Switch to: References

Citations of:

Art, Metaphysics, & the Paradox of Standards

In Art & Abstract Objects. Oxford University Press (2013)

Add citations

You must login to add citations.
  1. Heidegger's Logico-Semantic Strikeback.Alberto Voltolini - 2015 - Organon F: Medzinárodný Časopis Pre Analytickú Filozofiu 22:19-38.
    In (1959), Carnap famously attacked Heidegger for having constructed an insane metaphysics based on a misconception of both the logical form and the semantics of ordinary language. In what follows, it will be argued that, once one appropriately (i.e., in a Russellian fashion) reads Heidegger’s famous sentence that should paradigmatically exemplify such a misconception, i.e., “the nothing nothings”, there is nothing either logically or semantically wrong with it. The real controversy as to how that sentence has to be evaluated—not as (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • The Role of Teleological Thinking in Judgments of Persistence of Musical Works.Elzė Sigutė Mikalonytė & Vilius Dranseika - forthcoming - The Journal of Aesthetics and Art Criticism.
    In his paper “The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types” (2019), Nemesio Puy raises a hypothesis that continuity of the purpose is both a necessary and a sufficient condition for musical work’s identity. Puy’s hypothesis is relevant to two topics in cognitive psychology and experimental philosophy. The first topic is the prevalence of teleological reasoning about various objects and its influence on persistence and categorization judgments. The second one is the importance of an artist’s intention in (...)
    Download  
     
    Export citation  
     
    Bookmark