Alexius Meinong's specific use of the term "self-presentation" had a significant influence on modern epistemology and philosophical psychology. To show that there are remarkable parallels between Meinong's account of the self-presentation of experiences and Lehrer's account of the exemplarization of experiences is one of this paper's main objectives. Another objective is to put forward some comments and critical remarks to Lehrer's approach. One of the main problems can be expressed by the following: The process of using a particular experience as (...) a sample, that is, an exemplar that we use to stand for and refer to a plurality of experiences, Lehrer calls "exemplarization". As concrete experiences are multifarious (red and round, for example), how can we single out a specific sort of experiences (the red ones) by the process of exemplarization when we use such a multifarious experience as a sample? (shrink)

O propósito deste trabalho é fornecer uma resposta a duas questões fundamentais: 1) pode uma lógica não alética ser uma lógica meinongiana? E consequentemente 2) pode uma lógica não alética ser uma lógica adequada a uma teoria meinongiana dos objetos? Usando os resultados de da Costa (1989) e da Costa & Marconi (1986) e além disso de da Costa (1986 e 1993), proponho uma lógica minimal não alética de primeira ordem com identidade e o símblo " de Hilbert (da Costa (...) et al. 1992) que podem colocar em um espírito meinongiano os aspectos mais relevantes da lógica meinongiana subajcente à teoria dos objetos de Meinong. Esta é apenas uma primeira abordagem minha, para dar conta de reflexões complexas, mas também interessante como o pensamento de Meinong. Além disso, dando uma resposta positiva a 1) e 2) indico um modo plausível que pode evitar ambas as difíceis abordagens e a tentativa de recusar a teoria dos objetos de modo a não comprometer a lógica padrão e algumas de suas leis. Minha abordagem mostra que a teoria de Meinong pode ser uma ontologia válida, porque há uma lógica adequada e não banal subjacente a ela. DOI:10.5007/1808-1711.2010v14n1p99. (shrink)

Hidden away in the remote corners of one of the largest parts of Husserl's Kˆrper, if we can use that word to translate Corpus, there is ein Leib , an animate body of text that reverberates not only with some of Husserl's other little known texts, but also with some of the most recent discoveries in neuroscience. These texts suggest a theory of intersubjectivity, or what psychologists term social cognition. Let me start with a proviso: whether Husserl ever fully settled (...) on this theory is completely open to interpretation. Accordingly, I will leave it to Husserlian scholars to determine whether this is a position that Husserl actually or ultimately embraces, either in the years 1906 through 1913 when he writes some of these texts, or later when he writes other related texts. The texts in question are from Husserl's early years and they are rather tentative and reactive in nature, since he was just beginning to think of these problems, and he was responding to proposals put forward by Lipps and Meinung. That's also why I claim that these texts suggest a theory of social cognition rather than anything like a pure phenomenology of intersubjectivity. Husserl was trying to work out ways to counter the theories of Lipps and Meinung, and his reflections, I think, should count as phenomenologically informed theory. (shrink)

How do we individuate the senses, what exactly do we do when we do so, and why does it matter? In the following article, I propose a general answer to these related questions based on Franz Brentano's views on the senses. After a short survey of various answers offered in the recent literature on the senses, I distinguish between two major ways of answering this question, causally and descriptively, arguing that only answers giving priority to description and to the classification (...) involved in it are on the right track for a general answer to the related questions. In the second part of the article, I argue that Brentano's descriptive psychology is an attractive candidate for such an answer. His descriptive psychology provides a plausible account of the classification involved in description, in particular regarding the classification of sensory qualities. I close the article by briefly explaining how Brentano spells out the priority of descriptive answers over causal ones. (shrink)

To be acquainted with something (in the philosophical sense of “acquainted” discussed here) is to be directly aware of it. The idea that we are acquainted with certain things we experience has been discussed throughout the history of Western Philosophy, but in the early 20th century it gained especially focused attention among analytic philosophers who drew their inspiration from Bertrand Russell's work on acquaintance. Since then, many philosophers—particularly those working on self‐knowledge or perception—have used the notion of acquaintance to explain (...) various facts about human experience and knowledge. In this paper, I offer an overview of this work, with particular focus on the resurgent literature on acquaintance in contemporary analytic philosophy. After more fully explaining what acquaintance is (or is supposed to be), I describe some reasons for thinking that we are indeed acquainted with certain things we experience, and then I survey some of the facts about experience and knowledge that acquaintance may help explain. (shrink)

This article presents the basic achievements of the psychology of religion in the Lvov-Warsaw School of K. Twardowski, their developments and significance for the contemporary psychology of religion. Twardowski’s School existed parallel to other European psychological schools: the Würzburg School, founded by Oswald Külpe, and the Dorpat School of the Psychology of Religion, founded by Karl Girgensohn. The article presents two research trends in the psychology of religion resulting from Twardowski’s works, specifically research on mental acts and religious beliefs with (...) use of introspection and research in the field of cultural-historical psychology. The theory of acts and products, and the theory of cratism/power played crucial roles here. Psychological investigations into religious beliefs were also dominated by the psychological principle of contradiction, and the obtained results also seem to be important today. (shrink)

About 1904 Meinong formulated his most famous idea: there are no empty (non-referential) terms. Russell also did not accept non-referential singular terms, but in “On Denoting” he claimed that all singular terms that are apparently empty could be explained away as apparent singular terms. However, if we take a more careful look at both theories, the picture becomes more complex. It is well known that Russell’s concept of a genuine proper name is very technical; but this is also true of (...) Meinong. Also, according to Meinong we can refer “directly” only to a very special category of ontologically simple objects. However, a very important difference is that, in the domain of Meinongian objects, a _plurality_ of objects always corresponds to each description. Thus, if Meinong were right, there could be _no definite descriptions_. If we narrow the domain of reference to _existent_ objects, we can secure the uniqueness of the reference object by specifying a collection of predicates that is contingently satisfied by only one (existing) object. But if we operate in the domain of all _possible_ objects, we have to specify _all_ properties that are had by the object in question. It turns out that such a “Leibnizian” specification amounts to the complete description of a possible world. (shrink)

_ Source: _Volume 95, Issue 2, pp 245 - 264 In the last few decades, the interest in Brentano’s philosophical psychology, especially in his theory of judgment, has been steadily growing. What, however, has remained relatively unexplored are the modifications that have been introduced over the years into this theory by Brentano himself and by his student Anton Marty. These amendments constitute the focus of the present paper. As will be argued, only by making such changes can the weaknesses of (...) the first formulation of the theory be overcome. Moreover, as the final section of the paper attempts to show, these modifications may even trigger further steps towards what we might label a new Brentanian theory of judgment. (shrink)

Mental imagery has often been taken to be equivalent to “sensory imagination”, the perception‐like type of imagination at play when, for example, one visually imagines a flower when none is there, or auditorily imagines a music passage while wearing earplugs. I contend that the equation of mental imagery with sensory imagination stems from a confusion between two senses of mental imagery. In the first sense, mental imagery is used to refer to a psychological attitude, which is perception‐like in nature. In (...) the second sense, mental imagery refers to a mental content, which can be grasped via different attitudes. I will show that failure to acknowledge the distinction between these senses of mental imagery has muddled philosophical discussion. This distinction brings much needed clarity to debates where sensory imagination and mental imagery are invoked, shedding light on issues such as the nature of imagistic mental states, and the representational powers and limits of mental imagery. I will conclude by sketching a general attitudinal account of imagination that does justice to both senses of mental imagery, outlining a promising framework for understanding imagination. (shrink)

A popular view maintains that supposition is a kind of cognitive mental state, very similar to belief in essential respects. Call this view “cognitivism about supposition”. There are at least three grades of cognitivism, construing supposition as (i) a belief, (ii) belief-like imagination or (iii) a species of belief-like imagination. I shall argue against all three grades of cognitivism and claim that supposition is a sui generis form of imagination essentially dissimilar to belief. Since for good reasons (i) is not (...) supported in the literature, I shall dwell on (ii) and (iii). Without further explanation supposition has been very often merely postulated as being nothing but belief-like imagination—that is, (ii). I shall show that at least two considerations undermine (ii). First, supposition and belief-like imagination are governed by different norms, more precisely the former is freer than the latter and requires minimal or no mental effort. Second, contrary to belief-like imagination, supposition is “cold”, in that it is typically dissociated from emotional reactions. Proponents of (iii) face the pressure of explaining these differences between supposition and belief-like imagination too. I shall argue that they have not sufficiently motivated the claim that supposition is belief-like. In particular they fail to accommodate precisely the dimensions of supposition pertaining to its normativity and emotionality. I shall close with a sketch of a new account of supposition. (shrink)

Contemporary accounts on fictional emotions, i.e., emotions experienced towards objects we know to be fictional, are mainly concerned with explaining their rationality or lack thereof. In this context dominated by an interest in the role of belief, questions regarding their phenomenal quality have received far less attention: it is often assumed that they feel “similar” to emotions that target real objects. Against this background, this paper focuses on the possible specificities of fictional emotions’ qualitative feel. It starts by presenting what (...) I call the “phenomenological question” about the qualitative feel of fictional emotions (section 1) and by showing that this is irreducible to questions about their cognitive, intentional, evaluative, and embodied nature (section 2). Drawing on some insights from early phenomenologists, the next two sections elaborate criteria to distinguish between real and sham emotions on the one side (section 3) and between genuine and non-genuine emotions on the other (section 4). Finally, I apply this orthogonal distinction to the particular case of fictional emotions (section 5). The paper argues that fictional emotions are neither sham emotions nor quasi-emotions, but full-fledged emotional experiences, despite them displaying the distinctive phenomenology of emotions experienced as non-genuine. In the particular case of fictional emotions, they are non-genuine because our psychology is in fact in a state dominated by aesthetic enjoyment. (shrink)

Nel nostro universo, qualunque cosa, dalla più piccola particella alla più smisurata galassia, esiste in un qualche tempo e in un qualche luogo. Ma cosa significa esistere in un qualche tempo? Il fenomeno dell’esistenza temporale gioca un ruolo fondamentale nella comprensione dell’universo e di noi stessi quali creature temporali. Eppure è un fenomeno profondamente misterioso. L’esistenza temporale è da intendersi come una relazione? Che legami ha con l’esistenza dell’ontologia? L’esistenza temporale e la localizzazione spaziale sono due fenomeni essenzialmente differenti o (...) due istanze di un’unica relazione? Tutto ciò che esiste nel tempo esiste nel tempo nello stesso modo? Tutto ciò che è nel tempo è anche nello spazio? (shrink)

For many recent readers of Hegel, Wilfrid Sellars’s 1956 London lectures on the “Myth of the Given” have signaled an important rapprochement between Hegelian and analytic traditions in philosophy. Here I want to explore the ideas of another philosopher, also active in London in the 1950s, who consciously pursued such a goal: John N. Findlay. The ideas that Findlay brought to Hegel—sometimes converging with, sometimes diverging from those of Sellars—had been informed by his earlier study of the Austrian philosopher Alexius (...) Meinong, and transformations of Meinong’s ideas by his student, the logician Ernst Mally. These ideas that Findlay found Hegel-friendly are ones that have had a particular bearing on more recent analytic modal metaphysics, especially via the work of Findlay’s own former student, Arthur Prior. Given this, we might not be surprised at the similarities between the type of actualist interpretation of modal logic that Prior offered in opposition to David Lewis’s variant on Leibnizian possibilism, and Hegel’s approach to the category of “Actuality” [Wirklichkeit] at the end of the Objective Logic of The Science of Logic. But the similarities, I suggest, do not end there, as elements of Hegel treatment of predication in the Subjective Logic parallel similar elements found in the work of Mally and, more recently, “modal actualists” such as Prior and Stalnaker. In this paper I explore some puzzling features of Hegel’s treatment of predication in the Subjective Logic from the point of view of the need for a logic for thought about the modally complex actual world, as Hegel conceived it. (shrink)

Meinong’s ‘theory of objects’ is a radicalization of Brentano’s intentionalist theory which widens the universe of objects, since every act has a transcendent object as a correlate. The article focuses on two main issues: on the one hand, the object–as correlate of representations –that might be existent, subsistent or nonexistent ; on the other hand, the ‘objective’–as correlate of judgments and assumptions–; I will argue that the problem of nonexistent objects finds its solution here, i.e. within the sphere of propositional (...) acts. The aim will be to show how an authentic intentionalist theory leads necessarily to a theory of objects that gives an account of every kind of object. (shrink)

In 1910 Geiger presents at the 4th Congress of Experimental Psychology a lecture on empathy. The focus is on the key psychological question: How do I know external personalities and what is the origin of this knowledge? He immediately shows that this question is complex and needs clarification. There are at least three different questions linked with it, and they must be disentangled. The first question is the “question of fact”, which is a phenomenological question: What experiences are in my (...) consciousness when I’m aware of facing an external ego? This requires a descriptive answer showing what kind of phenomena are given in the empathic act. Geiger further subdivides it in two parts. The first one is whether the other’s spiritual life given in empathy is experienced or just imagined. The second one asks if the relationship between the other’s perceived body and empathized spiritual life shall be conceived as just an associative process, or rather as a tighter “symbolic relation of empathy”. The second question is about the psychological function performed by the empathic act. Here Geiger contrasts the theory of association to the theory of empathy, considering whether we understand what the other is experiencing through an analogical induction or by means of a direct transposition of ourselves into the other. The third question asks if the correlation between expressive movements and corresponding feelings in the other person is acquired in the personal development. Here the empiricist, the associative and the imitation theories are considered in their features and limitations. Finally, in the last part of this paper Geiger introduces a very important distinction between the empathic act for single experiences, and the act of retrospectively reliving the internal motivations which link subsequent mental phenomena occurring in the other person. (shrink)

In this paper I trace a theoretical path along Meinong’s works, by means of which the notion of aesthetic object as well as the changes this notion undergoes along Meinong’s output will be highlighted. Focusing especially on "Über emotionale Präsentation", I examine, on the one hand, the cognitive function of emotions, on the other hand, the objects apprehended by aesthetic emotions, i.e. aesthetic objects. These are ideal objects of higher order, which have, even though not primarily, the capacity to attract (...) aesthetic experiences to themselves. Hence, they are connected to emotions, being what is presented by them. These results are achieved on the basis of a fundamental analogy between the domain of value and the aesthetic domain. Finally, the notion of an absolute beauty is discussed. (shrink)

Stories express hypotheses, interpretations of the world that have a certain degree of probability. To demonstrate this thesis I have adopted the notion of hypothesis, in a sense very close to the Meinongian concept of assumption, and a ‘metric’ conception of the values of the truth or falsity of a proposition – as that has been proposed in several ways by Peirce, Vasil’ev and Meinong. To show the the cognitive value of literary texts, and therefore their truth value, I take (...) my move from chapter 9 of Aristotle’s Poetics, where he holds that poetry is imitative of reality, not in the sense of history – which relates what has happened – but rather, in so far as it expresses “the kinds of things that might happen, that is, that could happen because they are either probable or necessary.” The probable admits variations of degree. By means of an examination of the Meinongian concepts of assumption and objective (i.e. state of affairs), which also allow different modes of gradation, I introduce, with examples drawn from Dante’s Divine Comedy and The Description (Tradimento) by Machiavelli, a theory of degrees of truth that makes it possible to apply the concept of probability to literary as well as to historical texts. Finally, I connect the universal character of the literary text with the ontological notion of incomplete object and argue that a fictional object, as it is incomplete, is not an individual but a type. (shrink)

Both through his own work and that of his students, Franz Clemens Brentano had an often underappreciated influence on the course of 20 th - and 21 st -century philosophy. _The Routledge Handbook of Franz Brentano and the Brentano School_ offers full coverage of Brentano’s philosophy and his influence. It contains 38 brand-new essays from an international team of experts that offer a comprehensive view of Brentano’s central research areas—philosophy of mind, metaphysics, and value theory—as well as of the principal (...) figures shaped by Brentano’s school of thought. A General Introduction serves as an overview of Brentano and the contents of the volume and three separate bibliographies point students and researchers on to further avenues of inquiry. Systematic and detailed, _The Routledge Handbook of Franz Brentano and the Brentano School_ provides readers with a valuable reference to Brentano’s work, and to his lasting importance in the history of philosophy and in contemporary debates. (shrink)

Intentionality may be dealt with in two different ways: either ontologically, as an ordinary relation to some extraordinary objects, or epistemologically, as an extraordinary relation to some ordinary objects. This paper endorses the epistemological view in order to provide a model of semiotic intentionality defined as the meaning-and-cognizing process that constitutes to power of the mind to be about something on the basis of a semiotic system. After a short introduction that presents the components of semiotic intentionality (viz. sign, act, (...) content, referent) along with their division into an intending and a fulfilling side (Sect. 1), the first main part of the paper analyzes semiotic intentionality at its primary level (a.k.a. 'concrete intentionality') as a real and subjective relation between meaning-intending and meaning-fulfilling acts grounded in the manipulation of some semiotic system (Sect. 2). Then, building on such concrete intentionality, the second main part of the paper analyzes semiotic intentionality at its secondary level (a.k.a. 'abstract intentionality') as an ideal and objective relation between intentional and fulfillment contents, which in turn: (i) proceed from an abstraction performed on the intending and fulfilling acts, respectively, and (ii) retroactively categorize the intending and fulfilling acts, respectively (Sect. 3). Finally, from this combination of an act-based conception of content with a presentationalist account of intentionality, the conclusion of this paper produces the intended model of semiotic intentionality in such a way that knowledge and truth are then respectively defined in it as the subjective correspondence between the two acts of concrete intentionality and as the objective correspondence between the two contents of abstract intentionality (Sect. 4). (shrink)

Based on the belief that computational modeling (thinking in terms of representation and computations) can help to clarify controversial issues in emotion theory, this article examines emotional experience from the perspective of the Computational Belief–Desire Theory of Emotion (CBDTE), a computational explication of the belief–desire theory of emotion. It is argued that CBDTE provides plausible answers to central explanatory challenges posed by emotional experience, including: the phenomenal quality,intensity and object-directedness of emotional experience, the function of emotional experience and its relation (...) to cognition and motivation, and the relation between emotional experience and emotion. In addition, CBDTE avoids most objections that have been raised against cognitive theories of emotion. A remaining objection, that beliefs are not necessary for the emotions covered by CBDTE, is rejected as empirically unsupported. (shrink)

In contemporary discourses, it has become common sense to acknowledge that humans and some species of animals, from their very inception, are embedded in social and intersubjective contexts. As social beings, we live, interact, communicate, and cooperate with others for a range of different reasons: sometimes we do so for strategic and instrumental reasons, while at other times it is purely for its own sake. Moreover, in one way or another, we encounter others not only as rational but also as (...) sentient beings; our interactions with others are shaped by reason, though not exclusively so. They are also affected by our emotions, feelings, moods, and environments. In this way, we seek understanding both for and by others. We are able to recognize, interpret, and categorize others’ expression and behavior; in turn, we express our emotions, desires, and motivations to act towards others and hope that others will react adequately and appropriately. Empathy is usually understood as the capacity to apprehend others’ mental states—especially emotions. In recent decades, it has become one of the most widely discussed concepts, especially in the philosophy of mind, ethics, and aesthetics. Although there is a vast array of publications on the topic of empathy, a number of controversies have persisted, particularly in relation to how the process, outcome, and value of empathy should be understood. One recent debate concerns the question of whether we directly perceive others’ mental states or whether we rather imagine their perspective. Another central discussion is ongoing regarding empathy in respect of narratives and fictional characters. The aim of this Special Issue is to interrelate these two branches—fiction and imagination—and to examine the role of imagination in the empathic process, especially in relation to the thesis of direct perception of others’ mental states. Despite the wealth of recent research into empathy that has emerged from a diverse range of disciplinary perspectives, there is still no consensus about the nature and role of imagination and whether empathizing with fictions should be categorically or just gradually distinguished from empathizing with real persons. (shrink)

In this paper I trace a theoretical path along Meinong’s works, by means of which the notion of aesthetic object as well as the changes this notion undergoes along Meinong’s output will be highlighted. Focusing especially on Über emotionale Präsentation, I examine, on the one hand, the cognitive function of emotions, on the other hand, the objects apprehended by aesthetic emotions, i.e. aesthetic objects. These are ideal objects of higher order, which have, even though not primarily, the capacity to attract (...) aesthetic experiences to themselves. Hence, they are connected to emotions, being what is presented by them. These results are achieved on the basis of a fundamental analogy between the domain of value and the aesthetic domain. Finally, the notion of an absolute beauty is discussed. (shrink)

Alexius Meinong is one of the foremost, most independent-minded, most distinctive, most misunderstood and most unjustly maligned of all philosophers. He was pilloried by his own teacher Brentano and his one-time admirer Bertrand Russell as what Gilbert Ryle called “perhaps the supreme entity-multiplier in the history of philosophy.” It is often enough to employ the adjective ‘Meinongian’ to cast a philosopher’s views into the outer darkness. But as supreme commentator J. N. Findlay observes, Meinong was a painstakingly careful and methodical (...) thinker, who inched his way forward to his radical ontological views. Meinong maintained a running interest in ethics and value theory, and the subjective experiences of feeling and desire that correlate to these spheres, from his 1894 Psychological-ethical investigations in value theory to his late works Emotional presentation and the posthumous On the foundation of general value theory. In the process he graduated from value subjectivism to value objectivism. In this paper we will survey Meinong’s mature theory of intentionality and its objects, with particular attention to the otherwise neglected dignitatives and desideratives. (shrink)

La théorie du jugement était une des préoccupations de Husserl depuis la toute première période de sa carrière. Ses premières recherches dans ce domaine se trouvent dans deux manuscrits rédigés en 1893 et 1893-1894 et publiés dans le volume XL des Husserliana . Dans cet article, j’examinerai la théorie du jugement dans ces manuscrits en relation aux questions suivantes : 1) les jugements en relation aux représentations ; 2) les assomptions comme des actes qui se déroulent parallèlement aux jugements ; (...) 3) les jugements impropres en tant que distincts des jugements propres ; 4) les jugements objectifs ; 5) les états de choses en tant que corrélatifs des actes de juger. Nous verrons que, tandis que Husserl se libère à maints égards de la théorie du jugement de Brentano qu’il avait apprise à Vienne puis à Halle, ses positions sont en même temps tout à fait représentatives de la phénoménologie autrichienne dans la mesure où elles impliquent à la fois une psychologie descriptive et une théorie de l’objet, bien que sans aucune prétention d’établir une nouvelle méthode en philosophie.The theory of judgment was one of Husserl’s concerns from a very early period of his career onward. His early investigations in this area are to be found in two manuscripts which he wrote in 1893 and 1893/94, which have been published as Text Nr. 1 and Text Nr. 2 of Husserliana XL. In this paper I examine the theory of judgment in these manuscripts with regard to the issues of 1) judgments in relation to presentations, 2) assumptions as acts which run parallel to judgments, 3) improper judgments as distinct from improper ones, 4) objective judgments, and 5) states of affairs as correlatives of judging acts. While we see Husserl freeing himself in many respects from the Brentanian theory of judgment which he had learned in Vienna and again in Halle, it is at the same time seen that Husserl’s views are quite representative of Austrian phenomenology insofar as they involve both descriptive psychology and object-theory, though without any pretense of establishing a novel method of philosophy. (shrink)

The author distinguishes two concepts of practical reason: (a) practical reason as a source of practical principles, and (b) practical reason as the theory of thought operations connected with action. He proves that there is no practical recognition in the sense (a). We can deal with actions only on the basis of dichotomic semantics. Critical analyses of some theories of practical reason are presented (Kant, Lorenzen, Apel, Alexy). The critical part of the paper mainly concerns the discourse theory and its (...) implications for practical philosophy and jurisprudence. (shrink)

Meinong’s thought has been rediscovered in recent times by analytic philosophy: his object theory has significant consequences in formal ontology, and especially his account of impossible objects has proved itself to be decisive in a wide range of fields, from logic up to ontology of fiction. Rejecting the traditional ‘prejudice in favour of the real’, Meinong investigates what there is not: a peculiar non-existing object is precisely the fictional object, which exemplifies a number of properties without existing in the same (...) way as flesh-and-blood detectives do. Fictional objects are in some sense incomplete objects, whose core of constituent properties is not completely determined. Now, what does it imply to hold that a fictional object may also occur in true statements? We shall deal with the objections raised by Russell and Quine against Meinong’s view, pointing out limits and advantages of both perspectives. (shrink)