Most philosophers have given up George Berkeley’s proof for the existence of God as a lost cause, for in it, Berkeley seems to conclude more than he actually shows. I defend the proof by showing that its conclusion is not the thesis that an infinite and perfect God exists, but rather the much weaker thesis that a very powerful God exists and that this God’s agency is pervasive in nature. This interpretation, I argue, is consistent with the texts. It is (...) also an important component of Berkeley’s philosophical project, which consists of launching many small arguments against his philosophical and theological opponents. (shrink)

Descartes understood the subject matter of physics (or natural philosophy) to encompass the whole of nature, including living things. It therefore comprised not only nonvital phenomena, including those we would now denominate as physical, chemical, minerological, magnetic, and atmospheric; it also extended to the world of plants and animals, including the human animal (with the exception of those aspects of the human mind that Descartes assigned to solely to thinking substance: pure intellect and will). Descartes wrote extensively on physiology and (...) on the physiology and psychology of the senses. This chapter examines the notions of *physiology* and *psychology* in medical and natural philosophical works of Descartes' day; follows his efforts to bring physiology into his mechanistic idiom; considers the relation between physiology of the animal machine and psychological functions that yield functionally appropriate behavior; goes into his physiology and psychology of vision; and elaborates the tension in Descartes' works between his metaphysically supported micro-corpuscularism and his discussion of the animal machine as an organic unity comprising various functionally and teleologically characterized systems. The chapter draws on Descartes' works in both metaphysics and natural philosophy, including his Treatise on Man (originally published as L'Homme, 1664). (shrink)

In this paper I defend the view that Berkeley endorses a spirit-idea dualism, and I explain what this dualism amounts to. Central to the discussion is Berkeley's claim that spirits and ideas are "entirely distinct." Taken as a Cartesian real distinction, the "entirely distinct" claim seems to be at odds with Berkeley's view that spirits are substances that support ideas by perceiving them. This has led commentators to deflate Berkeley's notion of "entire distinction" by reading it as analogous to the (...) categorical distinction between substance and accident. I argue that rather than taking Berkeley's notion of "entire distinction" in either of these ways, it ought to be understood as insisting upon a radical dissimilitude between spirits and ideas. This dissimilitude requires that ideas cannot be viewed as analogous to modes or accidents which inhere in a substance. Moreover, spirits and ideas cannot be understood in terms of a single, gradated scale of reality. Instead, for Berkeley spirits and ideas occupy two entirely different scales of reality and consequently the very term 'thing' applies to them in different senses. In this way, Berkeley endorses a severe dualism that occurs at the highest level of his ontology. En este trabajo defiendo que Berkeley sostiene un dualismo espíritu-idea y explico qué significa tal dualismo. Es central en la discusión la afirmación de Berkeley que los espíritus y las ideas son "totalmente distintos". Considerada como una distinción real cartesiana, la tesis "totalmente distintos" parece estar en tensión con la concepción de Berkeley de que los espíritus son sustancias que "support ideas by perceiving them". Esto ha llevado a los comentadores a disminuir la noción de Berkeley de "distinción total" leyéndola como un análogo a la distinción categorial entre sustancia y accidente. Yo argumento que en lugar de considerar a la noción de Berkeley de "distinción total"en alguno de esos modos, debe ser comprendida como insistiendo en una radical diferencia entre espíritus e ideas. Esta diferencia requiere que las ideas no se vean como análogas a modos o accidentes de la sustancia. Además espíritus e ideas no pueden ser entendidos en términos de una única escala graduada de realidad. En cambio para Berkeley espíritus e ideas ocupan dos escalas totalmente distintas de realidad y en consecuencia, el término mismo "cosa" se aplica en sentidos distintos. De este modo, Berkeley sostiene un dualismo severo que acaece al más alto nivel de su ontología. (shrink)

Traditionally, religious doctrines and practices have been divided into two categories. Those that purport to be justified by natural reason alone are said to be part of natural religion, while those which purport to be justified only by appeal to supernatural revelation are said to be part of revealed religion. One of the central aims of Berkeley's philosophy is to understand and defend both the doctrines and the practices of both natural and revealed (Christian) religion. This chapter will provide a (...) survey of this aspect of Berkeley's thought. (shrink)

William Molyneux raised the following question: if a congenital blind person is made to see, and is visually presented with a cube and a globe, would he be able to call the shapes before him a cube and a globe before touching them? Locke, Berkeley, Leibniz, and Reid presented their phenomenological view of shape perception, i.e. their view as to what it is like to perceive shape by sight and touch, in responding to Molyneux’s Question. The four philosophers shared the (...) view that visual perception delivers no solid shape. This view would provide a premise for an argument for immaterial objects. The purpose of my thesis is to reject that argument. Kant’s view and John Campbell’s externalist account offer a way to reject the premise of the argument in question. However, my strategy is not to adopt their view. I pursue Reichenbach’s view that the there is no congruence or incongruence involved in the visual phenomenology. I develop his view, and propose the view that visual perception delivers no flat or solid shape. Although my view endorses the premise in question, I can offer a way to reject the argument. This is because my view is compatible with a form of externalism about perception (which differs from Campbell’s). My view can also do full justice to the phenomenological views presented by the four philosophers. (shrink)

The paper presents a novel account of nature and genesis of some philosophical problems, which vindicates a new approach to an arguably central and extensive class of such problems: The paper develops the Wittgensteinian notion of ‘philosophical pictures’ with the help of some notions adapted from metaphor research in cognitive linguistics and from work on unintentional analogical reasoning in cognitive psychology. The paper shows that adherence to such pictures systematically leads to the formulation of unwarranted claims, ill-motivated problems, and pointless (...) theories. To do so, the paper proceeds from a case-study on a lastingly influential development in early modern philosophy: the adoption of the doctrine of secondary qualities, and its principal consequences. The findings motivate a new approach to an arguably extensive and important class of philosophical problems: to the problems we raise in the grip of philosophical pictures. (shrink)

George Berkeley, Bishop of Cloyne, was one of the great philosophers of the early modern period. He was a brilliant critic of his predecessors, particularly Descartes, Malebranche, and Locke. He was a talented metaphysician famous for defending idealism, that is, the view that reality consists exclusively of minds and their ideas. Berkeley's system, while it strikes many as counter intuitive, is strong and flexible enough to counter most objections. His most studied works, the Treatise Concerning the Principles of Human Knowledge (...) Principles, for short) and Three Dialogues between Hylas and Philonous Dialogues), are beautifully written and dense with the sort of arguments that delight contemporary philosophers. He was also a wide ranging thinker with interests in religion (which were fundamental to his philosophical motivations), the psychology of vision, mathematics, physics, morals, economics, and medicine. Although many of Berkeley's first readers greeted him with incomprehension, he influenced both Hume and Kant, and is much read (if little followed) in our own day. (shrink)

(2003). The World as Representation: Schopenhauer's Arguments for Transcendental Idealism. British Journal for the History of Philosophy: Vol. 11, No. 1, pp. 57-87.

The space of possible worlds is vast. Some of these possible worlds are materialist worlds, some may be worlds bottoming out in 0s and 1s, or other strange things we cannot even dream of… and some are idealist worlds. From among all of the worlds subjectively indistinguishable from our own, the idealist ones have uniquely compelling virtues. Idealism gives us a world that is just as it appears; a world that’s fit to literally enter our minds when we perceive it. (...) If the world is an idealist world, we live in a perceptual Eden. We did not fall from Eden. Rather, we deluded ourselves into believing that we couldn’t possibly live in Eden when we committed to materialism. Reflecting on these big-picture issues gives us reason to question this commitment and embrace a radically new account of reality and our relation to it. (shrink)

Hume’s critique of traditional abstraction entails a result that undercuts his account of the idea of identity. To save his account of identity, Hume would have to accept abstraction as well. What links these two discussions is (1) Hume’s widely shared assumption that traditional abstraction is separating in the mind what are inseparable in reality, (2) his principle that what are different are mentally separable, and (3) his principle that we cannot conceive of the impossible. Given these, it will turn (...) out that abstraction is mentally separating something from itself, which will entail that abstraction is conceiving of something as distinct from itself. But it is impossible for something to be distinct from itself, and so it is inconceivable. Therefore abstraction is impossible. Yet consider Hume’s account of the idea of identity. On that account, to conceive of an identity is to conceive of something as one single thing viewed one way and as two distinct things viewed another. How we can take these opposing views of the same thing is a problem that I’ve termed Hume’s Difficulty concerning Identity. It will turn out that we can take the opposing views only if we can conceive of the single thing viewed one way as somehow distinct from itself when viewed the other way. That is, we must be able to conceive of something as distinct from itself. However, if we cannot conceive of something as distinct from itself when abstracting, then we cannot do it when conceiving of an identity. So traditional abstraction and Hume’s account of the idea of identity stand or fall together. (shrink)

My examination of Spinoza's arguments for the infinity of extended substance lead to a comparison of his views with the anti-Kantian arguments offered by Moritz Schlick, and finally to some general remarks concerning Spinoza's concept of infinite magnitude, and its limitations from a contemporary perspective.

Significant attention has been paid to Berkeley's account of perception; however, the interpretations of Berkeley's account of perception by suggestion are either incomplete or mistaken. In this paper I begin by examining a common interpretation of suggestion, the 'Propositional Account'. I argue that the Propositional Account is inadequate and defend an alternative, non-propositional, account. I then address George Pitcher's objection that Berkeley's view of sense perception forces him to adopt a 'non-conciliatory' attitude towards common sense. I argue that Pitcher's charge (...) is no longer plausible once we recognize that Berkeley endorses the non-propositional sense of mediate perception. I close by urging that the non-propositional interpretation of Berkeley's account of mediate perception affords a greater appreciation of Berkeley's attempt to bring a philosophical account of sense perception in line with some key principles of common sense. While Berkeley's account of perception and physical objects permits physical objects to be immediately perceived by some of the senses, they are, most often, mediately perceived. But for Berkeley this is not a challenge to common sense since common sense requires only that we perceive objects by our senses and that they are, more or less, as we perceive them. Mediate perception by suggestion is, for Berkeley, as genuine a form of perception as immediate perception, and both are compatible with Berkeley's understanding of the demands of common sense. (shrink)

Berkeley’s capacity to conceive of mind-independent bodies was corrupted by his theory of representation. He thought that representation of things outside the mind depended on resemblance. Since ideas can resemble nothing than ideas, and all ideas are mind dependent, he concluded that we couldn’t form ideas of mind-independent bodies. More generally, he thought that we had no inner resembling proxies for mind-independent bodies, and so we couldn’t even form a notion of such things. Because conception is a suggestible faculty, Berkeley’s (...) arguments actually made it the case that he himself couldn’t conceive of mind-independent bodies. (shrink)

This volume focuses on Berkeley's doctrine of signs. The 'doctrine of signs' refers to the use that Berkeley makes of a phenomenon that is central to a great deal of everyday discourse: one whereby certain perceivable entities are made to stand in for (as 'signs' of) something else. Things signified might be other perceivable entities or they might also be unperceivable notions - such as the meanings of words. From his earliest published work, A New Theory of Vision in 1710, (...) to those works written towards the end of life, including Alciphron in 1732, Berkeley is at pains to emphasise the crucial role that sign-usage, particularly (but not only) in language, plays in human life. Berkeley also connects sign-usage to our (human) relationship with God: an issue that was right of the heart of his philosophical project. The contributions in this volume explore the myriad ways that Berkeley built on such insights to better understand a range of philosophical issues - issues of epistemology, language, perception, mental representation, mathematics, science, and theology. The aim of this volume is to establish that the doctrine of signs can be seen as one of the unifying themes of Berkeley's philosophy. What's more, this theme is one which spans his whole philosophical corpus; not just his best-known works like the Principles and the Three Dialogues, but also his works on science, mathematics, and theology. (shrink)

In a familiar limerick attributed to Ronald Knox, the narrator asks how a “tree/should continue to be/when there’s no one about in the Quad,” and is subsequently reassured that its continuous existence is guaranteed by God’s being “always about in the Quad” observing it. This is meant to capture Berkeley’s so‐called ‘continuity argument’ for the existence of God, on which the claim that objects exist continuously over time is supposed to entail the existence of a Divine Mind that continuously perceives (...) the ideas that constitute those objects. But the continuity argument is not an uncontroversial one. For one thing, we might ask what divine perception is supposed to be like – does God perceive all of the ideas that we do, and in the same way that we do? And if so, does this mean that God perceives pain – that God suffers? For another thing, we might ask whether Berkeley is entitled to the claim that objects exist continuously to begin with. In this paper, I look at some of the problems associated with the continuity argument, and then present a reading of divine perception that attempts to prevent these problems from arising at the outset. (shrink)

In this paper, I consider some ways in which the Copy Principle and Hume’s nominalism impinge on one another, concluding that the marriage is not a happy one. I argue for the following claims. First, Hume’s argument against indeterminate ideas isn’t cogent even if the Copy Principle is accepted. But this does not vindicate Locke: the imagistic conception of ideas, presupposed by the Copy Principle, will force Locke to accept something like Hume’s view of the way general terms function, the (...) availability of abstract ideas notwithstanding. Second, Hume’s discussion of nominalism provides support for the “old Hume” interpretation, which takes the Copy Principle to be a criterion of meaningfulness, as against the “new Hume” reading, according to which it constrains what we can know. Finally, nominalism forces Hume to adopt a more complicated theory of ideas. (shrink)

At the beginning of the 18th century, Berkeley believed an anomaly pointed out by Isaac Barrow could be regarded as important evidence against the optical theories that had been established and standardized thanks to the works of Kepler and Newton. In this article, we want to show that Berkeley’s treatment of the Barrovian Case does not falsify these theories. We will contend that the strategy used by Berkeley to resolve the anomaly by alluding to a change of convention is a (...) strategy that the classical theorist could use as well. In other words, the classical theorist could also appeal to a change of convention to deal with the problem. (shrink)

Berkeley holds that objects in the world are constituted of ideas. Some commentators argue that for Berkeley, ideas are identical to acts of perception; this is taken to proceed from his view that ideas are like pains. In this paper, I evaluate the identity claim. I argue that although it does not follow from the pain analogy, nonetheless the texts suggest that Berkeley does think ideas and acts are identical. I show how Berkeley can account for objects persisting over time (...) and being perceivable by multiple observers, even if the ideas that constitute them are intermittent and dependent on particular actors. (shrink)