- Aesthetics, Creativity, and Mysticism: An Investigation of Three Modes of Consciousness.Michael Frishkopf - 2019 - Zygon 54 (4):857-879.details
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Music and the Aesthetic Copernican Revolution of the Eighteenth Century.Jürgen Lawrenz - 2020 - The European Legacy 25 (2):186-202.details
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A frame of analysis for collective free improvisation on the bridge between Husserl’s phenomenology of time and some recent readings of the predictive coding model.Lucia Angelino - 2020 - Phenomenology and the Cognitive Sciences 19 (2):349-369.details
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Sad Songs Say So Much: The Paradoxical Pleasures of Sad Music.Laura Sizer - 2019 - Journal of Aesthetics and Art Criticism 77 (3):255-266.details
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Creative Processes in the Shaping of a Musical Interpretation: A Study of Nine Professional Musicians.Isabelle Héroux - 2018 - Frontiers in Psychology 9.details
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Emotions in the Listener: A Criterion of Artistic Relevance.Matteo Ravasio - 2017 - American Society for Aesthetics Graduate E-Journal 9 (1).details
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Prolegomena to Music Semantics.Philippe Schlenker - 2019 - Review of Philosophy and Psychology 10 (1):35-111.details
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Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance.Allen Fogelsanger & Kathleya Afanador - 2017 - Avant: Trends in Interdisciplinary Studies 8 (1):59-73.details
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From The Firebird to The Rite of Spring: Meter and Alignment in Stravinsky’s Russian-Period Works.Pieter van den Toorn - 2013 - Avant: Trends in Interdisciplinary Studies 4 (3).details
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Three laws of qualia: what neurology tells us about the biological functions of consciousness.Vilayanur S. Ramachandran & William Hirstein - 1997 - Journal of Consciousness Studies 4 (5-6):429-457.details
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The Emergence of Sound Art: Opening the Cages of Sound.Carmen Pardo - 2017 - Journal of Aesthetics and Art Criticism 75 (1):35-48.details
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Exploring Cognitive Relations Between Prediction in Language and Music.Aniruddh D. Patel & Emily Morgan - 2017 - Cognitive Science 41 (S2):303-320.details
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Enacting musical emotions. sense-making, dynamic systems, and the embodied mind.Andrea Schiavio, Dylan van der Schyff, Julian Cespedes-Guevara & Mark Reybrouck - 2017 - Phenomenology and the Cognitive Sciences 16 (5):785-809.details
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Gender and Music Composition: A Study of Music, and the Gendering of Meanings.Desmond C. Sergeant & Evangelos Himonides - 2016 - Frontiers in Psychology 7.details
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Listening to the Shepard-Risset Glissando: the Relationship between Emotional Response, Disruption of Equilibrium, and Personality.Eveline Vernooij, Angelo Orcalli, Franco Fabbro & Cristiano Crescentini - 2016 - Frontiers in Psychology 7.details
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What can music tell us about the nature of the mind? A Platonic Model.Brian D. Josephson & Tethys Carpenter - 1996 - In Stuart R. Hameroff, Alfred W. Kaszniak & Alwyn Scott (eds.), Toward a Science of Consciousness: The First Tucson Discussions and Debates. MIT Press.details
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Some speculative hypotheses about the nature and perception of dance and choreography.Ivar Hagendoorn - 2004 - Journal of Consciousness Studies 11 (3-4):3-4.details
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The capacity for music: What is it, and what’s special about it?Ray Jackendoff & Fred Lerdahl - 2006 - Cognition 100 (1):33-72.details
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(2 other versions)Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science 31 (1):63-98.details
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A Hermeneutics of Sport.Andrew Edgar - 2013 - Sport, Ethics and Philosophy 7 (1):140 - 167.details
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(1 other version)Music, neuroscience, and the psychology of wellbeing: A précis.Adam M. Croom - 2012 - Frontiers in Theoretical and Philosophical Psychology 2 (393):393.details
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Beauty in mathematics.Ulianov Montano Juarez - unknowndetails
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Music evoked emotions are different–more often aesthetic than utilitarian.Klaus Scherer & Marcel Zentner - 2008 - Behavioral and Brain Sciences 31 (5):595-596.details
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Non-expert listeners show decreased heart rate and increased blood pressure in response to atonal music.Alice M. Proverbio, Luigi Manfrin, Laura A. Arcari, Francesco De Benedetto, Martina Gazzola, Matteo Guardamagna, Valentina Lozano Nasi & Alberto Zani - 2015 - Frontiers in Psychology 6.details
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Making myself understood: perceived factors affecting the intelligibility of sung text.Philip A. Fine & Jane Ginsborg - 2014 - Frontiers in Psychology 5:81825.details
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Musical expression and performance.Carl Humphries - unknowndetails
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A gray matter of taste: Sound perception, music cognition, and Baumgarten's aesthetics.Alessia Pannese - 2012 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 43 (3):594-601.details
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Information‐Theoretic Properties of Auditory Sequences Dynamically Influence Expectation and Memory.Kat Agres, Samer Abdallah & Marcus Pearce - 2018 - Cognitive Science 42 (1):43-76.details
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Theory-guided Therapeutic Function of Music to facilitate emotion regulation development in preschool-aged children.Kimberly Sena Moore & Deanna Hanson-Abromeit - 2015 - Frontiers in Human Neuroscience 9:146406.details
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El ritmo y la métrica en los textos literarios.Aníbal Zorrilla - forthcoming - Rhuthmos.details
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Educating the design stance: Issues of coherence and transgression.Norman H. Freeman & Melissa L. Allen - 2013 - Behavioral and Brain Sciences 36 (2):141 - 142.details
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Phrase-Level Modeling of Expression in Violin Performances.Fábio J. M. Ortega, Sergio I. Giraldo, Alfonso Perez & Rafael Ramírez - 2019 - Frontiers in Psychology 10.details
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The Recognition of Emotions in Music and Landscapes: Extending Contour Theory.Marta Benenti & Cristina Meini - 2018 - Philosophia 46 (3):647-664.details
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Musical Meaning and Social Reproduction: A case for retrieving autonomy.Lucy Green - 2005 - Educational Philosophy and Theory 37 (1):77-92.details
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Current Emotion Research in Music Psychology.Swathi Swaminathan & E. Glenn Schellenberg - 2015 - Emotion Review 7 (2):189-197.details
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Bridging two worlds that care about art: Psychological and historical approaches to art appreciation.William Forde Thompson & Mark Antliff - 2013 - Behavioral and Brain Sciences 36 (2):159-160.details
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Why does music move us?Björn Vickhoff & Helge Malmgren - 2004 - Philosophical Communications.details
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Reviews. [REVIEW]Franklin Scott, Jonathan Y. Tsou, Mark A. Schmuckler & Richard Brown - 2008 - Philosophical Psychology 21 (1):129 – 147.details
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Modeling Music Emotion Judgments Using Machine Learning Methods.Naresh N. Vempala & Frank A. Russo - 2018 - Frontiers in Psychology 8:259022.details
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Implicit learning of tonality: A self-organizing approach.Barbara Tillmann, Jamshed J. Bharucha & Emmanuel Bigand - 2000 - Psychological Review 107 (4):885-913.details
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Tuning the mind: Exploring the connections between musical ability and executive functions.L. Robert Slevc, Nicholas S. Davey, Martin Buschkuehl & Susanne M. Jaeggi - 2016 - Cognition 152:199-211.details
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Moving Ourselves, Moving Others: Motion and Emotion in Intersubjectivity, Consciousness, and Language.Andrea Schiavio - 2015 - Philosophical Psychology 28 (5):735-739.details
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Acoustic Constraints and Musical Consequences: Exploring Composers' Use of Cues for Musical Emotion.Michael Schutz - 2017 - Frontiers in Psychology 8.details
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Affect and non-uniform characteristics of predictive processing in musical behaviour.Rebecca S. Schaefer, Katie Overy & Peter Nelson - 2013 - Behavioral and Brain Sciences 36 (3):226-227.details
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Incidental Learning of Melodic Structure of North Indian Music.Martin Rohrmeier & Richard Widdess - 2017 - Cognitive Science 41 (5):1299-1327.details
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(2 other versions)Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science: A Multidisciplinary Journal 30 (1):63-98.details
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The influence of modality on input, visuo-motor coordination, and execution in the advanced pianist's sight-reading processes.Jing Qi & Mayumi Adachi - 2022 - Frontiers in Psychology 13.details
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Music and literature: are there shared empathy and predictive mechanisms underlying their affective impact?Diana Omigie - 2015 - Frontiers in Psychology 6.details
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A Statistical Analysis of the Relationship between Harmonic Surprise and Preference in Popular Music.Scott A. Miles, David S. Rosen & Norberto M. Grzywacz - 2017 - Frontiers in Human Neuroscience 11.details
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The music of morality and logic.Bruno Mesz, Pablo H. Rodriguez Zivic, Guillermo A. Cecchi, Mariano Sigman & Marcos A. Trevisan - 2015 - Frontiers in Psychology 6.details
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