This paper reexamines the long-standing problem of the nature and magnitude of the catastrophic Hellenic expedition to Egypt c. 460-454. An uneasy scholarly consensus posits that many fewer than the 200 triremes implied by Thucydides were involved in the momentous defeat, yet the arguments employed by proponents and detractors of this hypothesis have not been decisive. This paper attempts to develop a better understanding of the final stages of the campaign in order to settle the question of losses. Thucydides offers (...) the most reliable narrative of the events in Egypt , but the compressed nature of the pentekontaetia has left us with a brief, lacunary text. Examination of the verbs poliorkein and kataklēiein and the noun poliorkia in appropriate contexts throughout Thucydides' history reveals that the words connote a tight blockade that seeks to deny all supplies to the besieged; the terms do not normally convey less stringent varieties of military harassment. Application of this understanding to the passages in question shows that the 200 triremes initially mentioned by Thucydides could not possibly have been engaged in Egypt when the siege of Prosopitis island began: a force of such size under a tight blockade could never have held out for 18 months. This conclusion is supported by an economic and demographic survey of the fifth-century B.C. Egyptian Delta, which suggests that resources would not have been plentiful in the region. A much smaller Greek force, perhaps 40 to 50 triremes, must have been involved in the final siege. (shrink)

Thêsauroi, or treasure-houses, are small, temple-like structures, found typically in the sanctuaries of Delphi and Olympia. They were built by Greek city-states to house the dedications of their citizens. But a thêsauros is not just a storeroom: it is also a frame for costly votives, a way of diverting elite display in the interest of the city. When placed on view in a treasure-house, the individual dedication is re-contextualized: although it still reflects well on its dedicant, it also glorifies the (...) polis. Thêsauroi effectively nationalize votives—and, with them, a dedicant's privileged relationship to the gods. The sculptural program of the Siphnian treasury exemplifies these issues. (shrink)

Recent discussions of the Axial Age in Greece (R. Bellah, 2011; K. Raaflaub, 2005) detailed some of the distinctive features of Greek religious life that allowed for the eventual development of a more secular outlook. In contrast to the religion of the ancient Israelites with its strong emphasis on the providential nature of human history, Greek religion evolved as a traditional set of ritual practices and cults that allowed humankind to maintain the goodwill of the gods. However, divine favor was (...) no substitute for human effort as the Greeks did not regard the gods as the architects of their fate. Human beings were ultimately seen as responsible for their own individual fates with bad outcomes attributed to misfortune or personal character defects. Positive outcomes in everyday life were ultimately the result of individual or collective effort. This attitude is reflected in the text of Hesiod, who dates from the outset of the Axial era. Hesiod stated that the gods have created a world that provides everything we need for prosperity, but that they were also spiteful in that they required mankind to work hard to take advantage of it. This religious outlook led to the development of a Weberian worldly asceticism among individual Greeks which allowed for the economic rationalization that transformed Greece into a more competitive society in which social mobility was possible and poverty scorned. The growth in the size of the rural middle class made the political life of the polis more participatory, thus laying the basis for the competitive political and intellectual climate of Axial Age Greece. (shrink)

Arrian's account of Alexander's brief time at Ephesus (Anab. 1.17.10–12) is shot through with political and factional violence, but he nevertheless concludes that Alexander received acclaim for what he did in the city. But what did Alexander actually do at Ephesus? Arrian offers a list of events that historians have traditionally interpreted as connected to Macedonian intervention in Asia Minor before indicating that Alexander put an end to the violence. This article offers a new reading of this passage by situating (...) these events in the context of fourth-century Ephesus to show how Alexander's actions responded to the local conditions that he encountered. (shrink)

In Aeschylus' "Supplices" the Danaids flee their cousins and take refuge at Argos. Scholars have noted similarities between the Argos of the play and contemporary Athens. Yet one such correspondence has generally been overlooked: the Danaids are awarded sanctuary in terms reflecting mid fifth-century Athenian μετοιϰία, a process providing for the partial incorporation of non-citizens into polis life. Danaus and his daughters are of Argive ancestry and take up residence within the city, yet do not become citizens. Instead, they receive (...) the right μετοιϰεῖν τῆσδε γῆς . As metics they retain control of their person and property, and are not liable to seizure by another. They are not permitted to own immovable property , but receive rent-free lodgings. Pelasgus and the other Argive citizens serve as their citizen representative . Casting the Danaids as metics highlights the similarities between Pelasgus and his predecessor, Apis. Both leaders were confronted by violent strangers demanding to live among the Argives, and sought to protect the autochthony and territory of Argos. Yet as suppliants the Danaids cannot be forcibly expelled. Pelasgus' solution is a grant of μετοιϰία approved by the Argive assembly. The emergence of μετοιϰία as a formal status at Athens is difficult to date. Most scholars place it between the reforms of Cleisthenes and Pericles' citizenship law . The "Supplices" provides evidence for a date in the 460s, and functions as a charter myth legitimizing μετοιϰία, much the way the Eumenides does for the Areopagus. The "Supplices" also fits well within the context of immigration and urban development leading to Pericles' law. The fact that the Danaid trilogy won first prize may be due to the Athenians' empathy for Argos as a risk-taking polis committed both to defending its identity and to acknowledging divinely sanctioned claims to refuge. (shrink)

This article attempts to gather the evidence for panhellenism in the fifth century B.C. and to trace its development both as a political program and as a popular ideology. Panhellenism is here defined as the idea that the various Greek city-states could solve their political disputes and simultaneously enrich themselves by uniting in common cause and conquering all or part of the Persian empire. An attempt is made to trace the evidence for panhellenism throughout the fifth century by combining different (...) kinds of evidence: that is, both poetic and historical texts, as well as the testimonia for monuments which are no longer extant. Any thought of a panhellenic crusade was impossible before the Persian invasions, but such an expedition, under the dual leadership of Athens and Sparta, was espoused by Cimon. After his death it remained an item of popular talk for the rest of the century and this talk intensified during the second half of the Peloponnesian War. The paper has six parts: the first finds hints of panhellenist ideology in the fragments of Simonides' Plataea elegy and in Aeschylus' Persians. The second part attempts to explain several puzzling passages in Herodotus in terms of his reflecting contemporary panhellenist discourse, especially in his account of Aristagoras of Miletus at Sparta. Part three reconstructs Cimon' s belief in dual hegemony and his plans for a joint Athenian-Spartan expedition against the Persian empire. Part four connects an anecdote about Miltiades with the Cimonian monuments and argues that the artistic program of the Stoa Poikile was intended to support Cimon's panhellenist aspirations. Part five discusses panhellenist sentiments in late fifth-century Greek poetry, and dates the Olympic Oration and Funeral Oration of Gorgias to the period 408-405 B.C., Finally, part six relates the panhellenist writings of Isocrates to earlier developments. (shrink)

Although it is frequently asserted that Greek poleis routinely laid legal claim to marine fisheries or even territorial waters, making them subject to special taxes and regulation, these assertions have little or no foundation in the evidence. For Greek fishermen the sea was freely and openly accessible, a fact that reflects the limited regulatory reach of ancient poleis. This evidence for the legal status of the sea and its fisheries is mirrored by our evidence for the status of marine fishermen, (...) conceived of as comprising distinct communities existing largely outside the legal and social structures of the polis. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Rhetoric of Parody in Plato's MenexenusFranco V. TrivignoIn Plato's Menexenus, Socrates spends nearly the entire dialogue reciting an epitaphios logos, or funeral oration, that he claims was taught to him by Aspasia, Pericles' mistress. Three difficulties confront the interpreter of this dialogue. First, commentators have puzzled over how to understand the intention of Socrates' funeral oration (see Clavaud 1980, 17–77).1 Some insist that it is parodic, performing an (...) essentially critical function (e.g., Loraux 1986); while others claim that it is serious, in particular as an expression of Plato's political ideal (e.g., Kahn 1963).2 Adherents on both sides seem to think that the options are mutually exclusive.3 Second, commentators have had difficulty understanding why Plato would have Socrates attribute his entire oration to Aspasia (e.g., Coventry 1989, 3; Pownall 2004, 60). Most agree that this move is ironic and that it has something to do with the alleged target of the dialogue's criticism. But scholars have differed over whether the Aspasia reference is meant to implicate Pericles' funeral oration (Monoson 1998), rhetoric in general (Pownall 2004), Athens (Loraux 1986), or even Aeschines (Clavaud 1980).4 Third, scholars have struggled to make sense of the dialogue's "deliberate and fantastic anachronism" (Dodds 1990, 24). In the funeral oration, Socrates relates the history of Athens up to the King's Peace in 386 B.C., a full thirteen years after he has died. This problem has generated the least consensus, with some scholars restricting their analysis [End Page 29] to dating considerations (e.g., Dodds 1990) and at least one speculating that Socrates speaks in this dialogue as a ghost (Rosenstock 1994).5It is the contention of this article that, by understanding the rhetoric of parody in the Menexenus, one can resolve these difficulties and come to a coherent and unified understanding of the philosophical intentions of the dialogue.6 More specifically, I will show that the anachronism is a consequence of a particular parodic strategy, that of amplification; that the dialogue's parody targets not only Pericles' funeral oration in particular but funeral oratory, rhetoric, and Athens as well; and that the parody has serious philosophical implications.7 Further, I claim that the serious philosophical content is both critical and constructive. Plato subverts the civic identity and understanding of virtue encouraged by the genre of funeral oration, and he challenges its praise-based model of political discourse. At the same time, Plato's parodic criticism is not entirely negative, for it relies on alternative paradigms of civic identity, virtue, and political discourse.I. The Rhetoric of ParodyBefore turning to the Menexenus itself, I want to clarify what I mean by parody. For a working definition, I suggest that parody is "an imitation that distorts a target text, author, or genre."8 In order to make some general observations about the rhetoric of parody, I will look briefly at an exemplar of parody from Aristophanes' Frogs. I do so for three reasons: to display two strategies of parodic distortion, to show that parody can have multiple targets, and to argue that parody can have both serious and complex intentions.9In the Frogs (1331–63), Aristophanes uses at least two techniques of parodic distortion, inversion and amplification, in his extended parody of Euripides' monodies or single-actor odes.10 Parodic inversion, broadly speaking, upsets or overturns the target text by distorting the original in a way that reverses the stylistic effect or semantic intention. Parodic amplification hones in on one aspect of the target text and amplifies it to absurdity, often exposing its artificiality as a literary trope.The parodic scene features a woman who awakens, hysterical and terrified, from a god-sent dream, which has conveyed disturbing news. We find in this passage a particular kind of parodic inversion: bathos, the unexpected introduction of the vulgar, ordinary, or mundane, which undermines an otherwise somber tone.11 Consider the following excerpt:Attendants, set alight a lamp for me,Collect the dew of rivers in pitchers [End Page 30] And heat the water,So that I may wash away the god-sent dream.Oh god of the sea... (shrink)

Athenian officials in the fifth century maintained careful records of treasure owned by their gods, and of the expenditures and receipts of sacred moneys and dedications. These records are conventionally divided into two main types: ‘inventories’ or annual lists of the treasure located in a particular repository, and ‘accounts’ or documents recording the receipts and expenditures of sacred treasuries over a given period. A few documents seem to combine both these elements, and have been called ‘accounts-inventories’ In a well-known example, (...) Athena's treasurers maintained records of valuable items located in three cellae of the building moderns call the Parthenon. Moreover, they published their records of these items in three separate series of inscriptions, one each dedicated to the pronaos, the hekatompedos and the parthenon; these records are conventionally referred to as the ‘inventories’ of Athena's treasure and are extant from 434/3. (shrink)

This paper argues that Aeschylus' Eumenides presents a coherent geography that, when associated with the play's judicial proceedings, forms the basis of an imperial ideology. The geography of Eumenides constitutes a form of mapping, and mapping is associated with imperial power. The significance of this mapping becomes clear when linked to fifth-century Athens' growing judicial imperialism. The creation of the court in Eumenides, in the view of most scholars, refers only to Ephialtes' reforms of 462 BC. But in the larger (...) context, Athenian courts in the mid-fifth century are a form of imperial control. When geographically specific jurisdiction combines with new courts, it supports and even creates a developing imperial ideology. Moreover, the figure of Athena and the role she gives the Athenian jury emphasizes a passionate pro-Athenian nationalism, a nationalism that the text connects to Athens' geographic and judicial superiority. This imperial ideology did not spring from Aeschylus' imagination fully formed; it reflects a trend in Athens of promoting her own cultural superiority. This sense of cultural superiority in fact disguises the realities of Athens' developing power and increasingly harsh subjection of her former allies. (shrink)

Through a specific example, this paper explores the problems of empiricism and ideology in the uses of material-cultural and visual evidence for the writing of ancient history. The focus is on an Athenian documentary stele with a fine relief from the late fifth century bc, the history of its publications, and their failure to account for the totality of the object's information—sculptural and epigraphic—let alone the range of rhetorical ambiguities that its texts and images implied in their fifth-century context. While (...) the paper reflects on the Samos Stele, it also considers the broader hermeneutic problems of approaching the different discourses ofword and imagewithin antiquity andworries about the distortions introduced into ancient history by modern formulations, descriptions, and translations of the past. (shrink)

Summary The First Sacred War was hotly debated in the 4th century. The crimes committed by the Crisaeans in this war were later equated to those committed by the Phocians during the Third Sacred War, or those committed by the Locrians of Amphissa during the Fourth Sacred War. This paper shows how the parallels drawn between the First and Third Sacred Wars (SW1–SW3) and between the First and Fourth Sacred Wars (SW1–SW4) were respectively shaped and used as an argument in (...) two different milieus: in pro-Macedonian intellectual circles in Athens, and in the Athenian forensic and deliberative arena. The main aim of this paper is to understand why ‘SW1–SW3’ is not used as an argument in the latter. In fact, Athens’ most prominent politicians had to cope with the Athenian support for the Phocians in the so-called Third Sacred War. Thus, the Phocians were depicted as guilty, but not to the point that they were compared to the Crisaeans. The legacy of the latter was ambivalent and lent itself to this shift in meaning. (shrink)

The chorus¿ depiction of Ares as a ¿gold-changer of bodies¿ and trader in precious metals underscores the increased intersection of finances and war in fifth-century Athens. The metaphor¿s details point to three contemporary developments (in addition to the patrios nomos allusion noted by Fraenkel): the increased conscription of citizens, the institution of pay for military service, and the payment of financial support for war orphans. And as leader of the Delian League, Athens itself resembled the war-god, establishing equivalents between men (...) and money, and profiting from its acceptance of tribute payments in a variety of currencies. Taken together, the metaphor¿s contemporary dimensions probably had an unsettling effect on the Athenian audience. (shrink)