This study advances understanding of how a normative feminine beauty ideal is maintained through cultural products such as fairy tales. Using Brothers Grimm's fairy tales, the authors explore the extent and ways in which “feminine beauty” is highlighted. Next, they compare those tales that have survived with those that have not to determine whether tales that have been popularized place more emphasis on women's beauty. The findings suggest that feminine beauty is a dominant theme and that tales with heavy emphases (...) on feminine beauty are much more likely to have survived. These findings are interpreted in light of changes in women's social status over the past 150 years and the increased importance of establishing forms of normative social control to maintain a gender system. (shrink)

The metaphor of “repertoire” is increasingly used in the study of contention to convey the fact that people act collectively through a limited set of cultural routines. Yet despite its broad adoption, the term is loosely defined and rarely subject to empirical verification. This has led to unfruitful scholarly disputes, with most perspectives assuming that change in repertoires is independent from how actors perform them. Drawing a parallel between the dynamics of repertoire performance and jazz improvisation, I propose a pragmatist (...) definition of repertoires, understood as relational sets of collective practices that become routinized as habit-sets and become a baseline for innovation when actors face puzzling situations. I then provide a theoretical model for analyzing change in contentious repertoires, which relies on the study of the co-constitutive relation between tactical affordances, actors’ strategies and identities, and contexts. I illustrate this model with three secondary cases of unexpected tactical innovation. (shrink)

Gay neighborhoods across the United States are de-concentrating in today’s so-called “post-gay” era as sexual minorities assimilate into the mainstream and disperse across the city. This context creates a problem of measurement. If by “culture” we mean to say a particular way of life of a group or subgroup of people like sexual minorities, and if that way of life is blending with other aspects of the metropolis, then how can we detect distinct urban sexual cultures? In this article, I (...) use 125 interviews with Chicago residents to propose a two-pronged strategy. First, gay neighborhoods continue to house anchor institutions, despite ongoing residential out-migrations. These are the primary engines of community building, and they locate the material culture of a group in a specific place. Commemorations serve as a second indicator for a culture, and they too put meanings into form. Although it is a fact of city life that all neighborhoods change, anchors and commemorations are analytic devices that scholars can use to observe urban sexual cultures. More generally, they provide a framework for how to measure the shifting geographic profile of a historically stigmatized group as it experiences positive change in public opinion. (shrink)

Sociological studies of culture have made significant progress on conceptual clarification of the concept, while remaining comparatively quiescent on questions of measurement. This study empirically examines internal conflicts (or “infighting”), a ubiquitous phenomenon in political organizing, to propose a “resinous culture framework” that holds promise for redirection. The data comprise 674 newspaper articles and more than 100 archival documents that compare internal dissent across two previously unstudied lesbian and gay Marches on Washington. Analyses reveal that activists use infighting as a (...) vehicle to engage in otherwise abstract definitional debates that provide concrete answers to questions such as who are we and what do we want. The mechanism that enables infighting to concretize these cultural concerns is its coupling with fairly mundane and routine organizational tasks. This mechanism affords one way to release the culture concept, understood here as collective self-definitions, from being “an amorphous, indescribable mist which swirls around society members,” as it was once provocatively described. (shrink)

Truth claims pervade the world: assertions that a speaker wishes to persuade an audience are true or at least plausible. But how to judge? Much proposed knowledge has uncertain legitimacy, evaluate...

Truth claims pervade the world: assertions that a speaker wishes to persuade an audience are true or at least plausible. But how to judge? Much proposed knowledge has uncertain legitimacy, evaluated through assumptions of how the world operates or by the reputation of its sponsor. In other words, plausibility and credibility shape our judgments. As students of conspiracy theories recognize, many “facts” are available, too many to be easily judged as to their accuracy. Facts are promiscuous. As judges of likelihood, (...) we conclude that some are false, others true, and still others taken out of context. Further, knowledge is never complete and so we must consider error and ignorance (a field of epistemology labeled agnotology) as well as accuracy and awareness. In this article I examine four critical allegations made about United States President Barack Obama: that he was born in Kenya, that he is Muslim, that he engaged in oral sex with another man, and that he is a socialist. While each of these claims may be false, they are false in different ways in light of the different criteria and strategies by which we weigh uncertainty. (shrink)

Max Weber's understanding of the role of people's interests in determining their behavior has been widely misunderstood, because of a misinterpretation of a famous passage in which he analogizes interests to railway “switchmen.” Contrary to this widespread view, Weber does not see material self‐interest as the driving force behind human action. Rather, he distinguishes between material and “ideal” interests; emphasizes the latter; and, arguably, suggests that even the former are, to a great extent, culturally constructed, not least because they rely (...) on ideas about the way the world is. It is almost fair to say, then, that the notion that Weber reduces ideas to interests has things completely backwards. (shrink)

The Protestant Work Ethic is a powerful force in Western culture with far reaching effects on our values and judgments. While research on PWE as a cultural value is abundant in diverse disciplines, little research has explored how this cultural value facilitates the use of heuristics when evaluating the morality of others. Using both PWE and illusory correlation as foundations, this paper explores whether people attribute positive moral characteristics to others merely based upon a description as hardworking. Three experiments suggest (...) merely being described as hardworking leads to perceptions of greater honesty, a more careful and detailed approach to one’s work, accompanied by a lesser likelihood of engaging in cheating behavior and a greater likelihood of accountability. These results have implications regarding the detection of deviant/fraudulent behavior. (shrink)

The term “deep history” refers to historical accounts framed temporally not by the advent of a written record but by evolutionary events (Smail 2008; Shryock and Smail 2011). The presumption of deep history is that the events of today have a history that traces back beyond written history to events in the evolutionary past. For human kinship, though, even forming a history of kinship, let alone a deep history, remains problematic, given limited, relevant data (Trautman et al. 2011). With regard (...) to a deep history, one conjecture is that human kinship evolved from primate social systems in a gradual, more-or-less continuous manner (see Chapais 2008); another conjecture is that kinship, in accordance with the incest account of Claude Lévi-Strauss (1969) or the fanciful, tetradic account of Nicholas J. Allen (1986), “comes into existence with a leap” (Trautman et al. 2011: 176); and yet another, the account to be developed in this paper, is that kinship, as it is understood and lived by culture bearers today, is the consequence of a profound and qualitative evolutionary transformation going from an ancestral primate-like social system predicated on extensive face-to-face interaction to the relation-based social systems that characterize human societies (Read 2012). (shrink)

The author explores how dichotomous representations of women and Indians came into play in Chilean print media representations of Mapuche women from 1997 to 2003, at the height of conflicts between the Mapuche people, the state, and elites in southern Chile. The author finds there were three competing representations of Mapuche women, which reproduce assumptions not just about them but about the people as a whole. Together, they accentuate, and simultaneously complicate, dichotomous views of Indians and women. These media portrayals (...) are significant because they reflect and reinforce the central principles of neoliberal multiculturalism—the prevailing form of governance in contemporary Latin America—which promotes diversity while perpetuating the marginalization of indigenous peoples and many of their rights. This analysis of images in print media contributes to understandings of how race and gender ideologies continue to inform debates over national belonging in contemporary Latin America. (shrink)

Sociological research on moral panics, long understood as “struggles for cultural power,” has focused on the social groups and media conditions that enable moral panics to emerge, and on the consequences of moral panics for the social control systems of societies. In this article I turn instead to modeling the specific cultural process of how the conditions for a moral panic are turned into an actual moral panic, moving the understanding of moral panic away from its Durkheimian origins and towards (...) a process-relational cultural sociology. Drawing on Roland Barthes’ theory of myth and Kenneth Burke’s dramatism, the paper posits the cultural process of resignification via synecdoche and metanarrative as the driver of the disproportion, concern, hostility, consensus, and volatility of moral panics. This process can be carefully traced in the case of the Salem Witch Trials; a retrospective reading reveals the same process at work in the “Mods and Rockers” panic analyzed by Stanley Cohen. Beyond moral panics, theorizing resignification as a non-exclusive counterpoint to framing and ideational embeddedness enriches the theoretical repertoire of cultural sociology. “Deep culture” and mythological signification can, using the schema proposed here, be understood as practical accomplishments—rhetorical responses to particular situations that, when performed successfully, legitimate violence and other forms of domination. (shrink)

Theories of culture and action, especially after the cognitive turn, have developed more complex understandings of how unconscious, embodied, internalized culture motivates action. As our theories have become more sophisticated, our methods for capturing these internal processes have not kept up and we struggle to adjudicate among theories of how culture shapes action. This article discusses what I call “productive” methods: methods that observe people creating a cultural object. Productive methods, I argue, are well suited for drawing out moments of (...) shared automatic cognition and resonance. To demonstrate the value of productive methods, I describe my method of asking focus group participants to devise and draw AIDS campaign posters collectively. I then 1) show how this productive method made visible distinct moments of both automatic and deliberative cognition, 2) offer an operational definition of resonance and demonstrate how the process of drawing revealed moments of resonance, and 3) suggest how this method allowed me to investigate the relationship between cognition and resonance and their effect on action. To conclude, I discuss strategies for using productive methods and advocate for their use in measuring culture. (shrink)

Contemporary cultural and media studies have been increasingly interested in redefining the relations between religion and culture (and particularly popular culture). The present study approaches a series of theories on the manner in which religious aspects emerge and are integrated in contemporary cultural manifestations, focusing on the persistence/resurrection of religious patterns into secularized cultural contents. Thus, the analysis departs from the concept of implicit religion, coined and developed by Bailey and the theories following it, as well as other associated concepts, (...) influential for the evolution of debates in the recent period, such as invisible religion , as approached by Luckmann, civil religion , by Bellah, folk religion, residual religion , by Davies or ‘wild’ religion, by Borg. In order to discuss the relations between religion and popular culture in contemporary U.S. and particularly the presence of certain religious patterns in popular culture messages, symbolism and rituals, the study uses an interdisciplinary approach, based on approaches currently used in media studies, film studies, cultural studies, visual culture perspectives, religious studies, and sociology. The article discusses, through different theories (and in its second part, a case study on James Cameron’s cliché masterpiece Avatar) the manner in which contemporary popular culture (and cinema in particular) recycles, integrates and reinterprets religious patterns, symbols and behaviours. (shrink)