This paper argues that the technical notion of conditional probability, as given by the ratio analysis, is unsuitable for dealing with our pretheoretical and intuitive understanding of both conditionality and probability. This is an ontological account of conditionals that include an irreducible dispositional connection between the antecedent and consequent conditions and where the conditional has to be treated as an indivisible whole rather than compositional. The relevant type of conditionality is found in some well-defined group of conditional statements. As an (...) alternative, therefore, we briefly offer grounds for what we would call an ontological reading: for both conditionality and conditional probability in general. It is not offered as a fully developed theory of conditionality but can be used, we claim, to explain why calculations according to the RATIO scheme does not coincide with our intuitive notion of conditional probability. What it shows us is that for an understanding of the whole range of conditionals we will need what John Heil (2003), in response to Quine (1953), calls an ontological point of view. (shrink)

This thesis explores the possibility of composite consciousness: phenomenally conscious states belonging to a composite being in virtue of the consciousness of, and relations among, its parts. We have no trouble accepting that a composite being has physical properties entirely in virtue of the physical properties of, and relations among, its parts. But a long­standing intuition holds that consciousness is different: my consciousness cannot be understood as a complex of interacting component consciousnesses belonging to parts of me. I ask why: (...) what is it about consciousness that makes us think it so different from matter? And should we accept this apparent difference? (shrink)

We develop a new understanding of the historical horizon of event ontology. Within the general area of the philosophy of nature, event ontology is a still emerging field of investigation in search for the ultimate materialist ontology of the world. While event ontology itself will not be explicated in full mathematical details here, our focus is on its conceptual interrelation with the dominant current of Idealism in Western thought approached by us as a problem in the history of ideas. Our (...) presentation is designed to be accessible to a wider audience. We especially highlight the deep connection between event ontology and postmodernism in general, and the post-war French philosophers Althusser, Foucault, Deleuze, and Guattari in particular, who are viewed as main sources for current and future programs of abstract materialism. (shrink)

William Molyneux raised the following question: if a congenital blind person is made to see, and is visually presented with a cube and a globe, would he be able to call the shapes before him a cube and a globe before touching them? Locke, Berkeley, Leibniz, and Reid presented their phenomenological view of shape perception, i.e. their view as to what it is like to perceive shape by sight and touch, in responding to Molyneux’s Question. The four philosophers shared the (...) view that visual perception delivers no solid shape. This view would provide a premise for an argument for immaterial objects. The purpose of my thesis is to reject that argument. Kant’s view and John Campbell’s externalist account offer a way to reject the premise of the argument in question. However, my strategy is not to adopt their view. I pursue Reichenbach’s view that the there is no congruence or incongruence involved in the visual phenomenology. I develop his view, and propose the view that visual perception delivers no flat or solid shape. Although my view endorses the premise in question, I can offer a way to reject the argument. This is because my view is compatible with a form of externalism about perception (which differs from Campbell’s). My view can also do full justice to the phenomenological views presented by the four philosophers. (shrink)

Barnes, A. and P. Thagard Empathy and analogy. Dialogue: Canadian Philosophical Review, 36: 705-720. HTML Croft, D., & Thagard, P.. Dynamic imagery: A computational model of motion and visual analogy. In L. Magnani and N. Nersessian, Model-based reasoning: Science, technology, values. New York: Kluwer/Plenum, 259-274. PDF only. HTML description of program and code for DIVA.

It is widely believed that the semantic contents of some linguistic and mental representations are determined by factors independent of a person’s bodily makeup. Arguments derived from Hilary Putnam’s seminal Twin Earth thought experiment have been especially influential in establishing that belief. I claim that there is a neglected version of the mind-body relation which undermines those arguments and also excludes the possibility of zombies. It has been neglected because it is counterintuitive but I show that it can nonetheless be (...) intelligibly worked out in detail and all obvious objections met. This suggests that we may be faced with a choice between embracing a counterintuitive interpretation of the mind-body relation or accepting that a currently very promising theory in cognitive science, Prediction Error Minimization, faces a fundamental problem. Furthermore, blocking that threat entails that any physicalist/materialst theory of mind is freed from the spectre of zombie worlds. The proposal also makes the ideas of personal teleportation of mind uploading more plausible. (shrink)

Douglas Hofstadter shows in his hybrid of fiction and mathematical introduction Gödel, Escher, Bach—An Eternal Golden Braid , how the paradoxes inherent in Gödel’s theorem .), Escher’s complex drawings and Bach’s compositional techniques are isomorphic across disciplines. From Latin in venire, to come upon something, the word invention already suggests an element of accident: finding something that is already there. This paper shows how Hofstadter’s discussions and fictionalisations of Bach’s two-part and three-part inventions, illuminate complex yet simple processes in aesthetic (...) work: coming upon, stumbling over, and ultimately writing stories out of one’s ideas and imagination. Looking at the book’s fragmented patterns via Derrida’s inventions of the ‘other’ the paper argues that the relation between imagination and inventiveness in Hofstadter is mediated by propositions on incompleteness and their paradoxical relation to ‘whole’ fragments. (shrink)