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  1. The Late-Learners of the School of Names: Sph. 251a8-c6: ὁ ἀγαθὸς ἄνθρωπος (the good man) and 白馬 (white horse).Florian Marion - 2024 - In Brisson Luc, Halper Edward & Perry Richard (eds.), Plato’s Sophist. Selected Papers of the Thirteenth Symposium Platonicum. Baden Baden: Verlag Karl Alber. pp. 227-236.
    The focus on this contribution is on the ‘late-learners’ digression. In Sph. 251a8-c6, the Eleatic Stranger briefly discusses the view of some ‘young and old late-learners’ who hold that, from a logico-metaphysical point of view, unlike ‘a man is a man’ or ‘a good is good’, the statement ‘a man is good’ is neither a well-formed nor a grammatical sentence. Usually, modern commentators devote little energy to interpreting this passage since they are content to note that it suffices to discriminate (...)
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  • Heidegger’s ontic relatedness: Pros ti and Mitsein.Laura Candiotto - 2016 - Revista de Filosofia Aurora 28 (43):313.
    Relational structure is a primitive notion of Heidegger’s Dasein. By analyzing the concept of pros-ti as it emerges from the Heidegger’s 1924 course dedicated to Plato’s Sophist, I outline the Platonic and Aristotelic roots of Heideggerian Mitsein. Arguably the Mitsein makes explicit the instances of the pros ti — in other words, the instances of Aristotle’s concept of relatedness/intentionality that Heidegger ascribes to Plato’s heteron — but giving them an existential value, having Heidegger pursued the shift from realism to phenomenologyexistentialism. (...)
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  • Plotinus on the Making of Matter Part III: The Essential Background.Denis O’Brien - 2012 - International Journal of the Platonic Tradition 6 (1):27-80.
    Abstract Plotinus did not set out to be obscure. Difficulties of interpretation arise partly from his style of writing, compressed, elliptical, allusive. The allusions, easily enough recognisable by those he was writing for, are often not recognised at all by the modern reader who no longer has at his fingertips the texts of Plato and Aristotle that Plotinus undoubtedly alludes to, but whose authors he has no need to name. So it is pre-eminently with his subtle use of earlier ideas (...)
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