Self-consciousness can be understood as the ability to think I-thou-ghts which can be described as thoughts about oneself ‘as oneself’. Self-consciousness possesses two specific correlated features: the first regards the fact that it is grounded on a first-person perspective, whereas the second concerns the fact that it should be considered a consciousness of the self as subject rather than a consciousness of the self as object. The aim of this paper is to analyse a few considerations about Descartes and Hume’s (...) approaches to self-consciousness, as both philosophers introduce a first-personal method of accessing the subjective dimension through an introspective account. Descartes’s view on self-consciousness seems incapable of conceiving and recognizing herself as herself, while Hume’s seems to lack those features assigned to the consciousness of self-as-subject. (shrink)

The task of this article is a two-fold approach to Augustine’s theory of knowledge, often called that of ‘divine illumination’, with particular attention to one of its seminal sources, his Soliloquia. The first approach is historical- and text-critical; we consider the text of the Soliloquia, its meaning and significance, the questions to which Augustine was implicitly responding at the time, and especially how this work broaches themes which are revisited and further developed in Augustine’s later works. In the second part, (...) we take the results of the foregoing analysis and apply to them a systematic-theological and philosophical method. First we contextualize Augustine’s theory of illumination, both in relation to his own works and beyond. We then argue for a distinction between two senses of illumination, namely ‘principal’ and ‘gradual’, which helps to account for the different ways in which illumination is applied by Augustine. Finally, we show how Augustine’s insights can be relevant to contemporary philosophy and theology, and how his ideas are implicated in contemporary debates. The upshot is an historical, philosophical, and theological consideration of Augustine’s theory of divine illumination, which aspires to strike a balance between doing justice to the text from an historical perspective and interpreting and applying it in the present day. (shrink)

In this paper, I reflect on Descartes' employment of the meditational genre in the weaving of the text of the Meditations. In the first part, the possible influences behind Descartes' choice of the meditational genre are examined. The second part of the paper attempts to spell out the significance of Descartes' use of the meditational form. The claim advanced here is that Descartes adopted this unique genre ultimately to further his radical philosophical project of a subject-centred theory of knowledge and (...) a new metaphysical Weltbild, with the self catapulted to the central stage and the physical world reduced to an object of the subject's act of representation. (shrink)