The Abrahamic traditions regard God as the world’s author. But what kind of author? A novelist? A playwright? Perhaps a composer of classical music? I will argue that it is best to regard God as like an improvisational play director or the leader of a jazz ensemble. Each determines the broad melodic contours or coarse-grained plot beforehand, while allowing their musicians or actors, and chance, to fill in the more fine-grained details. This analogy allows us to regard God as the (...) ultimate author of this world, while allowing us to be, while less than co-authors, more than mere enactors of a pre-written piece. These metaphors are particularly well-suited to illustrate and flesh out an Open Theistic view of things. (shrink)

This thesis compares the concepts presented in the Seventeenth Discussion of al-Ghazali's Tahafut al-Falasifa with concepts currently being discussed in the field of quantum physics. Written as an attack on the neo-Platonic and Aristotelian thinking which challenged the orthodox theology of Medieval Islam, Tahafut al-Falasifa questions the understanding of physical reality forwarded by the philosophers of al-Ghazali's times. The Seventeenth Discussion in particular, with its aim of proving the possibility of miracles, questions the acceptance of notions such as necessary causality (...) and the validity of scientific observation in the natural world. (shrink)

I argue that Descartes' Second Causal Proof of God in the Third Meditation evidences, and commits him to, the belief that time is "strongly discontinuous" -- that is, that there is actually a gap between each consecutive moment of time. Much of my article attempts to reconcile this interpretation, the "received view," with Descartes' statements about time, space, and matter in his other writings, including his correspondence with various philosophers.

I sketch a new interpretation of Malebranche's conception of ideas, thus shedding new light on various of his key doctrines, such as the efficacy of ideas, involuntarism concerning the eternal truths, indirect perception, and vision in God. Briefly, I argue that Malebranche's ideas may be construed as "possible divine volitions," where these are conceptually distinguishable aspects of God, primitively possessed of representational content, by whose exercise God manifests His efficacy. I also defend the claim that Malebranche, in fact, does not (...) subscribe to a "veil of ideas" representationalism, and give two alternative accounts of what he means by saying that we perceive bodies only "indirectly.". (shrink)

One standard criticism of the doctrine of continuous creation is that it entails the occasionalist position that God alone is a true cause and that the events we commonly identify as causes are merely the occasions upon which God brings about effects. I begin by clearly stating Malebranche's argument from continuous creation to occasionalism. Next, I examine two strategies for resisting Malebranche's argument – strong and weak concurrentism – and argue that weak concurrentism is the more promising strategy. Finally, I (...) argue that weak concurrentism requires a necessitarian approach to secondary causation. (shrink)

In this paper, I investigate Louis de La Forge's argument against body–body causation. His general strategy exploits the impossibility of bodies communicating their movement by transfer of motion. I call this the ‘non-transfer’ argument . NT allows La Forge both to reinterpret continuous creation in an occasionalistic fashion and to support his non-occasionalistic view concerning mind–body union. First, I present how NT emerges in Descartes’ own texts. Second, I show how La Forge recasts it to draw an occasionalistic account of (...) body–body interactions, and I discuss how La Forge supports NT with continuous creation. Third, I conclude by suggesting that this further step of his argument does not undermine his non-occasionalistic account of mind–body union. (shrink)