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  1. Beyond an Instrumental View of Violence: On Sartre’s Discussion of Violence in Notebooks for an Ethics.Ciprian Jeler - 2020 - Human Studies 43 (2):237-255.
    This paper argues that Jean-Paul Sartre’s discussion of violence from his Notebooks for an ethics constitutes an attempt to go beyond an instrumental view of violence. An “instrumental view of violence” essentially assumes that violent behavior is a form of pragmatic behavior whose distinguishing feature consists in the kind of means one employs for reaching one’s goals (violent behavior resorting to means that are harmful for others, whereas non-violent behavior does not). For his part, Sartre attempts to provide a stronger (...)
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  • Narrative and the Literary Imagination.John Gibson - 2014 - In Allen Speight (ed.), Narrative, Philosophy & Life. Springer. pp. 135-50.
    This paper attempts to reconcile two apparently opposed ways of thinking about the imagination and its relationship to literature, one which casts it as essentially concerned with fiction-making and the other with culture-making. The literary imagination’s power to create fictions is what gives it its most obvious claim to “autonomy”, as Kant would have it: its freedom to venture out in often wild and spectacular excess of reality. The argument of this paper is that we can locate the literary imagination’s (...)
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  • Bourdieu’s Work on Literature.Anna Boschetti - 2006 - Theory, Culture and Society 23 (6):135-155.
    What explanation can be given for the relevance of literature to Bourdieu's theoretical work? In order to explain this choice of object, in the first part of this article I consider the national and international context within which Bourdieu's theory has been built. In the French intellectual space literature was a central theoretical object. In the international context, the attention paid to literature was justified by the importance given to the symbolic phenomena in the main contemporary theoretical traditions. In order (...)
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  • Biographical Situations, Cognitive Structures and Human Development: Confronting Sartre and Piaget.Hugh J. Silverman - 1979 - Journal of Phenomenological Psychology 10 (2):119-137.
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  • Screen Memories: Towards a History of Psychiatry and Psychoanalysis in the Movies.Michael Shortland - 1987 - British Journal for the History of Science 20 (4):421-452.
    In his famous biography, Ernest Jones turns aside from his central theme at one point to relate a curious episode involving psychoanalysis and Hollywood, in the persons of Freud and the well-known film producer Samuel Goldwyn. Like many others in the film industry, Goldwyn was fascinated with the challenge of exploiting the association between psychoanalysis and sex on screen, but although he approached ‘the greatest love specialist in the world’ with an offer of $100 000 for his co-operation in making (...)
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  • Sartre, Developmental Psychology and Buregoning Self-Awareness: Ricocheting from Being to Nothingness.Adrian Mirvish - 2015 - Journal of the British Society for Phenomenology 46 (3):181-194.
    While the genesis of self-awareness at approximately 18 months old is a dramatic landmark in human development, there is at this stage no explicit awareness on the toddler's part of his/her truly standing apart from others. Only much later does a distinct sense of self shift into focus, and here Sartre provides us with a compelling theory of a first reflective experience of self-awareness. He explains this phenomenon by emphasizing a violent shift in ontological status, one in which the pre-adolescent (...)
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  • Sartre's images of the other and the search for authenticity.Stuart Zane Charmé - 1991 - Human Studies 14 (4):251 - 264.
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  • Art as Weapon, or Murderous Beauty.David Bouvier - 2012 - Arion 20 (2):81-98.
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  • (1 other version)Revamping Sartre's Original Project: Freedom's Narcissistic Wound.Scott Borchers - 2005 - Journal of Phenomenological Psychology 36 (1):1-20.
    This essay is divided into three parts. In the first, I develop a new interpretation of Sartre's notion of an original project, or original choice, by emending his initial position in Being and Nothingness, and by extrapolating from his autobiography and his psychobiographies on Baudelaire and Flaubert. In the second part, I examine the early and late Sartre's paradoxical commitment to self-analysis, and go on to draw taut the tension in the late Sartre between individual freedom and relations to others. (...)
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  • Towards a religiously adequate alternative to omnigod theism.John Bishop - 2009 - Sophia 48 (4):419-433.
    Theistic religious believers should be concerned that the God they worship is not an idol. Conceptions of God thus need to be judged according to criteria of religious adequacy that are implicit in the ‘God-role’—that is, the way the concept of God properly functions in the conceptual economy and form of life of theistic believers. I argue that the conception of God as ‘omniGod’—an immaterial personal creator with the omni-properties—may reasonably be judged inadequate, at any rate from the perspective of (...)
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