This paper explores moments of democratising disorderliness that interrupt a vision of the sublime as a particular ordering of subjectivity. Situated within the context of the Narmada movement against the construction of the Sardar Sarovar Dam in India in the mid-1990s, it argues that sublime regimes and ‘counter-sublime’ insurgences draw their energies from the figures of the dam and the bund, respectively. Where the dam’s walls establish the horizons of visibility, of who counts as subject, the bund’s curved surfaces reveal (...) a pluralising depth that folds the visible with/in the invisible, constituting the possibility of novel modes of seeing/subjectification. Working through oral histories, films, images, archival materials and ethnographic studies alongside the work of Foucault and the later Merleau-Ponty, the paper argues that the Narmada movement enacts a counter-sublime that contests the invisibility imposed by the dam in favour of an imbrication of the human and non-human disclosing radically different constellations of visibility and subjectification. (shrink)

Despite rarely explicitly thematizing the problem of dirty hands, this essay argues that Merleau-Ponty’s political work can nonetheless make some important contributions to the issue, both descriptively and normatively. Although his political writings have been neglected in recent times, his interpretations of Marxism and Machiavelli enabled him to develop an account of political phronesis and virtù that sought to retain the strengths of their respective positions without succumbing to their problems. In the process, he provides grounds for generalizing the problem (...) of “dirty hands” beyond Michael Walzer’s influential understanding that pertains primarily to “emergencies” and singular time-slice actions, and addresses concerns about the coherence of the very idea that there is justified action that one ought to do which remains wrong. Merleau-Ponty does this by emphasizing the diachronic relationship between theoretical principles and concrete political action over a period of time, thus imbuing the problem of dirty hands with a historicity that is not sufficiently recognized in the more static and action-focused discussions. (shrink)

When the existing order cannot offer a solution, the solution to climate crisis must come from the radical left, and this is precisely why Karl Marx’s idea of ecosocialism is more important than ever. In this context, it is worth revisiting not only the legacy of István Mészáros’s theory of ‘social metabolism’ and that of his successors – who can be categorised as comprising the ‘metabolic rift school’, which includes John Bellamy Foster, Paul Burkett, and Brett Clark –, but also (...) Karl Marx’s own theory of metabolism. In order to highlight the contemporary importance of Marx’s theory of metabolism after its long suppression in the twentieth century, this paper aims at classifying the three different levels of Marx’s concept of ‘metabolic rift’, which also entails clarifying three different levels of ‘metabolic shift’ as the theoretical foundation for updating Marx’s theory of postcapitalism in the age of global ecological crisis. (shrink)

The underlying assumption of Lukács’ History and Class Consciousness is that “history” can be understood as a unified and meaningful meta-narrative, which can be read along the lines of a realist novel. Although the future is not guaranteed, the present contains “objective possibilities” which can be identified and realized through activist intervention in the world by those who are destined to “make” history, the proletariat. In the intervening century since the Russian Revolution, it has become impossible to read “history” as (...) a singular, triumphalist story leading to human emancipation or identify any one group as its subjective agent. To salvage the revolutionary potential of Lukács’ work, it has been read instead in terms of “fidelity to the Event” by such latter-day Leninists as Alain Badiou and Slavoj Žižek. But their recourse to a meta-historical notion of pre-figuration and future realization is itself no less beholden to a literary or rhetorical device, that of figura, which was traced by Erich Auerbach in originally religious terms. (shrink)

This article aims to examine the main tenets of Merleau-Ponty’s political thought. To this end, his early Marxism and his later support for Liberalism are contextualised within Merleau-Ponty’s philosophical work, put into relation and both criticised. The focus of the discussion is shifted onto the role and locus of the political thinker in order to evaluate the scope of a political project such as Marxism might have. It is divided into three sections. The first explores the themes of the philosophy (...) developed until the early 1950s. The two sections that follow aim to critique his later work and to integrate and relate its arguments to earlier writings. (shrink)

Inspired by Louis Althusser’s polemic that Marxism is a science and not a philosophy, we enquire about the nature of this ‘scientificity’ of Marxism. The result is a clarification that Marxism is a social theory within the discourse of hermeneutics. Drawing on William Dilthey’s categorisation of human science as Geisteswissenschaft, which essentially is an interpretive science when differentiated from Naturwissenschaft, we point out that Marxism should be understood and used as a socio-hermeneutic theory. We highlight that at the pinnacle of (...) his intellectual development that resulted in Das Kapital, Marx produced a scientific principle for interpreting historical social formations and the human condition, particularly during the capitalist epoch. The description of the scientific character of this hermeneutic principle, set against what Althusser attempted, and motivated by the quest for a contemporaneous application of Marxist theory, is the mission of our paper. It is a contribution to the Philosophy of Social Science. (shrink)

Through a discussion of Agnès Varda's career from 1954 to 2008 that focuses particularly on La Pointe Courte (1954), L'Opéra-Mouffe (1958), The Gleaners and I (2000), and The Beaches of Agnes (2008), this article considers the connections between Varda's filmmaking and her femaleness. It proposes that two aspects of Varda's cinema—her particularly perceptive portrayal of a set of geographical locations, and her visual and verbal emphasis on female embodiment—make a feminist existential-phenomenological approach to her films particularly fruitful. Drawing both directly (...) on the work of Maurice Merleau-Ponty and on some recent film- and feminist-theoretical texts that have employed his insights, it explores haptic imagery and feminist strategy in The Gleaners and I, the materialization of space characterizing Varda's blurring of fiction and documentary, and the dialectical relationship of people with their environment often observed in her cinema. It concludes that both Varda's female protagonists and the director herself may be said to perform feminist phenomenology in her films, in their actions, movement, and relationship to space, and in the carnality of voice and vision with which Varda's own subjectivity is registered within her film-texts. (shrink)

Although Merleau-Ponty’s early phenomenology of perception and his essays on art, politics, and language already showed an affinity between the aesthetic phenomena of expression and style and the political and cultural dynamics of society at large, this paper specifically focuses on his late theorizing of the notion of flesh and its relevance to his late understanding of politics and democracy. The emergence of flesh as a concept was contemporary to Merleau-Ponty’s break with Marxism as a philosophical model and with revolutionary (...) dialectics as a political project. It is by showing that such a break was consistently grounded on his theorizing of the being flesh of both the body and of society that this paper shows Merleau-Ponty’s unique contribution to democratic theory and to contemporary political philosophy. In the course of this analysis, it will become clear that in philosophically breaking with the position of a “no that is a yes”—i.e. the model of the revolution, which implies a total negation of the given that becomes a total affirmation of the new order (dictatorship) once in power—he would politically embrace the Weberian “heroic liberalism”—or his “non-communist left”—of parliamentary democracy. (shrink)

Existentialism and existentialist thinkers enjoyed sustained interest in Hungary under communist rule. From the late 1940s to the late 1980s, this branch of “bourgeois philosophy” never ceased to generate renewed attention. However, this reception was not subsumed into the ideological orthodoxy, nor was it simply destined to fuel Marxist–Leninist criticism. Whereas Georg Lukács’s polemics with existentialism in the 1940s set the agenda to embrace a highly critical reception, it was precisely Sartre’s influence in the 1960s that had opened the door (...) for a more open-minded Marxist reading of existentialist thinkers in Hungary. This paper seeks to reconstruct the intellectual motifs and contexts that underlie this uncommon development. In focusing predominantly on the period of the 1960–1980s, I am particularly interested in exploring Lukács’s role in the changing attitude towards existentialism in Hungary; the controversies between various Marxist approaches dealing with existentialist thinkers and the ways which the influence of Sartre, de Beauvoir, and Camus in literary circles influenced the tenor of their philosophical reception. Through this exploration, I will seek to provide a deep insight into one of the richest intellectual landscapes of the philosophical culture in state socialist Hungary. (shrink)

We develop a new understanding of the historical horizon of event ontology. Within the general area of the philosophy of nature, event ontology is a still emerging field of investigation in search for the ultimate materialist ontology of the world. While event ontology itself will not be explicated in full mathematical details here, our focus is on its conceptual interrelation with the dominant current of Idealism in Western thought approached by us as a problem in the history of ideas. Our (...) presentation is designed to be accessible to a wider audience. We especially highlight the deep connection between event ontology and postmodernism in general, and the post-war French philosophers Althusser, Foucault, Deleuze, and Guattari in particular, who are viewed as main sources for current and future programs of abstract materialism. (shrink)

This article seeks to interrogate the intertwining of Truth and reversibility as presented in the unfinished work of Maurice Merleau-Ponty in The Visible and the Invisible. This relation raises three questions regarding the whole of Merleau-Ponty’s philosophy; namely, the status it confers to truth, the place it grants to the ego, and the notion of the “flesh of the world.”.

In his later works, Merleau-Ponty proposes the notion of ‘the flesh’ (la chair) as a new ‘element’, as he put it, in his ontological monism designed to overcome the legacy of Cartesian dualism with its bifurcation of all things into matter or spirit. Most Merleau-Ponty commentators recognise that Merleau-Ponty's notion of ‘flesh’ is inspired by Edmund Husserl's conceptions of ‘lived body’ (Leib) and ‘vivacity’ or ‘liveliness’ (Leiblichkeit). But it is not always recognised that, for Merleau-Ponty, the constitution of the world (...) of perception, the problem of embodiment or incarnation, is at the very same time one with the problem of the experience of others in what Husserl called Einfühlung or Fremderfahung and indeed one with the problem of the constitution of the commonly shared world ‘for all’. As Merleau-Ponty put it in his late essay ‘The Philosopher and His Shadow’ in Signs, ‘the problem of Einfühlung, like that of my incarnation, opens on the meditation of sensible being, or, if you prefer, it betakes itself there’. In other words, the problem of the apprehension of the other is part of the overall apprehension of the transcendent world. In this paper I want to meditate on the relations between embodiment, experience of others, and experience of the world in Merleau-Ponty's philosophy. I will take particular note, as in the title of this presentation, of the claim made by Merleau-Ponty in The Visible and the Invisible that ‘there is no brute world, only an elaborated world’ (il n'y a pas de monde brut, il n'y a qu'un monde élaboré). (shrink)

This article elaborates a relational phenomenology of violence. Firstly, it explores the constitution of all sense in its intrinsic relation with our embodiment and intercorporality. Secondly, it shows how this relational conception of sense and constitution paves the path for an integrative understanding of the bodily and symbolic constituents of violence. Thirdly, the author addresses the overall consequences of these reflections, thereby identifying the main characteristics of a relational phenomenology of violence. In the final part, the paper provides an exemplification (...) of the outlined conception with regard to a concrete phenomenon of violence, i.e., slapping, and a concluding reflection upon its overall significance for research on violence. (shrink)

It may be that the process of socialization is generally thought to depend upon the development of the slave consciousness. It appears that at present the type of indoctrination a child receives when he or she is socialized by parents and teachers is the general way in which a society makes sure it transmits its values from one generation to the next. If this is so, the analysis of the slave consciousness we have been pursuing would fundamentally call into question (...) the benefits that are to be expected from this most pervasive and fundamental social practice. The development of the heteronomous conscience does not simply guarantee that the citizen will comply with the standards of society; it also guarantees that individuals will develop (some to a greater extent than others) such socially disruptive attitudes as a revengeful sense of justice and a psychological predisposition toward envy. Furthermore, given the massive amounts of social inequality and injustice characterizing many contemporary societies, the combination of economic and psychological factors almost guarantees a tacit or explicit level of frustration which will often erupt into violence. This violence is senseless, repeated, and pervasive because it is nothing but the nourishment needed by the slave consciousness to maintain itself in power. Exploitation, murder, rape, war, the nuclear weapons contest, the polarization of groups against each other, etc., are manifestations of a consciousness that always has to outdo itself vis-à-vis the other. As Nietzsche (1966, p. 140) observed, “Thus the will, the liberator, took to hurting; and on all who can suffer, it wreaks revenge for its inability to go backward [to a condition of autonomy].” With the liberation of imagination and memory, and a combined dedication to fighting all forms of social injustice, however, one can begin to transform society in ways that will confirm rather than deny the human aspiration for harmony and freedom. (shrink)

The meaning of the term ‘dialectic’ is often obscured by its chameleonic multiuse in contemporary theology, and is habitually confused with its sibling concept ‘paradox’. This article narrates dialectic’s theological foundations in the modern dialectical theology school, highlighting in particular Karl Barth’s ‘dialectical’ relationship to dialectic, and dialectical theology’s relationship to paradox. To illuminate and distinguish these concepts further, the article then briefly sketches four varied but conceptually consistent expressions of theological paradox (in Chesterton, Eckhart, Kierkegaard, and Milbank). It is (...) argued that paradox may be exclusively distinguished from dialectical method, yet conceived within a broader dialectical scope. The conclusion offers four primary dialectical modes through which theological polarities interact (including paradox), before briefly reflecting upon the simultaneous essentiality and boundedness of dialectic for theological speech. (shrink)

In this article, I revisit the work of the French political philosopher, Maurice Merleau-Ponty. A colleague of Sartre's until their quarrel, he sought to combine existentialism, Marxism and phenomenology. I begin by considering why Merleau-Ponty thought it was important, in confronting the problems of the present, to reconsider past ideas as well as political regimes. I also develop his distinctive methodology of dialectical engagement, his view of politics as a strategic field of forces, and his insistence that philosophy and political (...) action are severed at our peril. In order to illustrate and flesh out all these claims, I return to Merleau-Ponty's treatment of the communist question, placing it within a broader context of his antipathy towards modern rationalism: something he found exemplified by liberal as well as communist regimes. In the course of the discussion, I consider Merleau-Ponty's critiques of Kant, Hegel and Marx as well as his ideas about political agency. However, I also allude at key points in my argument to the relevance of his thinking for our contemporary international situation. (shrink)

The article discusses the historical background and transnational context of the dialogue between East-European communist philosophy and Western existentialism. It does so by first outlining the exchanges between Lukács, Sartre and Merleau-Ponty between the late 1940s and the early 1960s. Subsequently three major forums of East–West philosophical dialogue are surveyed, that took place during the 1960s: the ‘Morals and Society’ colloquium, organized by Instituto Gramsci in Rome in May 1964; the Korčula summer school, organized by the Praxis group between 1964 (...) and 1975; and the International Congress for Philosophy organized in Vienna in September 1968. This series of events and the dialogue and confrontations that they engendered prove that, contrary to the exclusively negative reception of existentialism in the socialist camp in the 1950s, but also contrary to the distorted representation, which can be found in dissidents’ recollections and which became dominant after the fall of communism, which excluded any possibility of dialogue between the two sides during socialism, such a dialogue has taken place, and led to mutual appropriations on both sides. (shrink)

Within the current resurgence of interest in E.V. Ilyenkov, the influence of Engels on Ilyenkov’s work is either overlooked or denied, making Ilyenkov seem closer to Western Marxism than he actually is. In this paper, by considering Engels’s place in his philosophy, I show that Ilyenkov’s approach is fundamentally hostile to many of Western Marxism’s main views. Ilyenkov, like Engels, conceives philosophy as Logic and affirms the ‘alliance’ between philosophy and the natural sciences against speculative metaphysics. In this regard, he (...) develops an original cosmological hypothesis based on Engels’s insights on the hierarchy of matter’s forms of movement and provides a remarkable account of the ideal as an attribute of nature that reproduces its concrete universality through social labour, the active transformation of nature’s phenomena into objects stamped with the seal of our subjectivity. (shrink)

In History and Class Consciousness’ central essay ‘Reification and the Consciousness of the Proletariat’, Lukács resolved the antinomies of bourgeois philosophy in the revolutionary ‘standpoint of the proletariat’. Lukács’ strategy in deriving this proletarian standpoint, however, transposed the logical necessity appropriate to philosophical determinations into possibilities for revolutionary praxis imbedded in socio-historical contexts. Further, since the standpoint is determined as the necessary solution to bourgeois antinomies, it must be conceived singularly, rather than through its manifest diversity. As the key to (...) mediating the social totality beyond antinomies, the ‘standpoint of the proletariat’ is therefore merely reflectively posited and one-sidedly determined. While many have developed logical, social-analytic, and political problems associated with determining the proletariat by way of its imputed or party-determined rather than empirical consciousness, few point to the very concept ‘standpoint of the proletariat’ as the source for these problems due to the fact that it is an abstractly derived solution to a philosophically posed problem. Socio-historical determination working with the modality of possibility can resolve Lukács’ antinomic determination of the standpoint of the proletariat. (shrink)

In this essay we investigate several moments in Simone de Beauvoir's philosophical and literary texts in which she refers to echoes and echoing. We notice that echoes help Beauvoir to figure and amplify the ethical character of her concept of ambiguity, which is so central to her thought. We argue that, for Beauvoir, literature has privileged access to the ambiguity of existence and therefore maintains a special status in exposing us to alterity and bringing us face to face with ethical (...) responsibility. Considering her literary portrayals of echoing helps to explain why, despite her life-long philosophical engagement, Beauvoir preferred not to call herself a philosopher. Finally, Beauvoir's phenomenological insight is that in order to carry ethical resonance, the form of a written work must mirror the fundamentally ambiguous or echolalic ontological structure of human existence. (shrink)

The concept of depth is central to Merleau-Ponty’s phenomenology and informed not only his philosophy of perception but also his thinking about psychology, art and politics. This article traces the ways the notion of depth appears in Merleau-Ponty’s thinking in these fields, contrasting it with Husserl’s own phenomenological investigations. The article starts with a comparison of the function of perception in Husserl’s phenomenology and then proceeds with an analysis of how the issue of depth reappears in Merleau-Ponty’s phenomenology of perception, (...) phenomenology of art and political philosophy. I argue that while Husserl’s approach to phenomenology led him to analyses of aesthetics stemming from works of art as random examples, and to non-participation in politics, Merleau-Ponty’s phenomenology leads to the opposite approach, inviting concrete criticism in art and active participation in politics. It is argued that Merleau-Ponty’s approach is more philosophically consistent. The choice of particular works of art, and the particular political engagements, can retrospectively clarify the transcendental phenomenological investigations themselves. (shrink)

This paper addresses racism from a phenomenological viewpoint. Its main task is, ultimately, to show that racism as a process of “negative socialization” does not amount to a contingent deficiency that simply disappears under the conditions of a fully integrated society. In other words, I suspect that racism does not only indicate a lack of integration, solidarity, responsibility, recognition, etc.; rather, that it is, in its extraordinary negativity, a socially constitutive phenomenon per se . After suggesting phenomenology’s potential to tackle (...) the question of racism, I will focus on the experiential oppressiveness of racism, i.e., the ways in which it affects its victims’ lived experiences, in transforming their habitual ways of life and, finally, their subjectivities. My major thesis is that racism works via both inter-kinaesthetically as well as symbolically inflicted distortions of the victim’s body schema. As such a process of “negative socialization,” racism, however, influences the embodied self-conception of the oppressor, who finds himself compelled to adhere to some kind of invisible norm such as, e.g., “whiteness.”. (shrink)

THIS PAPER COMPARES THE WORK OF MERLEAU-PONTY WITH THAT OF MARCEL, TO WHOM HE IS SAID TO OWE A MAJOR INTELLECTUAL DEBT. ALTHOUGH THERE ARE APPARENT SIMILARITIES TO BE FOUND IN THEIR WORK, ESPECIALLY IN THEIR CONCEPTS OF "INCARNATION" AND "SITUATION," THERE ARE STRIKING DIVERGENCES IN THEIR VIEWS ABOUT "HISTORY." A STUDY OF THESE POINTS THE WAY TO AN EXPLORATION OF YET MORE FUNDAMENTAL DISAGREEMENTS BETWEEN THEIR SUPERFICIALLY SIMILAR "PHILOSOPHIES OF EXISTENCE.".

This essay is not about contemporary French philosophy, strictly speaking, but something which concerns it—an important episode in its modern history. Its intention is to deal, in very schematic terms, with the nature and evolution of French Marxism from the mid-1950s to the end of the 70s, focusing on two of its best-known and most influential representatives, Jean-Paul Sartre and Louis Althusser, and relating the internal history of their ambitious reconstructions of Marxism to the wider, non-theoretical history of which they (...) were a part— and for whose comprehension they sought to supply the conceptual instruments. Maurice Merleau-Ponty's balance-sheet of a century of Marxism, Adventures of the Dialectic, published in 1955, provides my starting point and explains my title. (shrink)

Merleau-Ponty’s phenomenology also extends to politics, which he does not only understand from a Marxist point of view. In his articles on Montaigne and Machiavelli, he operates a reduction of the political subject in order to show how it is always already involved in the world, in history and in political affairs, how these phenomena appear to it, and how it can act. In this light, the ‘Preface’ to Humanism and Terror presents both a description of the demands of political (...) judgment and action, and a statement of Merleau-Ponty’s position as a political subject in postwar France. (shrink)

This paper lays the groundwork for developing a thorough-going phenomenological description of different phenomena of violence such as physical, psychic and structural violence. The overall aim is to provide subject-centered approaches to violence within the social sciences and the humanities with an integrative theoretical framework. To do so, I will draw primarily on the phenomenological accounts of Maurice Merleau-Ponty and Alfred Schutz, and thereby present guiding clues for a phenomenologically grounded theory of violence.

I reviewThe Philosophy of Praxisby Andrew Feenberg, firstly, presenting a critical yet sympathetic summary of Feenberg’s argument, developed via Marx, Lukács and Marcuse. Despite sharing Adorno’s and Marcuse’s dismissal of proletarian revolution, he finds aspects of Marx and particularly Lukács compelling. Upon this synthesis he builds his own philosophy. Secondly, I argue that Feenberg’s treatment of Lukács’s 1920s work is unparalleled and may counter the systematic distortion to which it has been subject. He defends Lukács’s ontology with respect to nature (...) and his politics, countering the charge of authoritarianism. Finally, I suggest that Feenberg tends to elide the analysis of the state and politics in Marx and Lukács, and that this distorts his understanding of the latter. I suggest a Hegelian interpretation of Lukács’s concept of mediation by way of parallel withThe Phenomenology of Spirit. I conclude by suggesting the implications of this disagreement. (shrink)

The paper questions an official narrative of Soviet Marxism that had been formulated both by the Bolshevik leaders and the Western European Marxists. It proposes to shift the discussion from a historically constituted understanding of Soviet Marxism as a partisanship of theory to the epistemic conditions of Marxism after the October Revolution. The paper argues that a post-revolutionary Soviet logic assumes that theory should start where Marx ended and that it should act in a Marxist fashion across all conceptual and (...) practical realms. Instead of asking ‘how’, the Soviet thought returns to the old pre-critical question of ‘what is’, and reformulates this ‘what is’ in the Marxist post-critical terms. Constructing a new critical concept of Soviet Marxism, the paper proceeds with the analysis of the post-critical status of knowledge after the revolution and recovers forgotten and repressed epistemological alternatives to orthodox Bolshevism. (shrink)

I demonstrate here how Aristotle's teleological conception of nature has been largely misunderstood in the scientific age and I consider what his view might offer us with regard to the environmental challenges we face in the 21st century. I suggest that in terms of coming to an ethical understanding of the creatures and things that constitute the ecosystem, Aristotle offers a welcome alternative to the rather instrumental conception of the natural world and low estimation of subjective experience our contemporary techno-scientific (...) culture espouses. Among other things, I consider how his conception of orexis and eudaimonia might be extended to include the eco-system itself, thus allowing us to better understand the moral meaning of nature. I conclude with a look at the way in which modern phenomenology re-addresses the fundamental Greek concern with ontology, meaning and human authenticity. I consider the ways in which phenomenology reasserts the value of direct human experience that was so important to Aristotle; and I consider how this view, and that of Deep ecology, may help us to experience nature - and all of Being for that matter - in a more authentic, meaningful and altogether ethical light. (shrink)

The relationship of Marxist thought to the phenomena of everyday life and utopia, both separately and in terms of their intersection, is a complex and often ambiguous one. In this article, I seek to trace some of the theoretical filiations of a critical Marxist approach to their convergence (as stemming mainly from a Central European tradition), in order to tease out some of the more significant ambivalences and semantic shifts involved in its theorization. This lineage originates in the work of (...) Karl Marx and Friedrich Engels, then stretches to Georg Lukács and the so-called ‘Gnostic Marxism’ of Walter Benjamin (as mediated by the important figure of Georg Simmel), and culminating most recently in the work of Agnes Heller. Such a Marxist theory is inseparable from a political project that seeks to unveil and critique what it takes to be the debased, routinized and ideological qualities of daily existence under the auspices of modern capitalist society, but also attempts to locate certain emancipatory tendencies within this selfsame terrain, an orientation that can be summed up in the phrase ‘everyday utopianism’. Although there are occasional lapses into dualistic modes of thinking in the work of these writers, the key insight they present to us is the need to overcome the pervasive dichotomy between the everyday/immanent and the utopian/transcendental, of a sort that has bedevilled the work of many other theorists and intellectual traditions. (shrink)

In my review I argue that this book is more than just a history of the way in which Husserl’s work was studied and taught in the United States and Canada from the early XXth Century on since it shows that what started as a “reception” soon became a local interpretation and appropriation of the phenomenological perspective which ended up blossoming as an autochthonous movement with its own concerns, issues, and schools. The book clearly shows the different phases in the (...) development of the phenomenological movement in North America, the numerous institutions participating in it, and the variety of local perspectives. (shrink)