Romance novels are primarily aimed at, written about, and written for women. They have been accused of being fantasies which feature sexually objectified heroines who are passive recipients of overwhelming masculine sexual energy. After shoring up these critiques of romance novels with A.W. Eaton’s account of how art can objectify its subjects, we examine a challenge to romance novels: does the sexual content in romance novels objectify its heroines? There is strong reason to think so. However, we argue that careful (...) attention to the ways art can objectify its subject reveals that romance novels are structured to make it impossible for their heroines to be objectified. In many cases, individual signs of objectification are raised as possible outcomes and dismissed as part of the plot of a romance novel. Satisfying sex in a romance novel does not appear until it is impossible for the romantic heroine to be objectified. Understood in this way, romance novels serve as a model for one way that objectification could be avoided. The fantasy of a romance novel is not objectifying sex. It is sex free of objectification. (shrink)

The author explores how the discursive practices of social texts relate to the subjectivities of readers. Employing Dorothy Smith's notion of femininity as textually mediated discourse, the author analyzes how teenage girls read the depictions of femininity in the glossy advertisements of fashion magazines. Through interviews with 48 girls aged 13 to 17 years, she explores both why and how young girls negotiate “what it means to be a woman.” Most young girls in her study draw on stereotypical meanings of (...) adult femininity. By giving these stereotypes truth status, these readers valorize not only patriarchal meanings of womanhood but also naturalize associations between femininity and the commodities through which this femininity is expressed as the everyday doing of gender. The author concludes by discussing implications of this study for both a feminist theory and a feminist politics of culture. (shrink)

Drawing on four years of ethnographic research with romance novel writers, we show how their affiliation with romance—a literary genre known for stories containing sexual content—prompted outsiders to sexually stigmatize them. Our work examines both the application and management of this stigma. We describe how outsiders applied the stigma in two ways: by conveying blatant disapproval through “sneering” and inviting writers to display a highly sexualized self through “leering.” Writers interpreted outsiders’ sneering as slut-shaming rhetoric and responded discursively to manage (...) the stigma; leering, however, sent a more complicated message that was harder for writers to manage. In revealing how these interactions threatened to strip writers of their sexual agency, our analysis suggests gender may be a primary mechanism by which stigma is applied and managed, which has theoretical implications for the stigmatization of women’s sexual selves. (shrink)

This study seeks to understand women's use of makeup in the workplace. The authors analyze 20 in-depth interviews with a diverse group of women who work in a variety of settings to examine the appearance rules that women confront at work and how these rules reproduce assumptions about sexuality and gender. The authors found that appropriate makeup use is strongly associated with assumptions about health, heterosexuality, and credibility in the workplace. They describe how these norms shape women's personal choices to (...) wear makeup. Next, they examine how some women transform the meanings of wearing makeup and, in rare instances, attempt to subvert the institutionalized norms. Although many women find pleasure in wearing makeup, the authors conclude that the institutional constraints imposed by the workplace effectively limit the possibilities for resistance. (shrink)

Drawing on interviews, participant observation, and Internet postings, this article analyzes gender in a local Goth scene. These Goths use the confines of the subcultural scene, where they are relatively safe from outsider view, and the scene’s celebration of sexuality as resources to resist mainstream notions of passive femininity. This article probes the struggles of women in this Goth scene to examine the broader possibilities and limitations of strategies of active feminine sexuality in gaining gender egalitarianism. I argue that although (...) these women do transform sexual expectations and experiences, their gains are hampered by an overly narrow vision of gender egalitarianism that both obfuscates the broader landscape of gender inequality and blurs the reproduction of an ideological system in which romance trumps sex. (shrink)

Mobile phones are reportedly the most rapidly expanding e-reading device worldwide. However, the embodied, cognitive and affective implications of smartphone-supported fiction reading for leisure (m-reading) have yet to be investigated empirically. Revisiting the theoretical work of digitization scholar Anne Mangen, we argue that the digital reading experience is not only contingent on patterns of embodied reader–device interaction (Mangen, 2008 and later) but also embedded in the immediate environment and broader situational context. We call this the situation constraint. Its application to (...) Mangen’s general framework enables us to identify four novel research areas, wherein m-reading should be investigated with regard to its unique affordances. The areas are reader–device affectivity, situated embodiment, attention training and long-term immersion. (shrink)

In Esa 12th Conference: Differences, Inequalities and Sociological Imagination: Abstract Book. European Sociological Association; Institute of Sociology of the Czech Academy of Sciences. pp. 59--60 (2015) .

This article examines whether the attention to cultural products on the internet is more democratically structured than in traditional print media, and how these types of media attention affect commercial success. For the U.S. fiction book releases in February 2009, I analyze consumer ratings at the web store Amazon.com and the social networking site Goodreads.com. The results show that on the internet far more books receive attention, and that this indeed comes to the advantage of female authors and authors of (...) popular fiction. Moreover, online publicity positively affects commercial success. These outcomes suggest that online attention to cultural products dampens the effects of institutionally embedded evaluations, while word-of-mouth mechanisms are becoming increasingly prominent in terms of how cultural products are discussed. (shrink)

If science fiction is a genre, then attempts to think about the nature of science fiction will be affected by one’s understanding of what genres are. I shall examine two approaches to genre, one dominant but inadequate, the other better, but only occasionally making itself seen. I shall then discuss several important, interrelated issues, focusing particularly on science fiction : what it is for a work to belong to a genre, the semantics of genre names, the validity of attempts to (...) define genres, and the connections between genre and normativity. One important but neglected clue to the nature of genres lies in the kinds of disagreements they generate over the assignment of works to genres. I conclude by explaining why these disagreements tell us something about the nature of genres, and discussing in some detail two famous cases of disagreement about whether some work or works are science fiction. (shrink)

This essay discusses the place of popular culture, especially visual representation, in theories of female subjectivity and examines two recent works on women and popular culture as representative of two primary critical and methodological approaches to the female subject. The essay considers the limitations and implications of both qualitative communication research and text-based feminist criticism and the need to construct a dialogue between them.

While ethics has become accepted as an important field of inquiry within Anglo-American critical and feminist theory, the same thing cannot be said about ‘love’. I argue that ‘love’ needs to be taken as a serious, valid and crucial subject for academic study, and that feminist theory should have a special investment in the topic. Phenomenological theories of pain and psychoanalytic theories of melancholy can provide a negative definition of love by describing situations where love has lost its objects. These (...) theories help to map connections amongst pain, love, and language, and demonstrate how language — and for Julia Kristeva, how especially literary language — can play an important role in mediating these states. I propose that ‘love’ names not only a particular qualitative relation between a self and an Other, but also a process of altering oneself that involves the creation of an unusual and seemingly contradictory spacing or distance. Luce Irigaray’s work helps us conceive of this concept as an embodied one through her concept of proximate distance. I suggest a ‘poethics of love’ as a theory/methodology that could allow us to continue to think through these complex issues in a way that ties ethical, political and aesthetic concerns together. (shrink)

This research addresses an emerging scholarship examining relations between media, religion, and culture in contemporary society. Whilst it acknowledges the value of this growing body of work, the study is based on a recognition that an overwhelming concern with the contemporary scene has resulted in a neglect of the history responsible for the conditions of the present. Given the prominence of America as both a source and an object of this scholarship, moreover, the particular national context in which the institutions (...) and practices of the US media have developed has been taken for granted somewhat. Oriented towards these perceived lacunae, this thesis examines the interaction between religion and film as an influence upon the development of American culture in the twentieth-century. The dissertation is divided into two main parts. The first of these is devoted to an extended discussion of the scholarly background to the research, and argues that the historical dimension of the interrelationship between religion and film in America is worthy of more attention than it has hitherto received. In particular, it stresses the fundamental importance of religion within the discourse of national identity in the United States, and posits the notion of a non-denominational American civil religion as a useful theoretical tool with which to examine Hollywood as a distinctively 'American' form of cinema. Part Two develops this position through a case study of The Birth of a Nation, directed by D.W. Griffith, and one of the most famous films of all time. Discussing the picture as a response to a crisis in American Protestantism, the study argues that the race controversy prompted by its Southern viewpoint was, to some extent, a function of Griffith's ambitions to revive the traditional religious bases of U.S. national identity via the medium of film. Furthermore, it suggests that the impact of Birth helped enact a broader transformation of American culture, wherein the cinema became instrumental in sustaining the belief that the United States was a nation uniquely favoured by Providence. (shrink)

The relationship between mainstream femininity and resistance to it has been theorized in a number of ways. In one approach, mainstream femininity is identified as a patriarchal set of public texts that women accept, negotiate, or resist in practice. Another view sees mainstream femininity as a dominant cultural practice to which there are resistant subcultural responses. Taking a poststructuralist view, this article offers an alternative to these models. The focus of the article is the differing ways in which a set (...) of interviewees validated their participation in a type of relationship that is socially constructed as a departure from mainstream femininity, namely, a voluntary sexual relationship between an adult man and an adolescent girl. (shrink)

Reconstructing the content of Xunzi’s moral knowledge is the main goal of this thesis. A first main task of this reconstruction is to provide a clarification of the content and functions of li. A second primary goal of the reconstruction is to discuss the roles and functions of the moral sage or morally superior person, junzi, in Xunzi’s account of moral practice. The figure of the sage is important in explaining the rationale of li and exemplifying how to behave in (...) accordance with the rules of proper conduct in different situations. As truth is essential to knowledge, it is crucial to understand how moral belief can be truth-apt within Xunzian theory. To that end, the thesis reinterprets the doctrine in terms of Railton’s subjective naturalism. In the literature on Xunzi’s moral thought, the problem of the cognitive status of moral judgment has been neglected, and this thesis attempts to remedy this oversight. This thesis is divided into two parts. Part one mainly elucidates the content of Xunzi’s moral knowledge. It includes an exposition of the origin and several functions of li and the significance of the sage and his or her close relation with li. In part two, the argument focuses on whether Xunzi’s moral knowledge is truth-apt and reconstructs his position into terms of subjective naturalism. (shrink)

This deeply researched and beautifully crafted study takes as its subject a generation of women who came to maturity in America's Gilded Age. They were scientists and social workers, physicians and educators, and, perhaps most notably, Progressive reformers engaged in the pursuit of social justice. Claiming the newly available opportunities for higher education and professional employment, these women successfully pursued lives in uncharted territory. Barbara Sicherman introduces us to a less visible but equally salient factor in their journey to public (...) identities marked by achievement and acclaim—their sustained and sustaining engagement with reading. (shrink)

Sociologists of culture studying "fan activism" have noted an apparent increase in its volume, which they attribute to the growing use of the Internet to register fan claims. However, scholars have yet to measure the extent of contemporary fan activism, account for why fan discontent has been expressed through protest, or precisely specify the role of the Internet in this expansion. We argue that these questions can be addressed by drawing on a growing body of work by social movement scholars (...) on " movement societies," and more particularly on a nascent thread of this approach we develop that theorizes the appropriation of protest practices for causes outside the purview of traditional social movements. Theorizing that the Internet, as a new media, is positioned to accelerate the diffusion of protest practices, we develop and test hypotheses about the use of movement practices for fan activism and other nonpolitical claims online using data on claims made in quasi-random samples of online petitions, boycotts, and e-mailing or letter-writing campaigns. Results are supportive of our hypotheses, showing that diverse claims are being pursued online, including culturally-oriented and consumer-based claims that look very different from traditional social movement claims. Findings have implications for students of social movements, sociologists of culture, and Internet studies. (shrink)

This research illuminates struggles over cultural definitions of femininity by examining how cultural gatekeepers respond to girls' vocal critique of inauthentic media images. Interviews with 10 editors at two national girls' magazine organizations provide a rare glimpse into their contradictory responses to requests for depicting “real girls.” Editors legitimate and share in the critique, claiming they should change images but cannot. In these accounts, they reveal struggles over altering narrow images of femininity at the organizational and institutional levels. Editors also (...) delegitimate girls' critique as misguided by calling on the media organizations' norms and schemas about how the reader is supposed to understand the images. Paradoxically, here, editors claim that they can change images but should not. Ultimately, the power of girls' resistance is tempered, as both sets of responses lead to the girls' critique being inefficacious in redefining femininity. The study contributes to an understanding of how femininity-defining cultural institutions operate to create and sustain gender stratification. (shrink)

Reading experience is viewed as ‘interactive and negotiable’ for different reading positions are created in readers’ responses to the same news report. To understand the differences between ‘preferred reading’ and actual readings, this article, drawing on the context models and the Appraisal framework, analyzes 785 readers’ comments attached to 23 hard news stories sourced from the China Daily mobile application and the People’s Daily Online website. The study combines corpus semantic tagging analysis for readers’ choices of evaluative lexis with a (...) manual analysis of Appraisal resources for reading position construction based on a whole text perspective. The results show that readers are likely to use Appraisal resources strategically to defend their own opinions against other commenters or affiliate with large numbers of potential readers without commenting. Furthermore, comments were found to be directed either at the text or at other commenters, and through this a number of different reading positions were revealed. The readers’ context models are the cognitive link between discourse properties and social strategies in the process of news understanding. (shrink)

This essay approaches the topic of the political impact of the novel from an unconventional angle. It argues that this impact, recently discussed by philosophers like Richard Rorty and Martha Nussbaum, should be considered the result of a special feature of this genre, namely that the novel is read solitarily and in silence. Reading a novel unplugs the reader from ordinary life and transports him to a world of the self, an individual world. From this position, which will be compared (...) with the position of the subject in transcendental philosophy, the reader is able to see the world around him in a new, individualist and subjective perspective. This perspective may be regarded as at least one of the conditions of modern democratic citizenship. (shrink)

Social preservation is a bundle of ethics and practices rooted in the desire of some people to live near old-timers, whom they associate with “authentic” community. To preserve authentic community, social preservationists, who tend to be highly educated and residentially mobile, work to limit old-timers’ displacement by gentrification. However, they do not consider all original residents authentic. They work to preserve those they believe embody three claims to authentic community: independence, tradition, and a close relationship to place. Underlining their attraction (...) to these characteristics are resistance to the evolution of neighborhoods and towns, and the notion that certain groups have a greater claim to authentic community than others. These beliefs, and, secondarily, local institutions and boosters, influence their preservation of certain groups. While the quest for the authentic is typically viewed as affirming the authenticity of its seekers, social preservationists measure the authenticity of others’ communities against their own in authenticity. That is, they are committed to virtuous marginality, which exists when people associate authenticity with, and highly value, characteristics they do not share, and consequently, out of a desire to preserve the authentic, come to regard their distance from it – their marginality – as virtuous. This article reveals the consequences of definitions of authenticity, and more generally of ideology, by demonstrating how they shape preservationists’ lives, particularly their experience of community. (shrink)

Human concern with problems of being and becoming promotes conceptions of ideal states of being, exemplified by paragons and heroes and projected as Utopias or visions of salvation; it leads to regimens for cultivating and maintaining individual ability to meet social expectations; and it produces fantasies, as in myth and popular literature, that rehearse the problems and that offer escape from them and roles to emulate in dealing with them. Many of these regimens and fantasies appear in the rituals and (...) teachings of organized religion. Many also figure in private devotions apart from established religions. The many forms they take constitute much of the religious life of ordinary people. From this viewpoint, there is much to examine in American life. (shrink)

(1992). The rituals of science: Comments on Abir‐Am (with response) Social Epistemology: Vol. 6, The Historical Ethnography of Scientific Rituals, pp. 373-387.

Although there has been significant academic interest in the complex relationship between gender and migration, the relevant literature often focuses on women as victims of trafficking, sexism and racism in the host and sending societies. This article discusses instead the question of gender and migration as an open field of contestation within which transitory and incomplete identities are performed. Based on a series of focus group discussions with Albanian women working in the domestic sector in Athens, the article documents the (...) emergence of a discourse of `becoming masculine' while performing typically `feminine tasks'. Drawing from Judith Butler's theoretical challenge to subject formation, the analysis traces the development of gender relations within discourse. While Albanian women are doubly disadvantaged in the mind—body relationship, they gradually come to perform roles that redefine the space of domesticity where the limits between men/women, private/public and migrants/nationals lie. (shrink)

Cheng Hao was a Confucian thinker during the Song dynasty. He strove to restore and reconstruct classical Confucianism. Although his theses were inherited from the Confucian classic, including the Anatects, Mencius, the Classic of Changes, and the Doctrine of the Mean, his interpretations offer learners new insight and perspective in understanding Confucianism. He and his younger brother, Cheng Yi, are commonly referred to as the “Two Chengs” for their parallel efforts in laying the groundwork of Neo-Confucianism.

This article examines strands of an intellectual history in Media and Cultural Studies and Science and Technology Studies in both of which researchers were prompted to take up ethnography. Three historical phases of this process are identified. The move between phases was the result of particular displacements and contestations of perspective in the research procedures within each discipline. Thus concerns about appropriate contextualization led to the eventual embrace of anthropological ethnographic methods. The article traces the subsequent emergence of a ‘crisis (...) of context’ in the deployment of ethnography within these disciplines. The analysis of these historical changes is informed by a particular depiction of Euro-American knowledge conventions. The article suggests that the limits currently perceived for ethnography are a specific instance of the more general limits now recognized for these knowledge conventions. (shrink)

This article is a close reading of two essays by Donna Haraway on feminist philosophy, the biophysical sciences, and critical social theory. Haraway's strong social constructionist approach to science is criticized by colleague Sandra Harding, resulting in an epistemological reconceptualization of objectivity by Haraway. Haraway's notion of “situated knowledges” provides a workable epistemology for all social and biophysical sciences, while inviting the reintegration of religions as critical conversation partners in an emancipatory hermeneutics of nature, culture, and technology.

This article contributes to the project of historicizing the emergence of printed books as a mass cultural form in the 20th century and after, in addition to exploring the political-economic struggles both occasioning and occasioned by their constitution as such. In doing so, it both models and reflects on what a possible historiography of technology "after social constructionism" might look like. More specifically, it attempts to account for the behind-the-scenes or "back office" processes through which commodification takes place in the (...) sphere of book distribution, and it does so by focusing principally on communication and information technologies such as the international standard book number (ISBN) and machine readable bar codes. This history, overall, complements the more hopeful narratives of mass culture's democratizing potential, by telling a story about how increased opportunities for middle class social advancement depend on intensified - and intensely technological - work processes for those employed in the sphere of commodity distribution. This essay demonstrates, moreover, how dominant metaphors and frameworks that have guided Social Construction of Technology (SCOT) research (e.g., "actor-networks," "seamless webs," and so forth) must be amended to account better for power, contradiction, and antagonism within the history of technology. (shrink)

Drawing on 45 interviews, this article addresses how heterosexual men and women respond to and discuss opposite and same-sex nude images in distinctive ways. Viewing both female and male nudes provides an opportunity to observe the sexual and gender identity work men and women perform when confronted with this cultural object. Both men and women have access to shared, readily available cultural scripts for interpreting and responding to female nude images. Neither men nor women are culturally adept at the interpretation (...) and use of nude male images, particularly the man in the soft porn frame. Men respond to this male nude with overt rejection and stated disinterest. Women are more likely to reject the seductive advance or welcome it with attached feelings of guilt. (shrink)

This thesis investigates the metaphysical nature of necessity. My study focuses primarily on the reduction of metaphysical necessity and the question of whether a necessary truth can be reductively defined. Theodore Sider develops a new reductive account of metaphysical necessity. Unfortunately, the multiple realizability problem posed by Jonathan Schaffer undermines the credibility of Sider’s account. This underlies my motivation to search for a revised Siderian account of necessity. On this basis, I propose a modified version of Sider’s account and argue (...) that analytic, natural-kind and micro-reduction truths are necessary truths if and only if they express the same states of affairs as logical truths. Since logical truths are necessary truths, analytic, natural-kind and micro-reduction truths are necessary truths as well. In this thesis, I will proceed as follows. Chapter 1 introduces Sider’s account of necessity. In particular, I focus on his analysis of the necessity of a micro-reduction truth. His analysis is largely constitutive of the notion of a metaphysical semantics and some associated notions. I reconstruct his analysis and articulate his metaphysical semantics and the associated notions. Chapter 2 presents and clarifies the multiple realizability problem of Schaffer. His critique shows that Sider’s metaphysical semantics cannot handle multiple realizability. Sider refutes this claim by arguing that the multiple realizability problem is a problem for his analysis of the necessity of a micro-reduction truth, not for his metaphysical semantics itself. This is a good starting point to propound a modified account of necessity. Chapter 3 proposes and articulates my modified analysis of the necessity of a micro-reduction, where I show that the necessity of a micro-reduction truth can be reductively defined without appeal to Sider’s metaphysical semantics. I argue that analytic, natural-kind and microreduction truths are necessary truths if and only if they express the same states of affairs as logical truths. Logical truths are necessary and so are they. After that, I consider a potential objection to my modified account and attempt to respond to it. (shrink)

This article offers an exposition of the J. Peterman Company's Owner's Manual, a mock-vintage clothing catalogue that promises customers ‘things that make their lives the way they wish they were’. Written in dramatic, long-form prose and illustrated in watercolour – both uncommon in today's mail-order fashion industry – the Owner's Manual is at once appalling for its misogyny and enticing for its nostalgia. This article argues that the Owner's Manual and its enduring success confound existing paradigms for interpreting both fashion (...) media and the body's gendered relationship to attire. Are the Manual's millions of subscribers beset by false consciousness, imagining themselves into an oppressive sex/gender field and endorsing the catalogue's misogyny with their desire? The Manual is not fully intelligible within either structuralist or phenomenological interpretive modes – fashion theory's two most prevalent schools of thought – but, rather, begets an interpretive paradigm that forces us to reconcile individuals’ desires for, and identification into, historically mediated gender performance with the fact of individuals’ dignity, agency and autonomy. I argue that the Owner's Manual achieves this reconciliation by foregrounding sartorial objects, rather than individuals, as the bearers of gender fantasy and by demonstrating how these objects, laden with historical associations, have detached from the highly gendered contexts of their origins while nevertheless retaining aspects of their original semiotic potencies. (shrink)

Reading, a micro-level and subjective activity, is a mechanism through which gender is constructed and reinforced. Drawing on insights from cultural studies and feminist literary critics, and applying sociological perspectives and methodologies, we explored how 53 women and men read and interpreted two short stories, William Faulkner's “A Rose for Emily” and Jayne Anne Phillip's “Home.” We found that the gender of the readers had relatively few effects on their interpretations, but that indicators of life experience were influential. In general, (...) more substantial life experience as reflected in greater age, being married, and having children was associated with more sympathetic, empathic reactions to the major characters. Ideological positions also influenced readers' interpretations, when those positions were relevant to the themes of the text; these individual values and attitudes were associated with more particularistic patterns of empathy. Rather than dismissing gender as an influence on reading, however, we suggest that gender influences reading and interpretation partially through the pervasive gender-markings of social context. (shrink)

This article analyzes articles appearing in True Story from 1920 to 1985 that concern women's grief after pregnancy and child loss. They are discussed as a historical link between nineteenth-century consolation literature and current psychological and academic discussions of grief. True Story is a confession magazine marketed for working-class women, whose reproductive losses have generally been minimized or ignored by previous literary and current professional and journalistic treatments of maternal grief. Articles are examined within the constructs of confession literature and (...) within the larger context of women's popular literature. Like working-class women's experiences of reproductive loss, these areas have been largely overlooked, dismissed, or denigrated by literary scholars and sociologists. The moral tone of True Story gives women's first-person narratives about infant death and pregnancy an ambiguous prescriptive quality, in that both self-empowerment and self-blame are recommended. True Story reinforces traditional notions of motherhood and femininity, but subtly challenges patriarchal class relations in American society. (shrink)

Some of the first Marines to die in Iraq in 2003 were non-citizen Latinos who were given posthumous citizenship. I examine these unusual occurrences and use them to understand the location of Latino immigrants in American society. I argue that the ethnic and class character of the parties involved put in motion parts of the national machinery that helped legislators and journalists monitor symbolic membership and sovereignty in a racialized, gendered, and classed fashion. I find evidence of this in the (...) way journalists and politicians placed the lives of the Latinos in ethnocentric narratives. In these, for instance, the armed forces are depicted as institutions that allow Latinos access to the American dream. These ‘ethnocentric fantasies’ were widely used and served to empty out the events of any critical potential. I use the work of Michel Foucault on genealogies and that of Lauren Berlant and Dana Nelson on citizenship. (shrink)

Section 1 of this thesis investigates one issue in meta-ethics, namely, the nature of moral judgments. What are moral judgments? What does it mean by "wrong" when we assert "Killing is wrong?" Neo-sentimentalism is a meta-ethical theory which holds that the judgment that killing wrong is the judgment that it is appropriate to have a particular negative emotion towards the action. In other words, to judge that murder is wrong is to judge that we have a right reason for having (...) a negative emotion towards the behavior. In the framework of neo-sentimentalism, the concepts of wrongness consist of negative emotions. If the moral judgment is the judgment that it is appropriate to have a negative emotion towards the action, and the concept of wrongness contains a negative emotion, then the following question is what emotions are. In section 2, I endorse the bodily attitudinal theory of emotions, a view which holds that a conscious physiological reaction which induces behavior disposition and the change of facial expression and internal organs is necessary for having an emotion. This section also articulates and replies to three major objections towards the bodily attitudinal theory of emotion. (shrink)