Mandik (2010) defends a motor theory of control consciousness according to which nonsensory states, like motor commands, directly contribute to the awareness we have of ourselves as being in control of our actions. Along the way, he argues that his theory is to be preferred over Prinz’s (2007) sensory imagery theory, which denies that nonsensory states play any direct role in the generation of control consciousness. I argue that Mandik’s criticisms of Prinz’s theory fall short, but that nonetheless there are (...) reasons to favor a motor theory of control consciousness over a sensory imagery theory. (shrink)

In this paper, I argue that the conscious awareness one has of oneself as acting, i.e., agentive awareness, is not a type of sensory awareness. After providing some set up in Sect. 1, I move on in Sect. 2 to sketch a profile of sensory agentive experiences as representational states with sensory qualities by which we come to be aware of ourselves as performing actions. In Sect. 3, I critique two leading arguments in favor of positing such sensory experiences: the (...) argument from pathology and the argument from cognitive impenetrability. Since neither of these arguments succeeds, the case for positing SAEs is dealt a significant blow. I proceed in Sect. 4 to advance my positive argument against SAEs. The argument runs as follows: If SAEs exist, then they must exist in some sensory modality or set of sensory modalities. Either the relevant sensory modalities are ones that we already recognize, or they are novel sensory modalities. I will argue that neither of these options is workable, and so we have nowhere to locate SAEs. Agentive awareness is not sensory awareness. (shrink)

Agentive awareness is one's awareness of oneself as presently acting. Dominant accounts in cognitive science consider agentive awareness to be grounded in the states and processes underlying sensorimotor control. In this paper, I raise concerns for this approach and develop an alternative. Broadly, in the approach I defend, one is agentively aware in the virtue of intending to act. I further argue that agentive awareness is not constituted by intentions themselves but rather first-personal thoughts that are formed on the basis (...) of them. I develop this proposal, highlight some of its theoretical advantages, and show how it successfully meets various challenges. (shrink)

This commentary proposes that “cognitive control” is neither componential nor emergent, but a fundamental feature of behavior. The term “control” requires an operational definition. This is best provided by the negative feedback loop that utilizes behavior to control perception; it does not control behavior per se. In order to model complex cognitive control, Perceptual Control Theory proposes that loops are organized into a dissociable hierarchical network (PCT; Powers, Clark, & McFarland, 1960; Powers, 1973a, 2008). In this way, behavior is dynamically (...) adaptive to environmental disturbances, rather than being formed by, or superimposed upon, learned associations between stimulus and response. (shrink)

RESUMEN Una atribución de agencia mental es definida como el acto de asignar el inicio o autoría de un pensamiento en primera persona a un agente específico, esto, con el fin de generar grados suficientes de control sobre nuestra vida cognitiva. Si bien esta estrategia es fundamental para distinguir diferentes tipos de estados cognitivos - tales como deliberaciones, razonamientos, juicios, entre otros -, muchos autores han indicado que también es clave para entender experiencias cognitivas psicopatológicas en psicosis. Este artículo revisa (...) la forma en que la estructura subjetiva de los delirios de inserción de pensamiento puede ser utilizada como una estrategia para evaluar los méritos argumentativos de las teorías que intentan explicar la arquitectura y naturaleza de las atribuciones de agencia mental. Luego de evaluar algunos aspectos fundamentales de las dos teorías dominantes en la literatura actual, se sugiere que, a pesar de sus importantes aportes al desarrollo de la discusión, tales enfoques no poseen los recursos explicativos suficientes para lidiar con el desafío propuesto. ABSTRACT An attribution of mental agency is defined as the act of assigning the initiation or authorship of a first personal thought to a specific agent in order to generate sufficient degrees of control over our own cognitive life. Although this strategy is crucial to distinguish different types of cognitive states - such as deliberations, reasonings, judgements, among others -, a number of authors have suggested that it is also crucial to understand psychopathological cognitive experiences in psychosis. This paper explores the way in which the subjective structure of thought insertion can be used as a strategy to evaluate the merits of theories aiming at explaining the nature and architecture of attributions of mental agency. After examining some of the most fundamental aspects of the two dominant theories in current literature, I suggest that, despite the contributions made by such theories to the discussion, none of them is able to face the challenge in a plausible way. (shrink)

Hubert Dreyfus has argued that cases of absorbed bodily coping show that there is no room for self-awareness in flow experiences of experts. In this paper, I argue against Dreyfus’ maxim of vanishing self-awareness by suggesting that awareness of agency is present in expert bodily action. First, I discuss the phenomenon of absorbed bodily coping by discussing flow experiences involved in expert bodily action: merging into the flow; immersion in the flow; emergence out of flow. I argue against the claim (...) that flow experience does not involve an awareness of agency for each of these features, while conceding that fluent agency does not involve self-awareness in the thetic sense. I challenge the assumption that the awareness of fluent agency must be understood in terms of a thetic awareness of agency. Instead, I develop an Anscombean account of the awareness of fluent agency in terms of the phenomenal character of knowing one’s aims. I respond to the challenge that if an Anscombean account of the awareness of agency is to succeed, then agents must be able to answer Anscombean questions. I consider the objection that awareness of agency is not a form of self-awareness by outlining an account of self-awareness as self-synthesis that is distinct from self-perception and self-ascription, but which makes room for self-awareness in expert bodily action. (shrink)

In this commentary, I focus on the difference between processes and representations and how this distinction relates to the question of what is controlled. Despite some views that task switching is a prototypical control process, the analysis concludes that task switching depends on the task goal representation and that control processes are there to prevent goal representations from disintegrating. Over time, these processes become obsolete, leaving behind a representation that automatically controls task performance. The distinction between processes and representations relates (...) to practice effects and automaticity and sheds light on what is meant by the phrase “automatic control.”. (shrink)

I here present some doubts about whether Mandik’s (2010) proposed intermediacy and recurrence constraints are necessary and sufficient for agentive experience. I also argue that in order to vindicate the conclusion that agentive experience is an exclusively perceptual phenomenon (Prinz, 2007), it is not enough to show that the predictions produced by forward models of planned motor actions are conveyed by mock sensory signals. Rather, it must also be shown that the outputs of “comparator” mechanisms that compare these predictions against (...) actual sensory feedback are also coded in a perceptual representational format. (shrink)

Music is often described in anthropomorphic terms. This paper suggests that if we think about music in certain ways we could think of it as conscious. Motional characteristics give music the impression of being alive, but musical motion is conventionally taken as metaphorical. The first part of this paper argues that metaphor may not be the exclusive means of understanding musical motion – there could also be literal ways. Discussing kinds of consciousness, particularly “access consciousness” (Block 1995), the second part (...) proposes ways in which music could (hypothetically) be conscious. The conclusion states that a greater understanding of the interactions of “phenomenal consciousness” and “access consciousness” is important in conceptualizing non-human consciousnesses, such as music might be conceived to be. (shrink)