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The Meaning of Disgust

New York, US: Oup Usa (2011)

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  1. Comment: Kolnai’s Disgust.Carolyn Korsmeyer & Barry Smith - 2014 - Emotion Review 6 (3):219-220.
    In his The Meaning of Disgust, Colin McGinn employs elements of the phenomenological theory of disgust advanced by Aurel Kolnai in 1929. Kolnai’s treatment of what he calls “material” disgust and of its primary elicitors—putrefying organic matter, bodily wastes and secretions, sticky contaminants, vermin—anticipates more recent scientific treatments of this emotion as a mode of protective recoil. While Nina Strohminger charges McGinn with neglecting such scientific studies, we here attempt to show how Kolnai goes beyond experimental findings in his careful (...)
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  • The Emotional Mind: the affective roots of culture and cognition.Stephen Asma & Rami Gabriel - 2019 - Harvard University Press.
    Tracing the leading role of emotions in the evolution of the mind, a philosopher and a psychologist pair up to reveal how thought and culture owe less to our faculty for reason than to our capacity to feel. Many accounts of the human mind concentrate on the brain’s computational power. Yet, in evolutionary terms, rational cognition emerged only the day before yesterday. For nearly 200 million years before humans developed a capacity to reason, the emotional centers of the brain were (...)
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  • Epistemic Trespassing.Nathan Ballantyne - 2019 - Mind 128 (510):367-395.
    Epistemic trespassers judge matters outside their field of expertise. Trespassing is ubiquitous in this age of interdisciplinary research and recognizing this will require us to be more intellectually modest.
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  • Sex and Horror.Steve Jones - 2017 - In Feona Attwood, Brian McNair & Clarissa Smith (eds.), The Routledge Companion to Media, Sex and Sexuality. Routledge. pp. 290-299.
    The combination of sex and horror may be disquieting to many, but the two are natural (if perhaps gruesome) bedfellows. In fact, sex and horror coincide with such regularity in contemporary horror fiction that the two concepts appear to be at least partially intertwined. The sex–horror relationship is sometimes connotative rather than overt; examples of this relationship range from the seduction overtones of 'Nosferatu' and the juxtaposition of nudity and horror promised by European exploitation filmmakers to the sadomasochistic iconography of (...)
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  • Beauty, Ugliness and the Free Play of Imagination: an approach to Kant's Aesthetics.Mojca Küplen - 2015 - Cham: Springer Verlag.
    At the end of section §6 in the Analytic of the Beautiful, Kant defines taste as the “faculty for judging an object or a kind of representation through a satisfaction or dissatisfaction without any interest”. On the face of it, Kant’s definition of taste includes both; positive and negative judgments of taste. Moreover, Kant’s term ‘dissatisfaction’ implies not only that negative judgments of taste are those of the non-beautiful, but also that of the ugly, depending on the presence of an (...)
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  • The Meaning of Disgust: A Refutation.Nina Strohminger - 2014 - Emotion Review 6 (3):214-216.
    Recently, McGinn has proposed a new theory of disgust. This theory makes empirical claims as to the history and function of disgust, yet does not take into account contemporary scientific research on the subject. This essay evaluates his theory for its merits as an account of disgust, and as a piece of scholarship more generally, and finds it lacking.
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  • Perpetrator Abhorrence: Disgust as a Stop Sign.Ditte Marie Munch-Jurišić - 2014 - Metaphilosophy 45 (2):270-287.
    Most contemporary research on disgust can be divided into “disgust advocates” and “disgust skeptics.” The so-called advocates argue that disgust can have a positive influence on our moral judgment; skeptics warn that it can mislead us toward prejudice and discrimination. This article compares this disagreement to a structurally similar debate in the field of genocide studies concerning the phenomenon of “perpetrator abhorrence.” While some soldiers report having felt strong disgust in the moment of committing or witnessing atrocity, scholars disagree on (...)
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  • Comment: Strohminger versus McGinn and The Meaning of Disgust.Rachel S. Herz - 2014 - Emotion Review 6 (3):218-219.
    Strohminger gives a lively and accurate critique of McGinn’s book but is somewhat inaccurate herself in describing the current theoretical state of the science on disgust. My comment primarily focuses on the issues I have with McGinn’s and Strohminger’s discussions and briefly offers a possible unifying account of the function and meaning of disgust.
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  • Author Reply: Grasping the Nebula: Inelegant Theories for Messy Phenomena.Nina Strohminger - 2014 - Emotion Review 6 (3):225-228.
    Grand unified theories of messy topics like emotion tend to fail at capturing all the important dimensions of their subject. Why is this? I take on this question while responding to commentaries.
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  • Disgust and Aesthetics.Carolyn Korsmeyer - 2012 - Philosophy Compass 7 (11):753-761.
    Disgust is an emotion that is visceral, reactive, and uncomfortable. It is also purposively aroused by art in ways that contribute substantially to the meaning of a work. In such cases “aesthetic disgust” is a component of understanding and appreciation. Disgust comes in many varieties, including the humorous, the horrid, and the tragic. The responses it elicits can be strong or subtle, but few are actually pleasant. Therefore aesthetic disgust raises an ancient question: how is it that emotions aroused in (...)
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  • Taking a social perspective on moral disgust.Joshua Gert - 2021 - Metaphilosophy 52 (5):530-540.
    Research on moral disgust suffers from a methodological bias. The bulk of such investigation focuses almost exclusively on the operation of moral disgust within the psychology of a single individual, or as involving an interaction between two people. This leads to certain questions being salient, while other phenomena, which emerge only at the level of an entire community or society, are largely hidden from view. The present paper explains and defends a perspective that emphasizes the role of moral disgust within (...)
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  • Current Emotion Research in Philosophy.Paul E. Griffiths - 2013 - Emotion Review 5 (2):215-222.
    There remains a division between the work of philosophers who draw on the sciences of the mind to understand emotion and those who see the philosophy of emotion as more self-sufficient. This article examines this methodological division before reviewing some of the debates that have figured in the philosophical literature of the last decade: whether emotion is a single kind of thing, whether there are discrete categories of emotion, and whether emotion is a form of perception. These questions have been (...)
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  • Vampirism: A Secular, Visceral Religion of Paradoxical Aesthetics.Max Chia-Hung Lin & Paul Juinn Bing Tan - 2018 - Journal for the Study of Religions and Ideologies 17 (49):120-136.
    Vampire stories and folklores have originated from a range of sources; however, it is rather certain that the repulsive but attractive vampiric monster images in present popular culture are primarily derived from Anne Rice’s novel Interview with the Vampire. That being said, it was around the end of the eighteenth century that vampires first invaded the popular literary world, with literary vampires growing noticeably more powerful and perpetual than any of their monstrous predecessors in the years since the publication of (...)
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  • Need for Empirical Recognition.Nina Strohminger - 2015 - Emotion Review 7 (4):383-383.
    The life-in-death theory makes empirical claims, and is therefore subject to empirical verification. Even if this theory were purely analytic or phenomenological, it would be accountable to countervailing empirical evidence. If we cannot use empirical evidence to support or refute this theory, then it cannot be compared with competing theories, which defer to observable reality.
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  • Disgust Talked About.Nina Strohminger - 2014 - Philosophy Compass 9 (7):478-493.
    Disgust, the emotion of rotting carcasses and slimy animalitos, finds itself at the center of several critical questions about human culture and cognition. This article summarizes recent developments, identify active points of debate, and provide an account of where the field is heading next.
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  • Comment: From the Armchair to the Toilet: McGinn’s Evolutionary Tale of Disgust.Jason A. Clark - 2014 - Emotion Review 6 (3):217-218.
    Strohminger (2014) criticizes McGinn for his lack of attention to recent scientific findings, and for ignoring common sense. This commentary deepens both of these criticisms via an exploration of McGinn’s account of the evolution of disgust.
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  • Comment: Scholarly Disgust and Related Mysteries.Joshua Rottman & Liane Young - 2014 - Emotion Review 6 (3):222-223.
    Strohminger is revolted by McGinn’s book, The Meaning of Disgust. We argue that her reaction of repugnance highlights one of the greatest mysteries in the psychology of disgust: this emotion is at times elicited by abstract ideological concerns rather than physical threats of infection or contamination. Here we describe the theoretical challenge of accounting for nonpathogenic disgust elicitors, which include spiritual defilement, violations of the “natural order,” and, apparently, McGinn’s latest publication.
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  • Interjections and Emotion (with Special Reference to "Surprise" and "Disgust").Cliff Goddard - 2014 - Emotion Review 6 (1):53-63.
    “All languages have ‘emotive interjections’ ” —and yet emotion researchers have invested only a tiny research effort into interjections, as compared with the huge body of research into facial expressions and words for emotion categories. This article provides an overview of the functions, meanings, and cross-linguistic variability of interjections, concentrating on non-word-based ones such as Wow!, Yuck!, and Ugh! The aims are to introduce an area that will be unfamiliar to most readers, to illustrate how one leading linguistic approach deals (...)
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  • Emotions and political rhetoric: Perception of danger, group conflict and the biopolitics of fear.Marta Gil - 2016 - Human Affairs 26 (2):212-226.
    In the present article I shall argue that human emotion is multifaceted and has a cognitive dimension in virtue of its intricate connections with beliefs, memories, imagination, and other products of human rationality. Human emotion also has a social and political dimension. When we think about fear we cannot characterize it as a mere stimulus-response phenomenon: it is, due to its cognitive facet, more complex and related to our ideas about survival and well-being. This leaves fear exposed to political rhetoric, (...)
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  • Comment: Strohminger–McGinn: Deconstructing the Moral Amplification Effect.Edward Royzman - 2014 - Emotion Review 6 (3):224-225.
    I use a number of McGinn’s ideas to identify likely confounds in the induction of incidental disgust as the basis of the moral amplification effect.
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  • Comment: Interdiscipline.David Pizarro - 2014 - Emotion Review 6 (3):221-222.
    The Meaning of Disgust is a vivid example of how interdisciplinary research can go horribly wrong. Strohminger’s criticisms serve as a good starting point to discuss some of the issues that need to be addressed by the growing number of researchers who choose to conduct interdisciplinary research in philosophy and psychology. I argue that McGinn’s approach to science in The Meaning of Disgust serves as a useful contrast to the ideal, and that it illustrates the most important virtue necessary for (...)
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