usage event. The findings reveal that their functions are indeed different: the gesture (gazing) initially singles out an entity as a target, followed by the (...) demonstratives encoding it phonetically. Subsequently, the demonstratives evoke the initiation of a targeting act by the hearer, and the gesture (pointing) specifically identifies the entity during the decoding process. Based on the notion of distinguishing role and value, this study proposes that the semantic content (‘target’) encoded by demonstratives is the role (‘element’) within the viewing (attention)-target event frame, rather than its value (‘entity’). This principle applies to both exophoric and anaphoric contexts, providing a unified conceptual foundation for the function of demonstratives. In the light of these findings, the article also offers novel perspectives on the function of demonstratives as grounding elements, contributing to a deeper understanding of their role in communication. (shrink)

Most native speakers of Spanish are intuitively able to construct correct structures with the marker ‘se’. On the other hand, non-native speakers, even those at advanced proficiency levels, have difficulties producing most constructions with ‘se’. This is hardly surprising as the marker ‘se’, one of the most common words in Spanish, can convey highly pragmatic nuances with a variety of functions that are still much debated among linguists. This study analyses some of the most used functions of the marker in (...) the oral production of 18 Peninsular Spanish speakers from a multimodal Cognitive Grammar approach, identifying how gestures might be employed by speakers to create or clarify meaning. Our results confirm that gestures are used differently depending on the function of the marker. Middle voices where ‘se’ marks high levels of subject involvement and/or energy co-occur with related gestures, while middle voices or impersonal structures, where the involvement and/or energy is low, co-occur more often with unrelated gestures, if any. (shrink)

Name der Zeitschrift: Cognitive Linguistics Jahrgang: 27 Heft: 4 Seiten: 603-618.

This study aims to find out whether speakers of different language backgrounds (English, French, Spanish, and Macedonian) are sensitive to semantic associations (‘fluid’ and ‘forcible contact’) attached respectively to two purported phonaesthemes (/fl-/ and /tr-/). Participants completed the task in oral and written conditions. They had to match phonaestheme-related definitions with either of two non-words (one phonaestheme-bearing and the other containing a distractor). The results obtained indicate that participants significantly chose non-words beginning with /tr-/ when the definition activated a meaning (...) related to forcible contact, and non-words starting with /fl-/ when the definitions made reference to fluids in the four languages. The results point to the existence of non-arbitrary sound-meaning relations. A corpus-driven study of frequencies of lemmas and word tokens starting with the purported phonaesthemes also sheds light on the possible origin of the phonaesthemic associations, suggesting that both iconicity and systematicity motivate such associations. The results obtained are interpreted in the context of a functional, usage-based model of language, which can accommodate the existence of iconic tendencies, the role of learning and linguistic experience in language, and arbitrariness. (shrink)

Journal Name: Cognitive Linguistics Issue: Ahead of print.

This study examines the form and function of gestural depictions that develop over extended stretches of concept explanation by a philosopher. Building onStreeck’s (2009)explorations of depiction by gesture, we examine how this speaker’s process of exposition involves sequences of multimodal, analogical depiction by which the philosophical concepts are not only expressed through gesture forms, but also dynamically analyzed and construed through gestural activity. Drawing on perspectives of gesture as active meaning making (Müller 2014,2016,Streeck 2009), we argue that the build-up of (...) gestures in depiction sequences, activated through a multimodal metaphor (Müller & Cienki 2009), engages the wider philosophical standpoint of the speaker. Using video analysis supported by interview data, we demonstrate how examination of gestures within and across discourse can lead to understanding of how dynamic, embodied, and subjective processes of conceptualization contribute to philosophical theorizing. (shrink)

Name der Zeitschrift: Cognitive Linguistics Jahrgang: 27 Heft: 4 Seiten: 447-463.

The framework of depicting put forward byClark (2016)offers a schematic vantage point from which to examine iconic language use. Confronting the framework with empirical data, we consider some of its key theoretical notions. Crucially, by reconceptualizing the typology of depictions, we identify an overlooked domain in the literature: “speech-embedded nonverbal depictions,” namely cases where meaning is communicated iconically, nonverbally, and without simultaneously co-occurring speech. In addition to contextualizing the phenomenon in relation to existing research, we demonstrate, with examples from American (...) TV talk shows, how such depictions function in real-life language use, offering a brief sketch of their complexities and arguing also for their theoretical significance. (shrink)