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  1. The Explanatory Role of Umwelt in Evolutionary Theory: Introducing von Baer's Reflections on Teleological Development.Tiago Rama - 2024 - Biosemiotics 1:1-26.
    Abstract: This paper argues that a central explanatory role for the concept of Umwelt in theoretical biology is to be found in developmental biology, in particular in the effort to understand development as a goal-directed and adaptive process that is controlled by the organism itself. I will reach this conclusion in two (interrelated) ways. The first is purely theoretical and relates to the current scenario in the philosophy of biology. Challenging neo-Darwinism requires a new understanding of the various components involved (...)
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  • Old and New Perspectives on the Nature/Culture Opposition in Biology and Anthropology.Gláucia Silva - 2021 - Biosemiotics 14 (2):459-478.
    The article explores a change taking place today in the fields of biology and social anthropology, signaling a shared desire to transcend the heuristic effects of the opposition between nature and culture. Acceptance of the idea that random mutations are the sole driving force behind the process of natural selection overlooks the agentive capacity of non-human living beings, revealing an anthropocentric inspiration. To critique the rhetoric surrounding the principle of natural selection, I turn to the anthropology of Tim Ingold and (...)
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  • N. R. Hanson and von Uexküll: A Biosemiotic and Evolutionary Account of Theories.C. David Suárez Pascal - 2021 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 52 (2):247-261.
    This paper proposes a biosemiotic conception of theories, as non-intentional organic theories, which is based on an analysis and comparison of philosopher Norwood Russell Hanson’s account of theories and zoologist Jakob von Uexküll’s theory of organisms. It is argued that Hanson’s proposals about scientific theories and their relation to observation are semiotic in nature and that there exists a correspondence between Hanson’s depiction of the relationship between theories, observation, and reality and von Uexküll’s views on the relationship between organisms and (...)
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  • Umwelt Transitions: Uexküll and Environmental Change. [REVIEW]Morten Tønnessen - 2009 - Biosemiotics 2 (1):47-64.
    What role does environmental change play in Jakob von Uexküll’s thought? And what role can it play in a up-to-date Uexküllian framework? Admittedly, in hindsight it appears that the Umwelt theory suffers from its reliance on Uexküll’s false premise that the environment (including its mixture of species) is generally stable. In this article, the Umwelt theory of Uexküll is reviewed in light of modern findings related to environmental change, especially from macroevolution. Uexküll’s thought is interpreted as a distinctive theory of (...)
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  • Towards an Evolutionary Biosemiotics: Semiotic Selection and Semiotic Co-option. [REVIEW]Timo Maran & Karel Kleisner - 2010 - Biosemiotics 3 (2):189-200.
    In biosemiotics, living beings are not conceived of as the passive result of anonymous selection pressures acted upon through the course of evolution. Rather, organisms are considered active participants that influence, shape and re-shape other organisms, the surrounding environment, and eventually also their own constitutional and functional integrity. The traditional Darwinian division between natural and sexual selection seems insufficient to encompass the richness of these processes, particularly in light of recent knowledge on communicational processes in the realm of life. Here, (...)
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  • Modelling Animal Creativity from Uexküllian Approach—Attention, Search Image and Search Tone.Siiri Tarrikas - 2022 - Biosemiotics 15 (3):531-553.
    In this article, creativity is defined as a semiotic phenomenon, as a process in which the boundaries of habits and norms of social communication are exceeded and by which the challenges offered by the environment are solved. Here it is indicated that there is a direct link between attention and animal creativity and shown that there are at least two possibilities for creativity to work – one that needs attention and one which doesn’t. Animal creativity can work through several different (...)
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