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This paper examines Spinoza’s view on the consistency of mental representation. First, I argue that he departs from Scholastic tradition by arguing that all mental states—whether desires, intentions, beliefs, perceptions, entertainings, etc.—must be logically consistent. Second, I argue that his endorsement of this view is motivated by key Spinozistic doctrines, most importantly the doctrine that all acts of thought represent what could follow from God’s nature. Finally, I argue that Spinoza’s view that all mental representation is consistent pushes him to (...) |
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Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...) |
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Especially in the appendix to the opening part of his Ethics, Spinoza discusses teleology in a manner that has earned him the status of a staunch critic of final causes. Much of the recent lively discussion concerning this complex and difficult issue has revolved around the writings of Jonathan Bennett who maintains that Spinoza does, in fact, reject all teleology. Especially important has been the argument claiming that because of his basic ontology, Spinoza cannot but reject thoughtful teleology, that is, (...) |
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In this paper, through a close reading of Spinoza's use of common notions I argue for the role of experiential and experimental knowledge in Spinoza's epistemology. |
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In the following article, I aim to elucidate the meaning and scope of Spinoza’s vocabulary related to ‘consciousness’. I argue that Spinoza, at least in his Ethics, uses this notion consistently, although rarely. He introduces it to account for the knowledge we may have of the mind considered alone, as conceptually distinct from the body. This serves two purposes in Spinoza’s Ethics: to explain our illusion of a free will, on the one hand, and to refer to the knowledge we (...) |
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I argue that Leibniz’s doctrine of sensory representation is intended in part to close an explanatory gap in his philosophical system. Unlike the twentieth century explanatory gap, which stretches between neural states on one side and phenomenal character on the other, Leibniz’s gap lies between experiences of secondary qualities like color and taste and the objects that cause them. The problem is that the precise arrangement and distribution of such experiences can never be given a full explanation. In response, Leibniz (...) |
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Metaphysics and ethics are two distinct fields in academic philosophy. The object of metaphysics is what is, while the object of ethics is what ought to be. Necessitarianism is a modal doctrine that appears to obliterate this neat distinction. For it is commonly assumed that ought (at least under normal circumstances) implies can. But if necessitarianism is true then I can only do what I actually do. Hence what I ought to do becomes limited to what I in fact do. (...) |
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In the Nicomachean Ethics Aristotle considers friendship an essential component of the good life. After distinguishing between what he calls ‘coincidental’ and ‘complete’ kinds of friendship, he st... |
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Spinoza's philosophy radically changed the framework of Western thought in the seventeenth century and deeply influenced its further development. Drawing on different traditions of thought, he created a system of philosophy which challenged the views of his contemporary readers in almost every domain. From his metaphysics to his epistemology, from his account of morals to his political theory, from his method of interpreting Scripture to the method of exposition that he employed in his main work - namely, the Ethics Demonstrated (...) |
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The main aim of my thesis is to ascertain whether empathy has the required qualities of an emotion. Disagreement is rife regarding the process leading to the arousal of an emotion, which creates uncertainty as to what exactly an emotion is, and how it appears. This is the first issue I tackle in my work, as I concentrate on examining some of the significant cognitive and feeling theories of emotions. My study of these theories outlines their downsides, and I instead (...) |
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ABSTRACTWe seem to have a direct experience of our freedom when we act. Many philosophers take this feeling of freedom as evidence that we possess libertarian free will. Spinoza denies that we have free will of any sort, although he admits that we nonetheless feel free. Commentators often attribute to him what I call the ‘Negative Account’ of the feeling: it results from the fact that we are conscious of our actions but ignorant of their causes. I argue that the (...) |
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This paper identifies an aesthetics implicit in Spinoza’s philosophy through the concept of a genesis of the aesthetic. A genesis of the aesthetic indicates that a philosophy of art is not yet fully formed in his work, but can emerge as a consequence or effect of his thought. This aesthetic theory would evaluate the work of art primarily in its relationship to truth. Following the architectonics of Spinoza’s own thought, this paper constructs a progression – moving from the imagination, to (...) |
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In the Ethics, Spinoza famously wrote, “we do not seek or desire anything, because we judge it to be good; on the contrary, we judge a thing to be good because we endeavor it, will it, seek it and desire it.” This passage is widely recognized as asserting some of Spinoza's most important claims about the good, but the precise meaning of the passage is unclear, as interpreters have offered a wide variety of interpretations, often without noting (or even noticing) (...) |
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The editors of this volume, in their introduction, take Jonathan Bennett’s A Study of Spinoza’s Ethics as the exemplar for the eleven essays collected here, hailing Bennett’s book as setting “new standards for philosophical research on Spinoza”. Bennett’s work is indeed a worthy model. Aside from its more generic virtues, such as learnedness and conceptual rigor, perhaps what is most distinctive about Bennett’s treatment of Spinoza is his method, which he calls the “collegial approach.” This method proceeds by studying “the (...) |
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(2008). The Framework of Essences in Spinoza's Ethics. British Journal for the History of Philosophy: Vol. 16, No. 3, pp. 489-509. doi: 10.1080/09608780802200489. |
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In this paper, I argue that despite undeniable fundamental differences between Descartes’ and Spinoza’s accounts of human action, there are some striking similarities between their views on right action, moral motivation, and virtue that are usually overlooked. I will argue, first, that both thinkers define virtue in terms of activity or freedom, mutatis mutandis, and thus in terms of actual power of acting. Second, I will claim that both Descartes and Spinoza hold a non-consequentialist approach to virtue, by which human (...) |
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Das muitas aproximações perpetradas nas últimas nove décadas entre Sigmund Freud e Espinosa, talvez nenhuma seja tão problemática quanto o cotejamento entre o conatus – esforço de perseveração no ser que, na Ética de Espinosa, constitui a essência atual das coisas – e aquela força autodestrutiva a que Freud, em Além do Princípio do Prazer, dá o nome de Todestrieb, ou pulsão de morte. De que forma, à luz de uma ontologia absolutamente positiva como a de Espinosa – uma na (...) |
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