- (1 other version)Music, neuroscience, and the psychology of wellbeing: A précis.Adam M. Croom - 2012 - Frontiers in Theoretical and Philosophical Psychology 2 (393):393.details
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From The Firebird to The Rite of Spring: Meter and Alignment in Stravinsky’s Russian-Period Works.Pieter van den Toorn - 2013 - Avant: Trends in Interdisciplinary Studies 4 (3).details
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The influence of modality on input, visuo-motor coordination, and execution in the advanced pianist's sight-reading processes.Jing Qi & Mayumi Adachi - 2022 - Frontiers in Psychology 13.details
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Sad Songs Say So Much: The Paradoxical Pleasures of Sad Music.Laura Sizer - 2019 - Journal of Aesthetics and Art Criticism 77 (3):255-266.details
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The Triadic Roots of Human Cognition: “Mind” Is the Ability to go Beyond Dyadic Associations.Norman D. Cook - 2018 - Frontiers in Psychology 9:293649.details
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Prolegomena to Music Semantics.Philippe Schlenker - 2019 - Review of Philosophy and Psychology 10 (1):35-111.details
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Modeling Music Emotion Judgments Using Machine Learning Methods.Naresh N. Vempala & Frank A. Russo - 2018 - Frontiers in Psychology 8:259022.details
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The Recognition of Emotions in Music and Landscapes: Extending Contour Theory.Marta Benenti & Cristina Meini - 2018 - Philosophia 46 (3):647-664.details
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Three laws of qualia: what neurology tells us about the biological functions of consciousness.Vilayanur S. Ramachandran & William Hirstein - 1997 - Journal of Consciousness Studies 4 (5-6):429-457.details
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Musical Meaning and Social Reproduction: A case for retrieving autonomy.Lucy Green - 2005 - Educational Philosophy and Theory 37 (1):77-92.details
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Incidental Learning of Melodic Structure of North Indian Music.Martin Rohrmeier & Richard Widdess - 2017 - Cognitive Science 41 (5):1299-1327.details
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Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music.Luke Harrison & Psyche Loui - 2014 - Frontiers in Psychology 5.details
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What can music tell us about the nature of the mind? A Platonic Model.Brian D. Josephson & Tethys Carpenter - 1996 - In Stuart R. Hameroff, Alfred W. Kaszniak & Alwyn Scott (eds.), Toward a Science of Consciousness: The First Tucson Discussions and Debates. MIT Press.details
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Musical expression and performance.Carl Humphries - unknowndetails
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Moving Ourselves, Moving Others: Motion and Emotion in Intersubjectivity, Consciousness, and Language.Andrea Schiavio - 2015 - Philosophical Psychology 28 (5):735-739.details
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Emotions in the Listener: A Criterion of Artistic Relevance.Matteo Ravasio - 2017 - American Society for Aesthetics Graduate E-Journal 9 (1).details
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Listening to the Shepard-Risset Glissando: the Relationship between Emotional Response, Disruption of Equilibrium, and Personality.Eveline Vernooij, Angelo Orcalli, Franco Fabbro & Cristiano Crescentini - 2016 - Frontiers in Psychology 7.details
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El ritmo y la métrica en los textos literarios.Aníbal Zorrilla - forthcoming - Rhuthmos.details
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Some speculative hypotheses about the nature and perception of dance and choreography.Ivar Hagendoorn - 2004 - Journal of Consciousness Studies 11 (3-4):3-4.details
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(2 other versions)The capacity for music: What is it, and what’s special about it?Ray Jackendoff & Fred Lerdahl - 2006 - Cognition 100 (1):33-72.details
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Are we predictive engines? Perils, prospects, and the puzzle of the porous perceiver.Andy Clark - 2013 - Behavioral and Brain Sciences 36 (3):233-253.details
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Why does music move us?Björn Vickhoff & Helge Malmgren - 2004 - Philosophical Communications.details
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Expectations without content.Michael Luntley - 2010 - Mind and Language 25 (2):217-236.details
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Music evoked emotions are different–more often aesthetic than utilitarian.Klaus Scherer & Marcel Zentner - 2008 - Behavioral and Brain Sciences 31 (5):595-596.details
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Reviews. [REVIEW]Franklin Scott, Jonathan Y. Tsou, Mark A. Schmuckler & Richard Brown - 2008 - Philosophical Psychology 21 (1):129 – 147.details
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The call of the disaster at the borderland of silence.Leslie Anne Boldt - 2018 - Angelaki 23 (3):125-143.details
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Calculating entropy at different scales among diverse communication systems.Gerardo Febres & Klaus Jaffé - 2016 - Complexity 21 (S1):330-353.details
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Non-expert listeners show decreased heart rate and increased blood pressure in response to atonal music.Alice M. Proverbio, Luigi Manfrin, Laura A. Arcari, Francesco De Benedetto, Martina Gazzola, Matteo Guardamagna, Valentina Lozano Nasi & Alberto Zani - 2015 - Frontiers in Psychology 6.details
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Music and literature: are there shared empathy and predictive mechanisms underlying their affective impact?Diana Omigie - 2015 - Frontiers in Psychology 6.details
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(2 other versions)Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science 31 (1):63-98.details
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Educating the design stance: Issues of coherence and transgression.Norman H. Freeman & Melissa L. Allen - 2013 - Behavioral and Brain Sciences 36 (2):141 - 142.details
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(1 other version)A gray matter of taste: Sound perception, music cognition, and Baumgarten's aesthetics.Alessia Pannese - 2012 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 43 (3):594-601.details
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Beauty in mathematics.Ulianov Montano Juarez - unknowndetails
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A frame of analysis for collective free improvisation on the bridge between Husserl’s phenomenology of time and some recent readings of the predictive coding model.Lucia Angelino - 2020 - Phenomenology and the Cognitive Sciences 19 (2):349-369.details
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A Statistical Analysis of the Relationship between Harmonic Surprise and Preference in Popular Music.Scott A. Miles, David S. Rosen & Norberto M. Grzywacz - 2017 - Frontiers in Human Neuroscience 11.details
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The Eye is Listening: Music-Induced Arousal and Individual Differences Predict Pupillary Responses.Bruno Gingras, Manuela M. Marin, Estela Puig-Waldmüller & W. T. Fitch - 2015 - Frontiers in Human Neuroscience 9.details
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Toward a Neural Basis of Music Perception – A Review and Updated Model.Stefan Koelsch - 2011 - Frontier in Psychology 2.details
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The role of expectation in the constitution of subjective musical experience.Elisa Negretto - unknowndetails
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(1 other version)A Hermeneutics of Sport.Andrew Edgar - 2013 - Sport, Ethics and Philosophy 7 (1):140 - 167.details
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(2 other versions)Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science: A Multidisciplinary Journal 30 (1):63-98.details
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Tuning the mind: Exploring the connections between musical ability and executive functions.L. Robert Slevc, Nicholas S. Davey, Martin Buschkuehl & Susanne M. Jaeggi - 2016 - Cognition 152:199-211.details
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Current Emotion Research in Music Psychology.Swathi Swaminathan & E. Glenn Schellenberg - 2015 - Emotion Review 7 (2):189-197.details
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Enacting musical emotions. sense-making, dynamic systems, and the embodied mind.Andrea Schiavio, Dylan van der Schyff, Julian Cespedes-Guevara & Mark Reybrouck - 2017 - Phenomenology and the Cognitive Sciences 16 (5):785-809.details
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Three ways of watching a sports video.Andrew Edgar - 2016 - Sport, Ethics and Philosophy 10 (4):403-415.details
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Gender and Music Composition: A Study of Music, and the Gendering of Meanings.Desmond C. Sergeant & Evangelos Himonides - 2016 - Frontiers in Psychology 7.details
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Phrase-Level Modeling of Expression in Violin Performances.Fábio J. M. Ortega, Sergio I. Giraldo, Alfonso Perez & Rafael Ramírez - 2019 - Frontiers in Psychology 10.details
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“The Two Brothers”: Reconciling Perceptual-Cognitive and Statistical Models of Musical Evolution.Steven Jan - 2018 - Frontiers in Psychology 9.details
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The Rite Signs: Semiotic Readings One Hundred Years On.Nicholas P. McKay - 2016 - Avant: Trends in Interdisciplinary Studies 7 (1):15-35.details
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Music evokes vicarious emotions in listeners.Ai Kawakami, Kiyoshi Furukawa & Kazuo Okanoya - 2014 - Frontiers in Psychology 5.details
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Affect and non-uniform characteristics of predictive processing in musical behaviour.Rebecca S. Schaefer, Katie Overy & Peter Nelson - 2013 - Behavioral and Brain Sciences 36 (3):226-227.details
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