This thesis discusses some central aspects of Wittgenstein's conception of language and logic in his Tractatus Logico-Philosophicus and brings them into relation with the philosophies of Frege and Russell. The main contention is that a fruitful way of understanding the Tractatus is to see it as responding to tensions in Frege's conception of logic and Russell's theory of judgement. In the thesis the philosophy of the Tractatus is presented as developing from these two strands of criticism and thus as the (...) culmination of the philosophy of logic and language developed in the early analytic period. Part one examines relevant features of Frege's philosophy of logic. Besides shedding light on Frege's philosophy in its own right, it aims at preparing the ground for a discussion of those aspects of the Tractatus' conception of logic which derive from Wittgenstein's critical response to Frege. Part two first presents Russell's early view on truth and judgement, before considering several variants of the multiple relation theory of judgement, devised in opposition to it. Part three discusses the development of Wittgenstein's conception of language and logic, beginning with Wittgenstein's criticism of the multiple relation theory and his early theory of sense, seen as containing the seeds of the picture theory of propositions presented in the Tractatus. I then consider the relation between Wittgenstein's pictorial conception of language and his conception of logic, arguing that Wittgenstein's understanding of sense in terms of bipolarity grounds his view of logical complexity and of the essence of logic as a whole. This view, I show, is free from the internal tensions that affect Frege's understanding of the nature of logic. (shrink)

Today I want to talk about an element in the milieu in which Ludwig Wittgenstein conceived the Tractatus Logico-Philosophicus that has not been recognized to date: the generalization of the methodology of experimental scale models that occurred just about the time he was writing it. I find it very helpful to keep in mind how this kind of model portrays when reading the Tractatus — in particular, when reading the statements about pictures and models, such as:That a picture is a (...) fact ,That a picture is a model of reality ,That the “pictorial relationship” that makes a picture a picture is part of that picture , andThat a picture must have its pictorial form in common with reality in order to able to depict it. (shrink)

Many commentators have attempted to say, more clearly than Wittgenstein did in his Tractatus logico-philosophicus, what sort of things the ‘simple objects’ spoken of in that book are. A minority approach, but in my view the correct one, is to reject all such attempts as misplaced. The Tractarian notion of an object is categorially indeterminate: in contrast with both Frege's and Russell's practice, it is not the logician's task to give a specific categorial account of the internal structure of elementary (...) propositions or atomic facts, nor, correlatively, to give an account of the forms of simple objects. The few commentators who have hitherto maintained this view have mainly devoted themselves to establishing that this was Wittgenstein's intention, and do not much address the question why Wittgenstein held that it is not the logician's business to say what the objects are. The present paper means to fill this lacuna by placing this view in the context of the Tractatus's treatment of logic generally, and in particular by connecting it with Wittgenstein's treatment of generality and with his reaction to Russell's approach to logical form. (shrink)

G. F. Stout is famous as an early twentieth century proselyte for abstract particulars, or tropes as they are now often called. He advanced his version of trope theory to avoid the excesses of nominalism on the one hand and realism on the other. But his arguments for tropes have been widely misconceived as metaphysical, e.g. by Armstrong. In this paper, I argue that Stout’s fundamental arguments for tropes were ideological and epistemological rather than metaphysical. He moulded his scheme to (...) fit what is actually given to us in perception, arguing that our epistemic practices would break down in an environment where only universals were given to us. (shrink)

This paper investigates Wittgenstein’s account of the relation between elementary and molecular propositions (and thus, also, the propositions of logic) in the Tractatus Logico-Philosophicus. I start by sketching a natural reading of that relation – which I call the “bipartite reading” – holding that the Tractatus gives an account of elementary propositions, based on the so-called picture theory, and a different account of molecular ones, based on the principle of truth- functionality. I then show that such a reading cannot be (...) attributed to Wittgenstein, because he holds the view that an explanation of logical complexity is already given by a correct account of the (pictorial) nature of elementary propositions; this is implied in his claim that “an elementary proposition contains all logical constants/operations in itself”. After clarifying Wittgenstein’s notion of an operation from the Notes on Logic to the Tractatus, I finally explain why Wittgenstein claims that an elementary proposition contains all logical operations in itself, and hence why he can be said to provide a unified (and thus not bipartite) account of language and logic. (shrink)

This study examines the relativistic aspects of Arnold Schoenberg's harmonic and aesthetic theories in the light of a framework of ideas presented in the early writings of Ludwig Wittgenstein, the logician, philosopher of language, and Schoenberg's contemporary and Austrian compatriot. The author has identified correspondences between the writings of Schoenberg, the early Wittgenstein, and the Vienna Circle of philosophers, on a wide range of topics and themes. Issues discussed include the nature and limits of language, musical universals, theoretical conventionalism, word-to-world (...) correspondence in language, the need for a fact- and comparison-based approach to art criticism, and the nature of music-theoretical formalism and mathematical modeling. Schoenberg and Wittgenstein are shown to have shared a vision that is remarkable for its uniformity and balance, one that points toward the reconciliation of the positivist-relativist dualism that has dominated recent discourse in music theory. Contrary to earlier accounts of Schoenberg's harmonic and aesthetic relativism, this study identifies a solid epistemological core underlying his thought, a view that was very much in step with Wittgenstein and the Vienna Circle, and thereby with the most vigorous and forward-looking stream in early twentieth century intellectual history. (shrink)

What is the true worth of Wittgenstein's contribution to philosophy? Answers to this question are strongly divided. However, most assessments rest on certain popular misreadings of his purpose. This book challenges both "theoretical" and "therapeutic" interpretations. In their place, it seeks to establish that, from beginning to end, Wittgenstein regarded clarification as the true end of philosophy. It argues that, properly understood, his approach exemplifies rather than betrays critical philosophy and provides a viable alternative to other contemporary offerings.

Susan Edwards-McKie interviews Professor Dr B. F. McGuinness on the occasion of his 90th birthday.

This thesis sketches an interpretation of Wittgenstein’s Tractatus centering on his treatment of necessity and normativity. The purpose is to unite Wittgenstein’s account of logic and language with his brief remarks on ethics by stressing the transcendental nature of each. Wittgenstein believes that both logic and ethics give necessary preconditions for the existence of language and the world, and because these conditions are necessary, neither logic nor ethics can be normative. I conclude by erasing the standard line drawn between his (...) philosophy and his ethics, and redrawing it between the philosophical and artistic presentations of his thought, the latter being what remains after the nonsensical status of the work is recognized. (shrink)

This paper is concerned with Wittgenstein's early doctrine of the independence of elementary propositions. Using the notion of a free generator for a logical calculus–a concept we claim was anticipated by Wittgenstein–we show precisely why certain difficulties associated with his doctrine cannot be overcome. We then show that Russell's version of logical atomism–with independent particulars instead of elementary propositions–avoids the same difficulties.

This paper focuses on a central aspect of the “picture theory” in the Tractatus – the “identity requirement” – namely the idea that a proposition represents elements in reality as combined in the same way as its elements are combined. After introducing the Tractatus' views on the nature of the proposition, I engage with a “nominalist” interpretation, according to which the Tractatus holds that relations are not named in propositions. I claim that the nominalist account can only be maintained by (...) rejecting the “identity requirement.” I then consider an opposite – “realist” – interpretation, according to which Tractarian names include names of properties and relations. I argue that, although it can accommodate the “identity requirement,” the realist interpretation falls short of providing a correct interpretation of the Tractatus' conception of a name. I conclude by presenting an alternative account (to both nominalism and realism) of the Tractatus' conception of a name. (shrink)