Primary quality theories of color claim that colors are intrinsic, objective, mind-independent properties of external objects — that colors, like size and shape, are examples of the sort of properties moderns such as Boyle and Locke called primary qualities of body.¹ Primary quality theories have long been seen as one of the main philosophical options for understanding the nature of color.

(Tye 2006) presents us with the following scenario: John and Jane are both stan- dard human visual perceivers (according to the Ishihara test or the Farnsworth test, for example) viewing the same surface of Munsell chip 527 in standard conditions of visual observation. The surface of the chip looks “true blue” to John (i.e., it looks blue not tinged with any other colour to John), and blue tinged with green to Jane.¹ Tye then in effect poses a multiple choice question.

Anything is similar to anything, provided the respects of similarity are allowed to be gerrymandered or gruesome, as Goodman observed.2 But similarity in non-gruesome or—as I shall say—genuine respects is much less ecumenical. Colors, it seems, provide a compelling illustration of the distinction as applied to similarities among properties.3 For instance, in innumerable gruesome respects, blue is more similar to yellow than to purple. But in a genuine respect, blue is more similar to purple than to yellow (genuinely more similar, (...) as I shall sometimes put it). (shrink)

The target article is an attempt to make some progress on the problem of color realism. Are objects colored? And what is the nature of the color properties? We defend the view that physical objects (for instance, tomatoes, radishes, and rubies) are colored, and that colors are physical properties, specifically types of reflectance. This is probably a minority opinion, at least among color scientists. Textbooks frequently claim that physical objects are not colored, and that the colors are "subjective" or "in (...) the mind." The article has two other purposes: first, to introduce an interdisciplinary audience to some distinctively philosophical tools that are useful in tackling the problem of color realism and, second, to clarify the various positions and central arguments in the debate. (shrink)

The goal of this paper is to answer the following question: When we have mental states that represent certain things as being colored, what properties are our mental states representing these things as having?

This article defends the view that having a language just is knowing how to engage in communication with it. It also argues that, despite claims to the contrary, this view is compatible and complementary with the Chomskyan conception of language on which humans have languages in virtue of being in brain states realizing tacit knowledge of grammars for those languages.

Some of the fundamental lessons of the so-called revolution against descriptivism that occurred in the 70s are negative and it is not immediately apparent what kind of semantic theory should emerge as regards proper names, the alleged paradigms of genuinely referential terms. Some of the claims about names, most notably Ruth Barcan Marcus’ characterization of names as tags, appear to be too picturesque to provide the basis for a positive theory and, without a theory, it would seem that the referential (...) link between name and bearer is established by pure magic. Some authors have appealed to the causal-historical picture to construct a positive theory, and have endorsed causal descriptivism, a variety of descriptivism that incorporates causal factors. I argue against causal descriptivism and I assess the demand for a positive semantic theory of names. (shrink)

Some truths about color are knowable a priori. For example, it is knowable a priori that redness is not identical to the property of being square. This extremely modest and plausible claim has significant philosophical implications, or so I shall argue. First, I show that this claim entails the falsity of standard forms of color functionalism, the view that our color concepts are functional concepts that pick out their referents by way of functional descriptions that make reference to the subjective (...) responses of perceivers. I then argue that, while some sophisticated forms of color functionalism can accommodate the a priori knowability of a truth like “redness is not identical to squareness,” they can only do so by abandoning color realism, the thesis that colors are instantiated by external material objects. In practice, color functionalists are almost invariably color realists. Thus, given extremely modest assumptions concerning what can be known a priori about color, we should conclude that color functionalism, at least in its typical realist form, is false. (shrink)

I argue that disposition ascriptions—claims like ‘the glass is fragile’—are semantically equivalent to possibility claims: they are true when the given object manifests the disposition in at least one of the relevant possible worlds.

C. L. Hardin led a recent development in the philosophical literature on color in which research from visual science is used to argue that colors are not properties of physical objects, but rather are mental processes. I defend J. J. C. Smart's physicalism, which claims that colors are physical properties of objects, against this attack. Assuming that every object has a single veridical (that is, nonillusory) color, it seems that physicalism must give a specification of veridical color in terms natural (...) to physics, independently of our interests. Hardin argues that since physicalism doesn't give us any such specification of veridical color, this view is false. However, this argument assumes a mistaken account of veridical color. I show physicalism can appeal to an alternative account, according to which veridical color is characterized in terms of favored conditions of perceptual access, independently of any specification of the physical nature of color. (shrink)

© The Authors 2017. Published by Oxford University Press on behalf of The Analysis Trust. All rights reserved. For Permissions, please email: [email protected] Colour is a welcome work in history and philosophy of science.1 The opening chapters offer a fresh take on the history of perceptual theory and a broad overview of contemporary philosophy of colour. This is followed by the central fourth chapter, which introduces readers to a cluster of empirical data that to this point have not received explicit (...) treatment in philosophy. The core message is that instead of thinking of colour vision as filling in or painting the experienced world of primary qualities, we should think of colour vision as helping us to experience primary qualities. The colour visual system does not colour in an experiential world of primary qualities, it uses colour for the experience of those qualities. This colouring... (shrink)

The thesis is intended to contribute to the growing understanding of the indispensable role played by phenomenal consciousness in human cognition, and specifically in making our concepts of the external world available. The focus falls on so called observational concepts, a type of rudimentary, perceptually-based objective concepts in our repertoire — picking out manifest properties such as colors and shapes. A theory of such concepts gets provided, and, consequently, the exact role that perceptual consciousness plays in making concepts of this (...) sort available gets settled. In the first half of the thesis, observational concepts get construed as a special type of recognitional concepts. On an analogy with perceptual demonstratives, having such concepts would involve having non-trivial knowledge of their reference. The experiential basis of such concepts would, among other things, provide for such constitutive knowledge. The theoretical background relevant to the hypothesis gets provided in the first chapter. A defence of the hypothesis follows in the second. In the second half of the thesis, care is taken to distinguish among two ways in which the constitutive knowledge of the reference of an observational concept could be fleshed out. In the third chapter, perceptual experience is shown to provide the basis both for knowledge of observational properties by acquaintance, and for knowledge of the essence of such properties — provided that knowledge of essence gets construed in the right, modest way. It might be natural to take knowledge by acquaintance to be the sort relevant to observational concept possession, especially given that in the case of perceptual demonstratives this is the role likely played by experience. However, this initial impression proves to be mistaken. The constitutive knowledge of the referent of an observational concept turns out to consist in the capacity to determine a priori the essence of the respective property. To show this, an argument gets provided in the penultimate fourth chapter, based on the key role played by experiences of instances of observational properties in optimal viewing conditions in enabling the possession of the respective observational concept. (shrink)

The phrase ‘in virtue of’ is a mainstay of metaphysical discourse. In recent years, many philosophers have argued that we should understand this phrase, as metaphysicians use it, in terms of a concept of metaphysical dependence called ‘grounding’.This dissertation explores a range of central issues in the theory of grounding. Chapter 1 introduces the intuitive concept of grounding and discusses some compulsory questions in the theory of grounding. Chapter 2 focusses on scepticism on grounding, according to which the recent philosophical (...) interest in the topic is misguided. In chapter 3 I discuss grounding’s explanatory roles. Chapter 4 focusses on the claim that if an entity is grounded then it is an ontological free lunch. Chapter 5 discusses and rejects the claim that groundingis a relation between facts. This conclusion raises a problem: if grounding is not a relation between facts it becomes difficult to specify the connections between grounding and explanation and grounding and necessity. But not only is it desirable to specify these relations, it is essential for establishing that grounding is able to play the explanatory roles that are discussed in chapter 3. Chapter 6 responds to this problem by outlining an approach to grounding based on David Lewis’s (2003) theory of truthmaking. Against this backdrop I discuss, in chapter 7, some issues in the logic of grounding. (shrink)

Because our only access to color qualities is through their appearance, Byrne & Hilbert's insistence on a strict distinction between apparent colors and real colors leaves them without a principled way of determining when, if ever, we see colors as they really are.

Higher-order theories of consciousness, such as those of Armstrong, Rosenthal and Lycan, typically distinguish sharply between consciousness and phenomenal character, or qualia. The higher-order states posited by these theories are intended only as explanations of consciousness, and not of qualia. In this paper I argue that the positing of higher-order perceptions may help to explain qualia. If we are realists about qualia, conceived as those intrinsic properties of our experience of which we are introspectibly aware, then higher-order perception might have (...) an explanatory role as the means by which we are aware of these properties. This would also allow us to treat qualia as the inner appearances resulting from inner perceptions, and therefore to treat them as intentional objects. (shrink)

David Lewis has a general recipe for analysis: the Canberra Plan. His analyses of mind, color, and value all proceed according to the plan. What is curious is that his analysis of causation – one of his seminal analyses – doesn't. It doesn't and according to Lewis it can't. Lewis has two objections against using the Canberra Plan to analyze causation. After presenting Lewis' objections I argue that they both fail. I then draw some lessons from their failure.

The nature of the colors—what they are like, whether they are instantiated by objects or are projected by our minds, whether their nature is revealed to us in color perception, and whether there could be alien colors (e.g. reddish-green)—has been one of the central topics in philosophy for centuries. This entry focuses on the contemporary philosophical debate about the nature of the colors.

As demonstrated by several example displays, color illusions challenge color realism, because they involve a one-to-many reflectance-to-color mapping. Solving this problem by differentiating between veridical and illusory colors corresponding to the same reflectance is hampered because of the lack of an appropriate criterion. However, the difference between veridical and illusory color perception can still be maintained.

Vision scientists are interested in three diverse entities: physical stimuli, neural states, and consciously perceived colors, and in the mapping rules among the three. In this worldview, the three kinds of entities have coequal status, and views that attribute color exclusively to one or another of them, such as color realism, have no appeal.

In visual science, color is usually regarded as a subjective phenomenon. The relationship between the specific color experiences that are evoked by a visual scene and the physical properties of the surfaces viewed in that scene are complex and highly dependent on spatial context. There is no simple correspondence between experienced color and a stable class of physical reflectances.

Color vision provides accurate measures of the phase and intensity of daylight, and also a means of discriminating between objects. Neither property implies that objects are colored.

Byrne & Hilbert conceive of color perception as the representation of a physical property “out there.” In our view, their approach does not only have various internal problems, but is also apt to becloud both the intricate and still poorly understood role that “ color ” plays within perceptual architecture, and the complex coupling to the “external world” of the perceptual system as an entirety. We propose an alternative perspective, which avoids B&H's misleading dichotomy between a purely subjective and a (...) realist conception of “ color.”. (shrink)

Those who identify colours with physical properties need to say how the content of colour experiences relate to their favoured identifications. This is because it is not plausible to hold that colour experiences represent things as having the physical properties in question. I sketch how physical realists about colour might tackle this item of unfinished business.

The colors we perceive are the outcome of an attempt to meaningfully order the spectral information from the environment. These colors are not the result of a straightforward mapping of a physical property to a sensation, but arise from an interaction between our environment and our visual system. Thus, although one may infer from a surface’ reflectance characteristics that it will be perceived as “colored,” true colors only arise by virtue of the interaction of the reflected light with the eye (...) (and brain) of an observer. (shrink)

Colors are of philosophical interest for two kinds of reason. One is that colors comprise such a large and important portion of our social, personal and epistemological lives and so a philosophical account of our concepts of color is highly desirable. The second reason is that trying to fit colors into accounts of metaphysics, epistemology and science leads to philosophical problems that are intriguing and hard to resolve. Not surprisingly, these two kinds of reasons are related. The fact that colors (...) are so significant in their own right, makes more pressing the philosophical problems of fitting them into more general metaphysical and epistemological frameworks. (shrink)

Our reply is in three parts. The first part concerns some foundational issues in the debate about color realism. The second part addresses the many objections to the version of physicalism about color ("productance physicalism") defended in the target article. The third part discusses the leading alternative approaches and theories endorsed by the commentators.

B&H understate the difficulties facing their version of color realism. We doubt that they can fix reflectance types and magnitudes in a way that does not invoke relations to perceivers. B&HÂ’s account therefore resembles the dispositional or ecological accounts that they dismiss. This is a good thing, for a dispositional account is promising if understood in an ecological framework.

In many cases of variation in color vision, there is no non-arbitrary way of choosing between variants. Byrne and Hilbert insist that there is an unknown standard for choosing, while eliminativists claim that all the variants are erroneous. A better response relativizes colors to perceivers, thereby providing a color realism that avoids the need to choose between variants.

Are colors relational or non-relational properties of their bearers? Is red a property that is instantiated by all and only the objects with a certain intrinsic (/non-relational) nature? Or does an object with a particular intrinsic (/non-relational) nature count as red only in virtue of standing in certain relations - for example, only when it looks a certain way to a certain perceiver, or only in certain circumstances of observation? In this paper I shall argue for the view that color (...) properties are relational (henceforth, relationalism), and against the view that colors are not relational (henceforth, anti- or non-relationalism). (shrink)

This paper advances the thesis that sensory concepts have as a semantic component the first-person indexical. It is argued that the private nature of our access to our own sensations forces, in our talking about them, an indexical reference to the inner states of the speaker in lieu of publicly accessible properties by which reference is usually fixed. Indexicals, such as ‘here’, can be understood despite ignorance of their referent. Such is the case with sensory terms. Furthermore, the thesis that (...) sensory terms are indexical has considerable explanatory power. I give two examples: firstly, I argue that clashes of intuition over Block's ‘inverted spectrum’ thought experiment can be explained by appeal to semantic properties of indexicals. Secondly, I argue that multiple realisability intuitions can be shown to be consistent with the view that sensations are type-identical with brain states. (shrink)

The problem of explaining color perception has fascinated painters, philosophers and scientists throughout the history. In many cases, the ideas and discoveries about color perception in one of these categories influenced the others, thus resulting in one of the most remarkable cross-fertilization of human thought. At the end of the nineteenth century, two models stood out as the most convincing ones: Young-Helmholtz’s trichromacy on one side, and Hering’s opponency on the other side. The former was mainly supported by painters and (...) scientists, although with some noticeable exceptions as, e.g., Otto Runge, while the majority of philosophers supported the latter. These two apparently incompatible models were proven to be two complementary parts of the hugely complex chain of events which leads to human color perception. Recently, a rigorous mathematical theory able to incorporate both trichromacy and opponency has been developed thanks to the use of the language and tools of quantum information. In this paper, we discuss the placement of this model within the philosophical theories about color. (shrink)

David Lewis's position, often called analytic functionalism, was inspired by Ryle's analytic behaviorism, which took psychological predicates to express complex sets of behavioral dispositions. In this chapter, the author reviews some tenets of Lewis's philosophy of mind and begins with some comments on the methodology Lewis employed in his analysis of psychological terms, which has become standard in functionalist accounts across philosophy. Then, he discusses the difference between what are often called “realizer functionalism” and “role functionalism,” and argues that Lewis (...) made the wrong choice. In Lewis's argument for the identity theory, the identity of mental states with biological states follows logically from folk‐psychological definitions and broadly physical facts. A central part of folk psychology concerns the interaction of beliefs, desires, and choices. The chapter presents Lewis's often misunderstood account of intentionality. It also presents few pessimistic remarks on the prospect of analyzing phenomenal truths in terms of functional role. (shrink)

In the Addenda to Naming and Necessity (1980), Kripke famously argues that it is false that there could have been unicorns, or more properly, that “no counterfactual situation is properly describable as one in which there would have been unicorns.” He adds that he holds similarly that ‘one cannot say of any possible person that he would have been Sherlock Holmes, had he existed.” He notes the “cryptic brevity” of these remarks and refers to a forthcoming work for elaborations—the work (...) being, of course, the John Locke Lectures (2013). Coming as it does at the end of Naming and Necessity, it is natural to read this discussion as drawing out consequences of Kripke’s non-descriptivist picture of proper names and names of natural kinds. In fact, so much is suggested there by Kripke himself. The question thus arises: can the contentious claims quoted from the Addenda be defended independently of Kripke’s rejection of descriptivism? I shall argue that, as appears from the John Locke Lectures, they can be. (shrink)

I argue that Byrne & Hilbert (B&H) have not answered Hardin's objection to physicalism about color concerning the unitary-binary structure of the colors for two reasons. First, their account of unitary-binary structure seems unsatisfactory. Second, pace B&H, there are no physicalistically acceptable candidates to be the hue-magnitudes. I conclude with a question about the justification of physicalism about color.

Some necessary truths are a posteriori. That’s widely agreed and is presumed here. Their existence might appear to show that discoveries about how things are in fact—about how things actually are—can lead to discoveries about all the ways things might be, about the nature of logical space. I detail one way of resisting this conclusion for a number of examples, and the implications of Twin Earth for the issue. Central is the notion of a Cambridge discovery.

Current descriptivist accounts of proper names entail two claims: that the expressions we know as different proper names are the bearers of different meanings and that the descriptions corresponding to these meanings contain quotations of the expressions whose meanings they are taken to be. While is the source of a number of intractable problems, descriptivists feel committed to it because it is the only available option to adhere to, which they use to take as a matter of course. In the (...) present paper I will bring up for discussion a, to my knowledge, new descriptivist account, inter-nominal descriptivism, which avoids the commitment to by rejecting. According to this account, all tokens of the expressions known as different proper names express the same descriptive mode of presentation and this descriptive mode of presentation is akin to the character of an indexical. I will try to show that, contrary to first appearance, this idea can be developed in a consistent and plausible manner. (shrink)

We propose a novel interpretation of Lewis on the analysis of modality that is constructed from primary sources, comprehensive and unprecedented. Our guiding precepts are to distinguish semantics from metaphysics, while respecting the inter-relations between them, and to discern whatever may be special, semantically or metaphysically, about the modal case. Following detailed presentation, we amplify and advocate our interpretation by providing a conforming genealogy of Lewis’s theory of modality and applying it to construct a detailed and newly illuminating version of (...) the Lewisian theory of modality de re. (shrink)

Externalist representationalists claim that the phenomenal character of a visual perceptual experience is determined by the representational content of that experience. Their deployment of the idea that perceptual experience is transparent shows that they account for representational content with reference to the properties which are represented – the properties out there in the world. I explain why this commits the externalist representationalist to objectivism and realism about colour properties. Colour physicalism has proved to be the position of choice for externalist (...) representationalists. However, my aim in this paper is to demonstrate that the proponent of the view which combines externalist representationalism with colour physicalism is unable to account for the phenomenal character of colour hallucination. (shrink)

Supervaluationism, traditionally conceived, is the conjunction of three theses: Vagueness in a language gives rise to there being a multitude of acceptable assignments of semantic values to some expressions of the language, These assignments correspond to possible completions of the meanings of vague expressions, Truth is truth under all acceptable assignments, and falsity is falsity under all acceptable assignments. Supervaluationism has three chief virtues. It preserves classical logic. It provides an account of what vagueness is. And it extends nicely to (...) the vagueness of singular terms. I argue, however, that the existence of vagueifiers ‐ expressions like‘roughly’– pose problems for thesis of Supervaluationism, and that the supervaluationist can get around these problems only at a serious cost. Toward the end of the paper, I present an alternative analysis of vagueness, which preserves the main virtues of Supervaluationism, but which identifies vagueness as semantic Overdetermination, rather than as semantic underdetermination. (shrink)

Our reading is a passage from John Locke, An Essay Concerning Human Understanding, Book III, Chapter II, § 2.When a man speaks to another, it is that he may be understood; and the end of speech is that those sounds, as marks, may make known his ideas to the hearer. … Words being voluntary signs, they cannot be voluntary signs imposed by him on things he knows not. That would be to make them signs of nothing, sounds without signification.

Nat Hansen builds a new argument for subjectivism about the semantics of color language, based on a potential kind of intersubjective disagreements about comparative color statements. In reply, I note that the disagreements of this kind are merely hypothetical, probably few if actual, and not evidently relevant as test cases for a semantic theory. Furthermore, even if they turned out to be actual and semantically relevant, they would be intuitively unusable by the subjectivist.

I offer a new objectivist theory of the contents of color language and color experience, intended especially as an account of what normal intersubjective variation in color perception and classification shows about those contents. First I explain an abstract account of the contents of color and other gradable adjectives; on the account, these contents are certain objective properties constituted in part by contextually intended standards of application, which are in turn values in the dimensions of variation associated with the adjectives. (...) Then I propose an explanation of normal variations in linguistic color classification; these are postulated to be effects of differences in intended standards for the color adjectives appearing in the classifying predicates. Next, I consider a potential objection to this explanation, based on the suggestion that contextual content should be more accessible than the explanation predicts. In reply, I point out that contextual content is occasionally opaque to unsophisticated reflection. Finally, I present a companion account of the contents of color experiences on which these represent an object as lying on certain salient intervals in the chromatic dimensions, and I show how the account accommodates intersubjective variation in color perception. (shrink)

This paper presents a new response to the colour similarity argument, an argument that many people take to pose the greatest threat to colour physicalism. The colour similarity argument assumes that if colour physicalism is true, then colour similarities should be scrutable under standard physical descriptions of surface reflectance properties such as their spectral reflectance curves. Given this assumption, our evident failure to find such similarities at the reducing level seemingly proves fatal to colour physicalism. I argue that we should (...) dispense with this assumption, and thus endorse the inscrutability of colour similarity. This strategy is inspired by parallels between the colour similarity argument and the explanatory gap between mind and body made vivid by Jackson’s (1986) knowledge argument, and in particular by type-B physicalist responses to that argument. This inscrutability response is further motivated by cases in chemistry and biochemistry in which analogous scrutability theses fail to hold. Along the way, I present a challenge to standard formulations of the colour similarity argument based on the extreme context sensitivity of the similarity relation. Most presentations of the argument fail to control for such contextual variation, which raises the distinct possibility that the argument equivocates on the similarity relation across its premises. Although ultimately inconclusive, this context challenge forces a significant reformulation of the colour similarity argument, and highlights the need for much greater care in handling claims about colour similarity. (shrink)

In this paper I propose and defend an account of color that I call color functionalism. I argue that functionalism is a non-traditional species of primary quality theory, and that it accommodates our intuitions about color and the facts of color science better than more widely discussed alternatives.