Castañeda, Perry and Lewis argued in the 1960’s and 1970’s that thoughts about oneself “as oneself” – de se thoughts – require special treatment, and advanced different accounts. In this paper I discuss Ernest Sosa’s approach to these matters. I first present his approach to singular or de re thought in general in the first section. In the second, I introduce the data that need to be explained, Perry’s and Lewis’s proposals, and Sosa’s own account, in relation to Perry’s, Lewis’s, (...) and his own views on de re thought. In the third section I present the account I prefer – a “token-reflexive” version of Perry’s original account that Perry himself came to adopt in reaction to Stalnaker’s criticisms. In the final section I take up Recanati’s recent arguments, from a viewpoint on de se thought very similar to Sosa’s, to the effect that such an account is in a good position to explain the phenomenon of immunity to error through misidentification. I argue there that that is not the case, and I conclude by suggesting that the token-reflexive account fits better both with the data and with Sosa’s Fregean take on de re thought in general. (shrink)

L?ambition de cette étude est de présenter succinctement, mais aussi de problématiser un courant nouveau venu dans le paysage philosophique con­temporain, qu?on intitule usuellement « intentionnalité phénomé­nale » ou, plus techniquement, « représentationalisme internaliste » 1 . Ce cou­rant est tout récent. Bien qu?on le fasse parfois remonter à un article de Brian Loar de 1987 (Loar 1987 ; cf. Horgan et Kriegel, à paraître, p. 2 ) , on peut dire qu?il n ?a vraiment pris son essor que dans (...) le courant des années 2000, à travers les travaux, entre autres, de Brian Loar, de Uriah Kriegel, de Terence Horgan et de John Tienson. Je commencerai par en récapituler les grandes thèses, puis j?énumérerai deux problèmes qu?elles soulèvent directement. Enfin, je ferai quelques propositions programmatiques pouvant contribuer à une solution d?ensemble de ces deux problèmes. Comme l?intentionnalité phénoménale est à la pointe de l?actualité des Consciousness Studies et que celles-ci figurent elles-mêmes parmi ce qui se fait de plus innovant et de plus fécond actuellement en philosophie de l?esprit, je pense que ces deux problèmes ont une portée plus générale et qu?ils donneront une bonne idée des difficultés auxquelles est confrontée aujourd?hui la philosophie de l?esprit ? difficultés nouvelles et assez différentes de celles qui caractéri­saient cette dernière il y a encore une quinzaine d?années. (shrink)

In the course of his discussion of perception, Searle criticizes representative theories in general. In this paper I will argue that, even though his criticisms may be adequate regarding a certain form of these theories, perhaps the most frequently defended by philosophers of perception, a version I will outline here scapes to them. A second issue I raise concerns Searle’s claim that his theory of perception is a form of direct realism. I will raise difficulties for Searle’s attempt to maintain (...) at the same time a “token-reflexive” theory of perception and the thesis of direct realism. (shrink)

In this paper, we introduce and defend the recurrent model for understanding bodily spatial phenomenology. While Longo, Azañón and Haggard (2010) propose a bottom-up model, Bermúdez (2017) emphasizes the top-down aspect of the information processing loop. We argue that both are only half of the story. Section 1 intro- duces what the issues are. Section 2 starts by explaining why the top- down, descending direction is necessary with the illustration from the ‘body-based tactile rescaling’ paradigm (de Vignemont, Ehrsson and Haggard, (...) 2005). It then argues that the bottom-up, ascending direction is also necessary, and substantiates this view with recent research on skin space and tactile field (Haggard et al., 2017). Section 3 discusses the model’s application to body ownership and bodily self-representation. Implications also extend to topics such as sense modality individuation (Macpherson, 2011), the constancy- based view of perception (Burge, 2010), and the perception/cognition divide (Firestone and Scholl, 2016). (shrink)

What is the distinctively philosophical problem of perception? Here it is argued that it is the conflict between the nature of perceptual experience as it intuitively seems to us, and certain possibilities which are implicit in the very idea of experience: possibilities of illusion and to the world' which involves direct awareness of existing objects and their properties. But if one can have an experience of the same kind without the object being there -- a hallucination of an object -- (...) then it seems that perceptual experience cannot essentially be such a relation. This is the fundamentally philosophical problem of perception; the various philosophical theories of perception in the 20th and 21st centuries can be seen as responses to it. (shrink)

This paper considers what olfactory experience can tell us about the controversy over qualia and, in particular, the debate that focuses on the alleged transparency of experience. The appeal to transparency is supposed to show that there are no qualia—intrinsic, non-intentional and directly accessible properties of experience that determine phenomenal character. It is most commonly used to motivate intentionalism—namely, the view that the phenomenal character of an experience is exhausted by its representational content. Although some philosophers claim that transparency holds (...) for all of the sense modalities, any detailed discussion of it focuses on vision. But transparency seems unintuitive for olfactory experience. This paper argues that olfactory experience is indeed transparent and that explanations of what transparency is have been obscured by a reliance on the visual model. In this way, the paper clarifies and advances the debate about transparency. (shrink)

In this chapter, I shall be examining an argument for the language of thought hypothesis.

Thinking is special. There is nothing quite like it. Thinking.

This thesis is an examination and critique of naturalistic representational theories of phenomenal character. Phenomenal character refers to the distinctive quality that perceptual and sensational experiences seem to have; it is identified with 'what it is like' to undergo experiences. The central claims of representationalism are that phenomenal character is identical with the content of experience and that all representational states, bearing appropriate relations to the cognitive system, are conscious experiences. These claims are taken to explain both how conscious experiential (...) states arise and their nature. After examining the desiderata for naturalistic explanations, I argue that theories which ascribe nonconceptual content to experiences are the most plausible versions of representationalism. Further, causal covariation and teleological theories yield distinctive and interesting representationalist positions, hence, they become the focus of this study. To assess representationalism, I investigate whether all differences in phenomenal character can be correlated with differences in content. I claim that a useful distinction can be drawn between implicit and explicit content, which allows one to best describe the phenomena of perfect and relative pitch. I then argue that ambiguous figures show that two experiences can have the same content but different phenomenal character. I explicate the Inverted Earth hypothesis and claim that to identify content and phenomenal character, representationalists either have to condone the possibility of philosophical zombies, or hold that people lack authoritative first-person knowledge of their current experiences. Both these positions are unpalatable. Finally, I argue that representationalists cannot ascribe contents to experiences of novel colours to account for their phenomenal character. I also question, in light of dissociation phenomena, whether there is one distinctive relationship that all experiences bear to the cognitive system. I conclude that phenomenal character cannot be identical with the type of content under investigation, and that naturalistic representationalist theories cannot fully explain conscious experience. (shrink)

Epicurean epistemology is usually summarised in a controversial thesis according to which all perceptions are true. Although it seems very problematic and counterintuitive, careful investigation of the main sources shows us that Epicurus ’ claim for the truth of perceptions is not so hasty but is supported with some serious arguments. In the paper, I examine the thesis according to which “all perceptions are true”, but my main focus is to analyse the content of Epicurean perception through the following questions: (...) what kind of content do Epicurean perceptions have; what are the proper objects of perception; can we ascribe to such content truth and falsity? In the first part, I say something general about the thesis and point out some basic characteristics of perceptions due to which they serve as a criterion of truth. Next I try to show that the proper objects of perceptions are eidola and not external objects because only in that case can Epicurus maintain the truth of all perceptions, including illusions, hallucinations, dreams and other misperceptions. In the third part, I argue that such Epicurean perceptual content can be explained by the modern notion of non-conceptual content, which helps us to understand the special feature of Epicurean perceptions and also the important difference between perception and belief in Epicurean epistemology. In the final part, I discuss the notion of alethes which I suggest implies that perception is “factive”. (shrink)

This thesis begins with a succinct survey of theories of depiction and then turns to two highly influential contemporary philosophical accounts, namely, the aspect-recognition theory proposed by Dominic McIver Lopes, and Robert Hopkins’s experienced resemblance theory. The latter two theories of pictorial representation are presented in detail before objections to both accounts are presented and assessed. One of the central contentions of the thesis is that the aspect-recognition theory succumbs to a number of serious objections. First of all, this account (...) rests upon a philosophically problematic notion of semantic information and consequently fails to account adequately for the possibility of misrepresentation. Arguably the theory entails that all pictures are misrepresentational. It is also argued that Lopes’s claim that all pictures are belief-independent is unsound. Criticisms of Hopkins’s account of depiction developed in the thesis focus on problems raised by photographic depiction as well as ways in which the ambiguity of the notion of ‘experienced resemblance’ blurs the distinction between misrepresentation and indeterminacy of outline shape. It is also contended that a notion that is fundamental to Hopkins’s account--experienced resemblance in outline shape—leads to problems that are at least as serious as those it would appear to solve. The thesis concludes with a brief assessment of the state of the art of philosophical accounts of depiction. While progress has been made, especially with regard to the clarification of key questions, we still do not have anything like a comprehensive final theory of depiction. (shrink)

Though Noë is concerned to emphasize that perceptual experiences are not per se internal representations, he does not really say why, and he is fairly quiet about what he takes intentionality and representation themselves to be. Drawing on a subsequent paper (Noë (forthcoming)), I bring out and criticize his in fact radically negative view of those fundamental mental capacities.

Does synesthesia undermine representationalism? Gregg Rosenberg (2004) argues that it does. On his view, synesthesia illustrates how phenomenal properties can vary independently of representational properties. So, for example, he argues that sound/color synesthetic experiences show that visual experiences do not always represent spatial properties. I will argue that the representationalist can plausibly answer Rosenberg.

_Consciousness, Color, and Content_ is a significant contribution to our understanding of consciousness, among other things. I have learned a lot from it, as well as Tye.

I argue that the idea that mental states possess a primitive intentionality in virtue of which they are able to represent or ‘intend’ putative particulars derives largely from Brentano‘s misinterpretation of Aristotle and the scholastics, and that without this howler the application of intentionality to phenomenal content would never have gained currency.

I argue for a manipulationist-mechanistic framework for content-NCC research in the case of visual consciousness (Bechtel 2008; Neisser 2012). Reference to mechanisms is common in the NCC research. Furthermore, recent developments in non-invasive brain stimulation techniques (NIBS) lend support to a manipulationist standpoint. The crucial question is to understand what is changed after manipulation of a brain mechanism. In the second part of the paper I review the literature on intentionalism, and argue that intervention on the neural mechanism is likely (...) to change the intentional content of consciousness. This urges us to shift from content-NCC to what I call “intentional mechanisms”. Such mechanisms, it is argued, should be understood as neural prerequisites of conscious visual experience. (shrink)

The problem of consciousness seems to arise from experience itself. As we shall consider in more detail below, we are strongly disposed to contrast conscious experience with the physical states or events by which we take it to be realized. This contrast gives rise to dualism and other problems of mind and body. In this chapter I argue that these problems can usefully be considered in the perspective of evolution.