- Documenting Women’s Postoperative Bodies: Knowing Stephanie and “Remembering Stephanie” as Collaborative Cancer Narratives.Mary K. DeShazer - 2014 - Journal of Bioethical Inquiry 11 (4):445-454.details
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Visual Representation and Science: Editors' Introduction.Ari Gross & Eleanor Louson - 2012 - Spontaneous Generations 6 (1):1-7.details
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Visualizing the Phronetic Organization: The Case of Photographs in CSR Reports. [REVIEW]Hans Rämö - 2011 - Journal of Business Ethics 104 (3):371-387.details
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Terrorism, Supreme Emergency and Killing the Innocent.Anne Schwenkenbecher - 2009 - Perspectives - The Review of International Affairs 17 (1):105-126.details
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Luc Besson's Fifth Element and the Notion of Quintessence.George Arabatzis & Evangelos D. Protopapadakis - 2022 - In Ana Dishlieska Mitova (ed.), Philosophy and Film: Conference Proceedings. pp. 69-76.details
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Reality, Fiction, and Make-Believe in Kendall Walton.Emanuele Arielli - 2021 - In Krešimir Purgar (ed.), The Palgrave Handbook of Image Studies. Palgrave-Macmillan. pp. 363-377.details
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A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship.Chiara Quaranta - 2020 - Film-Philosophy 24 (1):1-21.details
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The ontology of money: institutions, power and collective intentionality.Georgios Papadopoulos - 2015 - Erasmus Journal for Philosophy and Economics 8 (1):136.details
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Recalculating the White Page-GPS Love in Comme dans un film des frères Coen.Valerie Hastings - 2016 - Human and Social Studies 5 (1):53-72.details
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Displaying the state: visual signs and colonial construction in Jordan.Jonathan Endelman - 2015 - Theory and Society 44 (3):199-218.details
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(2 other versions)Vision and Interpretation: Karl Marx's Two Metaphors and One Thesis on Technique as an Epistemological Figure.Aleksandar Mijatović - 2009 - Filozofska Istrazivanja 29 (1):161-178.details
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Imaging Extinction: Disclosure and Revision in Photographs of the Thylacine (Tasmanian tiger).Carol Freeman - 2007 - Society and Animals 15 (3):241-256.details
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Visual media analysis for Instagram and other online platforms.Richard Rogers - 2021 - Big Data and Society 8 (1).details
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Pragmatists on the Everyday Aesthetic Experience.Alexander Kremer - 2020 - Espes. The Slovak Journal of Aesthetics 9 (2):66-74.details
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How to make norms with drawings: An investigation of normativity beyond the realm of words.Giuseppe Lorini & Stefano Moroni - 2020 - Semiotica 2020 (233):55-76.details
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Images of Vilnius in the context of philosophy, sociology and mediology.Agnieška Juzefovič - 2017 - Studies in East European Thought 69 (2):165-175.details
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Visual Culture and the Fight for Visibility.Markus Schroer - 2014 - Journal for the Theory of Social Behaviour 44 (2):206-228.details
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The status quo of the visual turn in public relations practice.Dejan Verčič & Markus Wiesenberg - 2021 - Communications 46 (2):229-252.details
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Perceptual bias and technical metapictures: critical machine vision as a humanities challenge.Fabian Offert & Peter Bell - forthcoming - AI and Society.details
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Ekologia pejzażu dźwiękowego.Magdalena Szpunar - 2020 - Avant: Trends in Interdisciplinary Studies 11 (3).details
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Argumentation in participant-driven photo interviews: A case in ICT for development in Mozambique.Silvia De Ascaniis, Sara Vannini & Lorenzo Cantoni - 2018 - Semiotica 2018 (220):173-198.details
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Exploring ethical frontiers of visual methods.Catherine Howell, Susan Cox, Sarah Drew, Marilys Guillemin, Deborah Warr & Jenny Waycott - 2014 - Research Ethics 10 (4):208-213.details
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(1 other version)L’effet de réel revisited.Sirkka Knuuttila - 2008 - Sign Systems Studies 36 (1):113-135.details
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Bilder – Denken. Über die Notwendigkeit einer Philosophie der Fotografie.Claudia Becker - 2010 - Flusser Studies 10 (1).details
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The body of imagination and the technology of imagery in the Renaissance and in Modernity.Axel Fliethmann - 2015 - Thesis Eleven 130 (1):43-57.details
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Flaws in the highlight real: fitstagram diptychs and the enactment of cyborg embodiment.Amanda K. Greene - 2021 - Feminist Theory 22 (3):307-337.details
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