This paper argues that Shaftesbury differs from other moral sentimentalists (Hutcheson, Hume, Smith) because he conceives of the moral sentiments as partial and first-personal, rather than impartial and spectatorial. This difference is grounded in Shaftesbury’s distinctive notion that moral self-governance consists in the self-examination of soliloquy. Breaking with his Stoic influences, Shaftesbury holds that the moral sentiments play the role of directing and guiding soliloquy. Because soliloquy is first-personal reflection that is directed to achieving happiness, claiming that the moral sentiments (...) direct soliloquy leads Shaftesbury to conceive of the moral sentiments as arising from the internal perspective of an agent focused on her own happiness. This provides Shaftesbury with a stronger framework for understanding moral sentiments, for it avoids the difficulty of explaining why the sentiments of others or those arising from an imagined spectator’s perspective are motivating or authoritative for us. (shrink)

Sir William Drummond (1770?-1828) enjoyed considerable notoriety in the early nineteenth century as the author of the Academical Questions (1805), a manifesto for immaterialism that is at the same time a creative synthesis of ancient and modern forms of scepticism. In this paper I advance an interpretation of Drummond's work that emphasises his extensive employment and adaptation of Hume's own ‘Academical or Sceptical Philosophy’. I also document the impact of the Academical Questions on the contemporary philosophical scene, including its decisive (...) influence on Shelley's philosophical development. (shrink)

The pantheon of seventeenth-century European philosophy includes some remarkably heterodox deities, perhaps most famously Spinoza’s deus-sive-natura. As in ethics and natural philosophy, early modern philosophical theology drew inspiration from classical sources outside the mainstream of Christianized Aristotelianism, such as the highly immanentist, naturalistic theology of Greek and Roman Stoicism. While the Stoic background to Spinoza’s pantheist God has been more thoroughly explored, I maintain that Hobbes’s corporeal God is the true modern heir to the Stoic theology. The Stoic and Hobbesian (...) gods are necessitarian, entirely corporeal, and thoroughly intermixed with ordinary bodies, while also supremely intelligent, providential, and good. And both gods serve as the ultimate source of diversity and change in a material world divested of Aristotelian forms and causes. Unfortunately, scholars on both sides of the long debate about the sincerity of Hobbes’s theism have not taken very seriously his late articulation of a corporeal theology. One probable reason for this dismissive attitude is a lack of thorough investigation of the historical precedents for such an unusual godhead available to Hobbes. The first part of this article attempts to establish a close congruence between the Stoic and Hobbesian gods. The second part traces the likely sources for Hobbes’s Stoic theology in his intellectual context. (shrink)