Bracha Ettinger (formerly known as Bracha Lichtenberg Ettinger) is an Israeli-born Paris-based artist, analyst and feminist theorist who has produced over the last decade a major theoretical intervention through a tripartite practice. This article offers an expository introduction and overview of core aspects of her theoretical contribution while relating it to major trends in feminist and general cultural theory of subjectivity, hysteria, memory, trauma and the aesthetic. Organized in several parts, each section addresses the developing vocabulary, terminology and significance of (...) her work. With core concepts are Matrix, metramorphosis, trans-subjectivity, co-poïesis, co-emergence and co-affection, Ettinger’s theory opens out beyond the blind spots of advanced feminist thought. From its independent and original theorization of subjectivity-as-encounter and an-other sexual difference, Bracha Ettinger challenges our attempts to think about femininity associated with the work of Julia Kristeva and Luce Irigaray. Linked to, but distinct from, the philosophical speculations of Deleuze and Levinas, this work creates a transferential theoretical space for Jewish and feminine difference, sexuality, subjectivity and the traumatic residues of modern catastrophe that has major repercussions for cultural, aesthetic, ethical, political and psychoanalytic theory. (shrink)

This article examines some recent theoretical objects of feminism with a view towards a reinvigorated dialogue with psychoanalysis. Against the backdrop of debates on essentialism, universalism, social constructionism and historical change, it aims to reintroduce the value of psychoanalytic ideas to feminism by unfolding a dimension of history in the divided subject and adding a positive value to psychoanalytic universalism. This argument is carried out with the help of the writings of Julia Kristeva, from the early essay, `Women's Time', to (...) the psychoanalytic publications of the 1980s and 1990s. (shrink)

The topic of the self has long been salient in feminist philosophy, for it is pivotal to questions about personhood, identity, the body, and agency that feminism must address. In some respects, Simone de Beauvoir's trenchant observation, "He is the Subject, he is the Absolute — she is the Other," sums up why the self is such an important issue for feminism. To be the Other is to be the non-subject, the non-person, the non-agent — in short, the mere body. (...) In law, in customary practice, and in cultural stereotypes, women's selfhood has been systematically subordinated, diminished, and belittled, when it has not been outright denied. Since women have been cast as lesser forms of the masculine individual, the paradigm of the self that has gained ascendancy in U.S. popular culture and in Western philosophy is derived from the experience of the predominantly white and heterosexual, mostly economically advantaged men who have wielded social, economic, and political power and who have dominated the arts, literature, the media, and scholarship. Responding to this state of affairs, feminist philosophical work on the self has taken three main tacks: (1) critique of established views of the self, (2) reclamation of women's selfhood, and (3) reconceptualization of the self to incorporate women's experience. This entry will survey feminist perspectives on the self from all three of these angles. (shrink)

Julia Kristeva is known as rejecting feminism, nonetheless her work is useful for feminist theory. I reconsider Kristeva's rejection of feminism and her theories of difference, identity, and maternity, elaborating on Kristeva's contributions to debates over the necessity of identity politics, indicating how Kristeva's theory suggests the cause of and possible solutions to women's oppression in Western culture, and, using Kristeva's theory, setting up a framework for a feminist rethinking of politics and ethics.

Statutory requirements for compulsory Relationships and Sexuality Education (RSE) in the UK is generating concern among many religious communities and reigniting debates about the purpose of School Based Sexuality Education (SBSE). Among the communities voicing their dissent are members of the British Islamic community. Quranic scripture deems obligatory the teaching and learning about all aspects relevant to human sexuality, however, religion, and in particular Islam, is widely viewed as hostile to sexuality education. Whilst Muslim objection to ‘progressive’ agendas in SBSE (...) (i.e., same-sex relations, gender fluidity, pleasure and desire) is generating much attention, equal attention to understanding the Islamic theological, philosophical and epistemological underpinnings of these views, is less frequently sought. The purpose of this paper is to foreground Islamic responses to some of the ‘progressive’ topics featuring in RSE and SBSE more broadly. Using British printed media sources and Critical Discourse Analysis, this paper aims to make sense of British Muslim parents’ objections to ‘progressive’ sexuality education. A more concerted focus on Islamic underpinnings of these views is imperative to alleviate negative responses to Muslim positions on this subject as well as inform the ongoing dilemma of finding ways in which religious diversity be addressed in SBSE. (shrink)

This paper examines within the theoretical framework of intertextuality the mobilization of glocalization as an international marketing strategy in Nike’s and Adidas’s 2008 advertising campaigns in China. Intertextuality is seen as a form of mediation through which the glocalization strategy conducted within the domain of global marking is taken up in the domain of advertising communication. The paper also assumes the interrelations of intertextual performance to value orientations and group affiliations. By analyzing intertextuality in relation to affinity groups, it aims (...) to resolve to some extent the conundrum of Nike’s more successful than Adidas in the sportswear market of China in a social-semiotic perspective. Two print ads constituting a representative example of the corpus were selected for a qualitative analysis. The comparative analysis of intertextuality reveals the contrasting methods of glocalization applied by Nike and Adidas in their 2008 advertising campaigns, thus offering an explanation for Nike’s triumph in competition with Adidas in China. (shrink)

In this paper I propose that, since the mid-eighteenth century medical science has simultaneously generated and disavowed ‘undead’ bodies, suspended between life and death. Through close analysis of three examples of ‘undeath’ taken from different moments in medical history, I consider what these bodies can tell us about medicine, its history, cultural meaning, scientific status and its role in shaping ideas of embodiment, identity and death. My first example is Edgar Allan Poe’s story ‘The facts in the case of M. (...) Valdemar’ which imagines the possibility of a man mesmerised at the point of death. I read this story as a response to the rise of professional, scientific medicine in the 1840s. I then look at the recurring issue of brain death in order to consider tensions within twentieth-century medical hegemony. Finally I read the Alder Hey scandal as a reactivation of undead anxiety in response to the emergent culture of medical consumerism at the end of the twentieth century. (shrink)

Drawing on empirical research from two focus groups, this article investigates the narratives and discourses that emerged around pregnancy, technology, birth and motherhood. In so doing, the article engages in some long-standing debates within feminism around embodied and maternal subjectivity, agency and identity. Seen here, the focus groups serve initially to remind us of the pervasiveness of gender inequality and the continual ambiguity of, and anxieties around, maternal subjectivity. The focus groups reconfigure these issues through a technological lens, which in (...) turn seems to offer new spaces where agency can be (momentarily, problematically) claimed. This in turn extends existing debates in new directions through the particular framework of technology that is variously figured here as an object, as information and as imaginary digital space. All of these constructions, however, become problematic as they—despite their promises—nevertheless ultimately and profoundly return the women to an emplaced, embodied subjectivity that has been at the heart of feminist debate for so long. (shrink)

Jean-Louis Schefer's newly translated The Ordinary Man of Cinema, originally published in 1980, proposes a singular account of the experience of cinema which departs from the principal tendencies of film theory. It has nevertheless had a profound if somewhat invisible influence in film philosophy and theory since its publication, notably in the work of Gilles Deleuze. This essay proposes a synthetic discussion of Schefer's work on film up to The Ordinary Man, arguing that Schefer's work, which draws on his earlier (...) work on painting, construes film as radically non-representational, and as bringing into being, in the spectator, a virtual affectivity corresponding to the distorted and disproportionate bodies and aberrant movements that it presents. I argue that in its recurrent emphasis on the “inchoate” elements in film, and on the “inceptions” of movements that it provokes, Schefer's thought draws implicitly on the Bataillean notion of the informe. This return to an impossibility of thought at the heart of thought is among the fundamental insights which Deleuze draws from Schefer in Cinema 2: The Time-image. (shrink)

Over the past few years postmodernism has been gaining popularity. Because the works of writers such as Jacques Derrida, Michel Foucault, Gilles Deleuze, Jacques Lacan, and Félix Guattari, for example, are now readily available to the English reader, a novel intellectual force is present that must be assessed (Hassan, 1985). Terms such as “mise en abîme”, “libido”, “schizo-analysis”, “undecidables”, and so forth must be explained and their relevance for social analysis deciphered. Furthermore, a conception of knowledge, a research methodology, and (...) an image of social order that are consistent with these somewhat odd ideas have been introduced, and thus must be evaluated with respect to their sociological importance. At first, due to the strange language that is adopted and the nature of the philosophy offered, postmodernism appears to the uninitiated as an attempt to subvert rational discussion. (shrink)

This article looks at the discourses of love through an analysis of the ‘stratification of intimacy’ within lesbian families. I suggest that traditional discourses of love effectively reify our emotions into socially prescribed categories, where ‘mature love’ is conflated with sex and desire. The love that mothers feel for their child is set apart, ‘instinctive’, wholly separate to adult love. However this ‘stratification of intimacy’ obscures the lived experiences and feelings of many parents. In this article the author argues that (...) whom we love is culturally constituted: it is unnecessarily quantified whereby monogamy is read as the sign of true love. I illustrate how lesbian mothers’ location on the social margins enables them to construct new ‘patterns of love’ within their ‘families of choice’ in ways that challenge these traditional discourses of love. This theoretical analysis is based upon ‘patterned variations’ drawn from qualitative research with 20 lesbian families with children living within the Yorkshire region in the UK. (shrink)

Reaching out to history and subject in terms of meaning variation, Kristeva could show that language cannot simply be a Saussurean sign system. Rather, she went on to delineate that language, beyond signs, is associated with a dynamic system of signification where the ''speaking subject'' is constantly involved in processing. Julia Kristeva, a French critic, psychoanalyst, theoretician, a post-structuralist philosopher of Hungarian origin, dwells upon ideas from linguistics, psychoanalysis, sociology while representing text analysis, sign and subject from emotional and motivational (...) perspectives. She believes that processing language structure and subject depend upon semiotic and symbolic domains that emerge in the scope of ''signifiance'' process whereby the semiotic domain processes and primary structures against the symbolic realm. In Kristeva''s view, the sign Chora, while being the milieu for energy, dynamism, and motility, shows the internal and signification drives of the language, and will involve changes in signification mutation of subjectivity. (shrink)

This paper goes beyond critiques of western philosophical notions of space as passive, feminine, and unintelligent by reconfiguring containment as an active process. The author draws on work in the history of technology, on a cybernetic epistemology that emphasizes the interdependence of organism and environment, and on intersubjectivist psychoanalytic theories of the maternal provision. A more unexpected ally is found in Heidegger, whose writings on holding and supply are read in ways that contribute to the development of an urgently required (...) philosophy of container technologies. (shrink)

The question of language is as wide open today as it was for the author of the Cratylus. We do not finally possess a linguistic science which knows and can inform us of the truth about language, its nature, what it is, how it works, etc. But the ‘question of language’ today is not whether such a science is so much as possible; the question is whether we really want one, whether we so much as realize the cost of one, (...) or how much of that cost has already been exacted from the societies in which we live and speak. The question of language is first and last an ethical and political question, no matter how much ‘modern linguistics’ and our ‘philosophy of language’ prefer not to see this, preferring instead to obliterate such a perception with ideas of language and meaning tailor-made to efface the often ethically and politically sensitive social and historical differences which nevertheless remain the sine qua non of language. -/- This is by no means irrelevant to how one conceives of philosophy, or of the practice that constitutes its contemporary ‘presence.’ To look into this further requires that I first establish, at least in outline, how I see the interpenetration of history, social practice, and language. The discussion of this in Sections 1-4 frames the context in which I embed a certain statement concerning philosophy. Out of context, the statement runs: Philosophy, insofar as it is not just a history, is the discursive practice which makes the historical discourse of philosophy contemporary. But this can be done in different ways, with different styles, implying different degrees and qualities of reflectiveness about one’s own practice and the social and historical environment which embeds it. It is to these differences that we should look if we wish to understand what is problematic about English-speaking philosophy at the end of the twentieth century. (shrink)

This essay centers on a storyteller's performance of ritual in stories to draw associations between the life of the Biblical Mary with her son Jesus and the subjectivities and dispositions of people living in impoverished conditions. The storyteller explores these subjectivities and dispositions, characterizing the exploration as a journey. She also defines an ethical position where the self meets otherness—both sacred and cultural—to engender positive human relations. The essay combines the storyteller's performance with the author's to reproduce the effects, advance (...) the ethics, mitigate the politics of representation, and provide an understanding of the journey's end—a place called home. (shrink)

Straipsnyje yra nagrinėjama liminalumo, liminalios patirties ir liminalaus personažo tema anglų rašytojos Angelos Carter apsakymų rinkinyje Kruvinasis kambarys, siekiama at­skleisti šiuolaikinio modernaus žmogaus tapatumo problemą, tapatumo transformaciją ir jo kūrimą. Rašytoja apsakymuose panaudoja gerai žinomus mitus ir klasikines pasakas apie Karalių Mėlynbarzdį, Gražuolę ir Pabaisą, Snieguolę, Batuotą Katiną ir Raudonkepuraitę, taip kritikuoja Vakarų hierarchijos ir patriarchalinę ideologijas ir su jomis susijusį binarinį mąstymą; tiria ir dekonstruoja sustabarėjusius Vakarų pasaulio socialinius ir kultūros kodus. Carter kūryba yra labai įvairi ir netelpa į (...) vieno kurio nors žanro rėmus. Carter kūrybos taip pat negalima būtų priskirti vienai literatūrinei srovei: ji naudojo klasikinių pasakų motyvus, mokslinės fantastikos, gotikos ir postmodernizmo, magiškojo realizmo elementus. Vienas iš įdomesnių Carter kūrybos aspektų – liminalumo tema. Personažų liminalumas Carter apsakymuose gali būti traktuojamas kaip šiuolaikinio – modernaus – žmogaus pleišėjanti, skylanti sąmonė, ambivalentiškumas, jo dvasinių ir etinių vertybių sumaištis šiuo­laikiniame prieštaravimų draskomame pasaulyje. Carter apsakymų personažų liminalumas, jų liminali patirtis tam tikra prasme atliepia antro­pologų Arnold’o Van Gennep’o ir Victor’o Turner’io transformacijos ritualą : personažo atsiskyrimą, liminalią, arba perėjimo, būseną ir „agregaciją“, arba naujo tapatumo sukūrimą. Liminalumas apsakymuose atskleidžiamas tiriant vilkolakius, žmones-žvėris, žvėrių užaugintus vaikus ir vampyrus. Liminalios būsenos Carter personažai išgyvena pasąmonėje slypintį amorfiškumo, chaoso, netikrumo jausmą. Kruvinasis kambarys, kaip konkreti vieta ir metafora, įvairiomis formomis egzistuoja visuose rinkinio apsakymuose – tai kambarys, namas arba pilis. Kruvinasis kambarys – tai ta liminali erdvė, kurioje personažas patiria ir smurtą, ir „nušvitimą“ – savotišką transformaciją. Liminalumas apsakymų personažams teikia ne tik jėgą, bet ir kančią. Būdamas dviejų egzistavimo formų, personažas turi abiejų savybių, tačiau negali jų suderinti. Taip pat nė viena egzistavimo forma nėra priimtina kitiems. Jų kančia kaip tik ir kyla iš nesugebėjimo pasiekti vidinę dermę. Kančią kelia ir baimė, kurią jie kelia kitiems, taip pat baimė, siaubas išgyvenami mąstant apie savo būseną. Tokia egzistencija daro personažus pažeidžiamus, todėl jie dažnai renkasi nuošalų gyvenimą. Liminalūs personažai papildo vienas kitą, kad taptų integraliomis, visavertėmis asmenybėmis. Pavyzdžiui, liminali personažė turi tapti labiau animalistinių instinktų valdoma būtybe, o žmogus-žvėris – žmogiškesnis. Abipusė aistra, kurioje nėra hierarchijos, subjekto ir objekto priešpriešos, vieno personažo nuoširdi užuojauta ir meilė kitam taip pat išvaduoja veikėjus iš liminalumo ir kančios būsenos. (shrink)

Through the work of Julia Kristeva, this paper challenges Freud's laws that everyone is always already gendered, that the mother is feminine and every infant masculine, and that one cannot love the same (gender). The figure of the Madonna, seen through the paintings of Giovanni Bellini, is used to theorize the time in the life of a child before Oedipus and to undo the conceptual knot with which Freud has bound the feminine to the maternal.

Philosophers and artists frequently make use of metaphors drawn from female bodily experiences of pregnancy and childbirth to express intellectual or artistic creativity. While philosophical and artistic originality are presented as a kind of spiritual pregnancy, women's bodily pregnancies are often presented as at best intellectually or spiritually insignificant, to be valued solely for their products — physical children. I contrast the view of pregnancy found in philosophers such as Plato and Nietzsche, and artists such as Chagall, with an understanding (...) of pregnancy influenced by feminist body art, and focus on the significance of the extent and pace of change that women experience during pregnancy. (shrink)

Catherine of Siena was a twin whose twin sister, Giovanna, died around the age of two. It is argued that a conflict relating to her lasting relationship with her dead twin is the key to a psychological understanding of the mysticism of Catherine of Siena. She was torn between her survivor-guilt and her desire to be re-united with her lost twin. This 'Vergotean' thesis is supported by contemporary psychological knowledge relating to the social construction of twinship and the impact of (...) the death of a twin on the surviving twin. This conflict was played out in her relationship to Jesus within the social context of her becoming an important religious and political leader of a 'family' of followers, including her biographer, the Dominican, Raymond of Capua. (shrink)

In this paper I am concerned with the notion of empathy and its capacity for overcoming the problem of difference in social life. The concept of empathy has a long history in the Western philosophic tradition but has become discursively submerged in recent times. I am particularly interested in what philosophies of the body may contribute to our understanding of empathy. Psychoanalytic feminism provides some insights. However I identify Merleau-Ponty's conception of body-subject and the intersubjective encounter as offering a potentially (...) more fruitful account of empathy. (shrink)

This article was originally presented as a paper, and since much of what it discusses turns on problems of position, location, self-representation and representativity, I have decided to leave it, as far as is possible, in its original form. Extensive use of the first person pronoun is frowned on in the contexts in which I am used to working, but I have deliberately retained it in this text to try and convey a sense of particularity, of myself speaking in a (...) specific context(s). The use of ‘we’ is a highly politicized act both in anthropology and in feminist contexts. Its use here is intended to convey a sense of audience, that is of myself speaking to others. But, and much more importantly, it also operates as a mark of interrogation, a fictive unity that reveals the lines of fragmentation at the very moment when it claims affinity.1. (shrink)

Essays explore the significance of Julia Kristeva’s concept of intimate revolt for social and political philosophy. Over the last twenty years, French philosopher, psychoanalyst, and novelist Julia Kristeva has explored how global crises threaten people’s ability to revolt. In a context of widespread war, deepening poverty, environmental catastrophes, and rising fundamentalisms, she argues that a revival of inner psychic experience is necessary and empowering. “Intimate revolt” has become a central concept in Kristeva’s critical repertoire, framing and permeating her understanding of (...) power, meaning, and identity. New Forms of Revolt brings together ten essays on this aspect of Kristeva’s work, addressing contemporary social and political issues like immigration and cross-cultural encounters, colonial and postcolonial imaginations, racism and artistic representation, healthcare and social justice, the spectacle of global capitalism, and new media. Sarah K. Hansen is Assistant Professor of Philosophy at California State University, Northridge. Rebecca Tuvel is Assistant Professor of Philosophy at Rhodes College. (shrink)

This essay argues that feminist theory has focused, in the main and for too long, on theories of the body, in a legitimate reaction to a Western masculine coupling of beauty with a female or idealized maternal body and the sublime with male creativity. In consequence, there are few productive feminist accounts of female or maternal beauty. However, Virginia Woolf’s writings about beauty, mothers and the body, if read through the lens of post-Lacanian theory - particularly the work of Luce (...) Irigaray and Bracha Lichtenberg Ettinger - do offer a moving and positive feminist account of women and beauty. The essay analyses Woolf’s ideas about beauty in general, before focusing on To the Lighthouse and The Voyage Out in relation to the writings of Woolf’s mother Julia Stephen. (shrink)

Explores how the concept of revolution permeates and unifies Kristeva’s body of work.

I explore connections between social divisions and diversity within the self, while striving to differentiate internal diversity and multiplicity. When the person is understood as composite or multiple, she is seen as divided into several distinct agent-like aspects. This view is found in ancient, modern, and postmodern philosophy, psychology, poetry, and lay people's accounts of their experience. I argue for a conception of the self as diverse but not composite or multiple.