This article investigates the role of the body in Jean-Luc Nancy’s powerful essay Corpus, and critiques it from the standpoint of Agamben’s biopolitics. For Nancy, the body becomes the privileged site of both existence and sense in a way that threatens to obscure the logic of exceptional decision that Agamben takes from Carl Schmitt. As an alternative to Nancy’s understanding of the body, we can see in Deleuze a series of bodies that works in parallel to a series of sense (...) or language, where sense and body do not get collapsed into each other. At the same time, contemporary continental philosophy resists the idealistic separation of thinking and embodiment. Deleuze calls this relation between sense and body a cut, but we could also consider a parallax, following Slavoj Zizek. Finally, African-American historian of religion Charles H. Long’s work complements some of Deleuze’s insights in a more explicitly postcolonial context. (shrink)

This article suggests that humanism is a decisionism in contemporary critical political theory. Despite obvious and multiple differences, leading critical theorists like Giorgio Agamben, Slavoj Žižek, Eric Santner, and Jürgen Habermas, among others, share an investment in stabilizing the human being as a ground of the political. This stabilization of the human should concern political theorists, as this article argues, because it uncritically reproduces conceptual affinities between the notion of the human being and sovereign authority. By investing in the stability (...) and centrality of the human being, these theorists perform what will be called, paraphrasing an often neglected argument by Carl Schmitt, a decision to be human. Contrary to conventional wisdom, I argue that Schmitt’s decisionism is not merely circumscribed to sovereignty’s juridico-political dimension, but that it also includes a peculiar commitment to God’s decision to become human in Christ. Against this decisionism as humanism, the article draws on Walter Benjamin, Roberto Esposito, and Jacques Derrida to propose an alternative politics that destabilizes humanity and sovereignty through the emergence of the animal, or what will be called melancholic lycanthropy. (shrink)

This paper argues that the images evoked in the literature of the Spanish indignados, and other contemporary global justice movements, specifically those of disciplinary and social decadence, a space–time beyond the limits of the possible, obligations across generations, and, ultimately, of universal history as horizon and anticipation, reactivate the legal critique of absolute property that featured so prominently in nineteenth-century accounts of law, civil society, and revolutionary right, and then again in the context of twentieth-century decolonization and revolutionary movements. Insofar (...) as such images can be distinguished from concepts, following a certain reading of the critical tradition against the grain, they pave the way towards the formulation of a systemic critique or a ‘jurisprudence of indignation’, in the wake of the emergence, rise and current crisis of the global market. (shrink)

This article inquires into the clinical figure of paranoia and its constitutive role in the articulation of the nation-state discourse in Europe, uncovering a central tension between a principle of integrity and a dualist spatial configuration. A conceptual distinction between ‘border’ (finis) and ‘frontier’ (limes) will help to expose the political effects of such a tension, unveiling the way in which a solid and striated organisation of space has been mobilised in the topographic antagonism of the nation, sustaining the phantasm (...) of a self-enclosed, self-sufficient finitude. (shrink)

Carl Schmitt’s critical insights into ‘economic-technical thinking’ and the dominant role that a ‘magical technicity’ is said to assume in the social horizon of his times offers an opportunity to reframe contemporary debates on political and economic theology, exposing a theological core behind technocratic administration. Starting from this premise, the article engages with recent inquiries into so-called ‘debt economy’, assessing the affective function that ‘deferment’ and ‘confession’ perform as dominant operators in the social imaginary of neoliberal governance.

Psychoanalysis and Christianity hold forth the promise of genuinely radical change, transforming a person so substantially such that ‘nothing remains the same’; even if the objective conditions of one’s existence stay fixed, the very lens with which the ‘born again’ subject views the world would have undergone so traumatic an upheaval that values, priorities and everything previously deemed essential would have been reimagined. It is, quite truly, a new beginning. This paper aims to insinuate a close proximity between Žižekian concepts (...) of the traumatically emergent and new vis-à-vis Biblical ideas of salvation, vocation and agape love. I also wish to demonstrate how even the Christian sacraments of baptism and the eucharist point to death and dying as their constitutive elements, with the result that sacrifice for the world becomes the main political role the Church must play. (shrink)

In their monograph Opera’s Second Death from 2002, Žižek and Dolar seem to join the illustrious company of cultural critics and musicologists, from Adorno to Gary Tomlinson, tolling the death knell for the operatic genre: with the advent of the 20 th century and the radical critique of the humanist premises that opera relied upon, the genre, so the story goes, had become at least anachronistic, if not outright reactionary. In the first section of my article I intend to not (...) only counter this claim, but also to directly engage with a recent attempt on the part of musicologist Nicholas Till to frame from a Deleuzian perspective contemporary opera’s renewed ability to deal with the metaphysical premises of the genre. In this respect I will suggest how, in spite of his own thesis on opera’s death, Žižek’s ontological thinking aptly frames the kind of metaphysics that operatic production is dealing with today. In the second section I intend to examine in more detail a case in point, even if a twisted one, for a recent musical reflection of opera’s metaphysical ties. In his late work Aristaeus, the German composer Hans Werner Henze attempts to reimagine the orphic myth outside its humanist framework. By closely reading this work against the grain of Henze’s earlier retelling of the Orpheus story in the form of a ballet, I will highlight how in Aristaeus he “traverses the fantasy” of his own humanism, seeking to directly engage at both the dramatic and the musical level with an Hegelian/Žižekian dimension of absolute negativity. (shrink)

This article addresses Eric L. Santner’s claim that “there is more political theology in everyday life than we might have ever thought” by analyzing the “theologico-political problem” in the work of three prominent twentieth-century political thinkers—Carl Schmitt, Leo Strauss, and Hannah Arendt. Schmitt, Strauss, and Arendt share a preoccupation with the crisis of modern political liberalism and confront the theologico-political problem in a similar spirit: although their responses differ dramatically, their individual accounts dwell on the absence of incontestable principles in (...) modern society that can justify life-in-common and the persistence of the political order. Their writings thus engage with the question of the place of “the absolute” in the political realm. In particular, Arendt’s indirect approach to the theologico-political problem is crucial to understanding the radicality of a political world in which traditional certainties can no longer be re-established. The theoretical trajectory I present suggests that the dispersion of political theology in everyday life has a specific corollary: modern politics operates within the tragic and paradoxical nature of its unstable and common origins that cannot be incorporated in exceptionalist versions of the body politic. (shrink)

This thesis offers a systematic analysis of the ideological structure in the Islamic Republic of Iran through the lens of Lacanian psychoanalytic critique of ideology. The Lacanian emphasis on the libidinal constitution of ideology changes the object of analysis from social reality in its empirical aspects to the unconscious or disavowed conditions sustaining social reality in the Islamic Republic. The overall analysis of this thesis is divided into three interrelated research domains: the first domain of political subjectivity examines how subjectivity (...) in Iran is embedded in the ideological order, as well as how that order was constructed through the 1979 Islamic revolution by tapping into the unconscious agency of political subjectivity; the second theologico-political domain inquires into the form of ideology materialised in the socio-political framework of the Islamic Republic and analyses its libidinal sustainability; the third domain explores the political economy in Iran by conflating its historical and ontological inquiry. The analysis of the three domains helps me to discern the inherent contradictions of the ideological structure in contemporary Iran and the peculiar way these contradictions are mediated. Their mediation conversely ensures the reproduction of ideology on an unconscious level. This thesis therefore explores how ideology in the Islamic Republic of Iran enables a consistent experience of social reality and how subjectivity sustains the ideological order through libidinal investments. (shrink)