I argue that time travel to the past is impossible, given a certain metaphysical theory, namely, The Dynamic Theory of Time. I first spell out my particular way of capturing the difference between The Dynamic Theory of Time and its rival, The Static Theory of Time. Next I offer four different arguments for the conclusion that The Dynamic Theory is inconsistent with the possibility of time travel to the past. Then I argue that, even if I am wrong about this, (...) it will still be true that The Dynamic Theory entails that you should not want to travel back to the past. Finally, I conclude by considering a puzzle that arises for those who believe that time travel to the past is metaphysically impossible: What exactly are we thinking about when we seem to be thinking about traveling back in time? For it certainly does not feel like we are thinking about something that is metaphysically impossible. (shrink)

In a recent article, Ned Markosian gives an argument against four-dimensionalism understood as the view that time is one of four identical dimensions that constitute a single four-dimensional manifold. In this paper, I show that Markosian attacks a straw man as his argument targets a theory known to be false on empirical grounds. Four-dimensionalism rightly conceived in no way entails that time is identical to space. I then address two objections raised by Markosian against four-dimensionalism rightly conceived.

In “Sideways Music”, Ned Markosian presents the aesthetic value variance of sideways music as a case against what the Spacetime Thesis—the thesis that time is one of four similar dimensions that make up spacetime. Critics have already raised worries about the premises of his argument. In this paper, I focus on Markosian’s assumed aesthetic realism. I argue that there is a version of aesthetic realism—a version that admits aesthetic value gluts—that is consistent with both the Spacetime Thesis and the aesthetic (...) variance of sideways music. If this is right, then sideways music may simply be a non-issue for proponents of the Spacetime Thesis. (shrink)

Markosian presents an argument against certain theories of time based on the aesthetic value of music. He argues that turning a piece of music sideways in time destroys its intrinsic value, which would not be possible if the Spacetime Thesis were true. In this paper I show that sideways music poses no problems for any theory of time by demonstrating that turning a piece of music sideways does not affect its intrinsic value. I do this by appealing to spatial analogies (...) that highlight the similarities between spatial and temporal rotations. (shrink)

Many of the leading accounts of what makes a life meaningful are goal-based theories, according to which it is the pursuit of some specific goal (such as love for things that are worthy of love) that gives meaning to our lives. In this chapter I consider how these goal-based theories of meaning in life interact with the two main theories of the nature of time that have been defended in the recent metaphysics literature, namely, The Dynamic Theory of Time and (...) The Static Theory of Time. I argue that The Dynamic Theory fits well with goal-based theories of meaning in life, but The Static Theory does not. Then I close with some thoughts about what a Static Theorist should make of this conclusion. (shrink)

In “Sideways Music”, Ned Markosian uses aesthetic intuitions about temporally-rotated music to argue that the metaphysics of time is different from the metaphysics of space. In response, I use aesthetic intuitions about spatially-rotated paintings to pose a dilemma for Markosian’s argument: either he accepts the intuitions about spatially-rotated paintings, in which case he must give up on some assumptions in his argument, or he rejects intuitions about spatially-rotated paintings, in which case an analogous response can be given regarding intuitions about (...) temporally-rotated music. That is, if Markosian wants to hold on to the assumptions that underwrite his argument, then he thereby offers his opponent the resources with which to resist his conclusion. As such, Markosian’s argument cannot offer a new independent consideration for adjudicating the metaphysical debate between the Dynamic Theorist and the Spacetime Theorist. [Unpublishable 2019]. (shrink)